Billy Summers is a hitman who is looking to retire and takes one last highly lucrative job to feather his nest. The job requires him to embed himself in a quiet town, where he pretends to be an aspiring writer (he actually pours himself into the prose). He sets up in an office with a direct view of where hitman Joel Allen will be delivered to face trial for shooting two men during a poker game. Allen also has committed enough murders for some high-level mobsters to be scared the gunman will incriminate his former employers to lessen his sentence. Summers, a meticulous craftsman, becomes more and more cynical about the mobsters who’ve hired him, and his skepticism is well warranted as things go awry following the job’s completion.

Billy Summers is a hitman who is looking to retire and takes one last highly lucrative job to feather his nest. The job requires him to embed himself in a quiet town, where he pretends to be an aspiring writer (he actually pours himself into the prose). He sets up in an office with a direct view of where hitman Joel Allen will be delivered to face trial for shooting two men during a poker game. Allen also has committed enough murders for some high-level mobsters to be scared the gunman will incriminate his former employers to lessen his sentence. Summers, a meticulous craftsman, becomes more and more cynical about the mobsters who’ve hired him, and his skepticism is well warranted as things go awry following the job’s completion.

中年老实人李广南为公司创造巨大价值，却不被公司尊重，还被压榨、暗算后踢出公司，最终他用个人能力清算反派，整顿职场，赢得人心，抱得美人归。

A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. 　　Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. 　　Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. 　　Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").

一名二战老兵逃离北爱尔兰的疗养院，踏上一趟前往法国参加诺曼底登陆75周年纪念活动的艰辛但鼓舞人心的旅程，并找到了面对过去阴影的勇气。

手成为了这件作品的主角，从宏观角度描绘了一座城市，它被感知为基于不同工种的女工匠的触觉情境。《每一个手势》是一幅视听肖像，从工坊的足迹和内心世界来思考巴塞罗那这座城市。

影片主人公是少女菲（索菲·特纳饰演)，她的父亲(瑞斯·伊凡斯饰演)患有重病，而母亲与家人的关系一天天疏远。菲在学校里排演舞台剧《麦克白》，与她搭档的是班级里最帅气的男孩子。两个人开始交往，发生了关系。菲对于自己身体的变化以及未来感到迷惘而又害怕，这时她遇到了一个与自己长得一摸一样的女孩。这个女孩开始追逐、骚扰和模仿她。究竟这个女孩真的存在吗？或许她只是存在于菲的幻想？观众与片中的菲一同在疑惑，猜测着。

Nina Shorina执导。出生在莫斯科的Shorina自幼是受欢迎的童星，后来获国家电影学院演员与导演双学位。1976年她开始在Soyuzmultfilm执导,完成许多儿童影片，她擅长使用蒙太奇手法，呈现混乱的现实世界与内在空间，其三部曲《门》（Door，1986）、《梦》（Dream，1988）和这部作品，讽刺着进行解放改革中的人民生活。

《另一个我》(The Other Me)将由吉格·阿格拉泽自编自导，吉姆·斯特吉斯主演，并由大卫·林奇担任执行制片人。本片讲述了一个有抱负的建筑师被诊断出患有一种使人衰弱的眼疾，使他能够进入现实的超现实版本，看到人们的真实动机。

《另一个我》(The Other Me)将由吉格·阿格拉泽自编自导，吉姆·斯特吉斯主演，并由大卫·林奇担任执行制片人。本片讲述了一个有抱负的建筑师被诊断出患有一种使人衰弱的眼疾，使他能够进入现实的超现实版本，看到人们的真实动机。