稚气未脱的十八岁男孩儿雷米梦想成为一名诗人，渴望自己的作品如羽翼甫健、振翅翱翔的幼鹰般，让世界为之惊叹。怀揣诗人梦的他手执纸笔，穿梭于天气酷热而又风景如画的塞特港以期找寻灵感。海滩、山巅、街巷、墓园皆留下他探索的足迹，久思而不得，转而借助酒精，却始终未见文思泉涌。迷惘之中，他渐渐动摇，这条路是否应该继续走下去……（豆瓣字幕翻译2.0小组）

After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself. In his film version, Curt Goetz shifts the focus away from the poetic output towards the young Friedrich Schiller himself: on the misery of his soul whilst a pupil of the ducal military academy, his opposition to the strict physical drill and the narrow intellectual confines of the "Karlsschule", his juvenile passion for the works of Shakespeare, Klopstock and Lessing, his anger at unjust authorities, his devotion to women, and finally his inability to cope with financial matters. Curt Goetz presumes that these facets of the artist's life are the source of all anger and distress. It is the same affection with which the lead actors in Schiller's debut "The Robbers" confronted the audience at the 1782 Mannheim premiere. The audience acclaimed the play, but in his homeland the young Schiller was banned from writing and was forced to flee. The director Curt Goetz allows the actors to perform almost without pathos, which turns out to be a suitable cinematic device. The leading roles of the opponents are taken by Theodor Loos (Friedrich Schiller) and Hermann Vallentin (Duke Karl Eugen von Württemberg). The intertitles and Schiller's occasionally colourful behaviour leave no doubt about his Swabian origins. Such characterisation is sometimes achieved by the director's habit of using puns in the intertitles, the kind of jokes audiences enjoyed in subsequent talkies such as the comedies Napoleon ist an allem schuld, Das Haus in Montevideo, or Hokuspokus.

影片剧本由亚历杭德罗·冈萨雷斯·伊纳里图与长期合作伙伴尼古拉斯·迦科波恩联合撰写，故事主角是一位著名的墨西哥记者、纪录片制片人，多年之后，他回到祖国，试着真正面对他的身份、家庭关系、愚蠢的个人回忆，以及墨西哥的过往和现状。

业余诗人李五 （朱亚文饰）和妻子陈蕙 （宋佳饰）生活在二十世纪八九十年代，陈蕙为了帮助李五实现诗人梦想，背后不计代价默默付出，但却遭到世人甚至丈夫的深深误解，两人因此分道扬镳，把对彼此的爱深埋在心中，但现实的残酷却依旧无情地碾压了他们仅存的情感联系。最终，李五意外车祸死亡，给陈蕙留下的只有他的影子和气味 。

奥斯卡·雷斯特雷波对诗歌的痴迷并未给他带来任何荣耀。随着年岁的增长，他变得古怪而不安，逐渐沦为“隐居诗人”这一陈词滥调的象征。一次偶然的机会，他遇到了尤拉迪，一位出身卑微的少女，并帮助她发掘和培养自己的才华，这为他的生活带来了一丝光亮。然而，将她引入诗人的世界，或许并不是正确的选择。

一位在石头切割工厂工作的女工，她热爱文学，独来独往，与工厂监工保持了一种不为人知的身体关系。某个完工的夜晚，她又去了常去的老书店，看到了一张在临近大城市举办的诗歌分享会的海报。之后，她心中泛起的诗意，在一些不经意的时刻像海浪一样朝她涌来。而她，注定为了捍卫自己的诗歌和精 神自由，做出超乎常人的选择。 Amid factory closure and a hidden affair with factory supervisor, a female worker who loves poetry, makes an unexpected choice to defend her spirit freedom. 短片《诗人》入选2024戛纳基石单元最后一轮名单，被官方邀请去戛纳市场手册（短片⻆）。 入围2024年奈良国际电影节Nara Wave单元，并获得Nara Wave单元最佳影片Golden Kojika Award 以及观众选择奖。 入围国际D类第66届ZINEBI西班牙毕尔巴鄂国际纪录片短片电影节。

A young singer, in the time of Emperor Akbar the Great, sets out to avenge his father, killed in a disturbance near the house of a member of the Court.

A true story of the didong (a style of ballad) poet Ibrahim Kadir. He was in prison and was present during the mass killings of an estimated 500,000 suspected communists when Indonesian President Suharto came to power in 1965. His humanistic poems recreate that era.

四个年轻女孩进入充满活力、享乐主义的柏林亚文化。17岁的贾娜娜靠制作网络色情作品赚钱。她最好的朋友，18岁的艾美，发现整个城市都令人陶醉，却没有意识到她正越来越深地陷入成瘾的循环。乔伊若有所思地想着爱情，而不是碰巧在卖毒品。16岁的阿比梦想去洛杉矶。