九皇子李湛在新婚之夜遭陷害，被流放边疆三年。他毅然与皇室决裂，带着母亲杨妃踏上征程。途中遭遇截杀、未婚妻柳清雪执意追随，危机四伏。面对兄弟算计、皇权倾轧，李湛立誓复仇，誓要让轻贱他之人付出代价。这是一段从深渊崛起，搅动王朝风云的逆袭史诗。

末世霸主苏九璃一朝魂穿，沦为遭奸臣构陷、举家流放荒漠边城的将门嫡女。绝境之中她解锁末世生存系统，手握强悍格斗本领与野外求生诀窍。她护着家人搏杀荒原狼群，深挖地下水源，开垦荒地催生丰产作物，把死寂荒城盘活。京城仇家不肯罢休，屡屡派杀手半路截杀，野外部落、隐秘矿藏、稀缺资源相继现身。苏九璃借机收拢人手建立势力，层层扒开流放冤案真相，立誓护族人站稳脚跟，杀回京城向所有仇敌清算旧怨。

商界女王江晚禾手握三千万回乡报恩，一心想要出资为故土修路，不料却遭到全村白眼狼的轮番算计，不断被吸血压榨，甚至惨遭恶意构陷背刺。一腔善意尽数被践踏，江晚禾彻底心冷，当众撕毁投资协议，转身选择民风敦厚的隔壁黄水村。她凭借独到商业眼光与雄厚资源，将黄水村打造成为炙手可热的高端生态名村。面对旧村接二连三的恶意阻挠与使绊，江晚禾手握资本、证据，借力法律步步反击，狠狠打脸一众贪婪之人，深刻诠释善意只渡值得之人。

网络作家朱长安身患绝症，走投无路之时家中闲置鱼缸幻化成造景箱，从此开启了一段神奇的旅途。 这个箱子可以直通大明万历王朝，而且箱子里还有一个与朱长安相貌完全相同的书生，两人命运被绑定到了一起，自此同气连枝，共患难同富贵。 朱长安利用自己天神一般的存在，帮助朱任侠在大明末年经商入仕，飞黄腾达。 而朱任侠则把获得的古玩字画、奇珍异宝回馈给朱长安，前世今生从此携手走向人生巅峰。

叶锋魂穿异界成被流放者，绑定逆命者系统，需一年内让苏兰、冷霜等五位女超能力者对他中立保命。他在灰烬之都打黑拳、提升实力、修复空间异能，化解追杀与暗渊危机，扭转五人敌意，完成任务后揭开叶家阴谋，开启新途。

一觉睡醒，天翻地覆，系统的声音响起原来是全民进入航海求生游戏，人手开局一木筏一根木杆，物资全靠钓，生存变得无比艰难，物资稀少而珍贵。万万没想到，我却在新手保护期触发了欧皇天赋百分百获得概率系统，为了在这求生游戏中存活下来，我开始钓物资，升级木筏、收萌宠、战异兽，渐渐在这弱肉强食的求生游戏中成为一方大佬！

《一个接一个》改编自大卫·罗西诺的真实故事。戴夫最初是一名殡葬学徒，后来成为监狱的警卫。不久，他成为了一名卧底缉毒侦探和凶杀案调查员。但上帝对他另有安排。在一次危及生命的伤害之后，戴夫不情愿地接受了成为一名牧师的召唤，他为无数人的生命带来了永恒的改变。—史蒂文·F·赞博

百亿总裁陈杨幼年被拐，寻回父母后伪装穷人回乡试探亲情。面对势利弟媳、贪婪亲戚百般羞辱，唯有父母真心待他。恰逢村子传出拆迁消息，一众亲人暴露贪念不断算计。陈杨暗中布局，揭穿反派恶行，扶持老实弟弟，最后亮出全部身家，与真心相伴的苏晓举行盛大婚礼，一家人圆满相守。

百亿总裁陈杨失散二十三年后寻亲，扮落魄乞丐回乡，借爷爷寿宴考验家人。势利弟媳吴兰、二叔二婶百般刁难，父母却真心待他。村里传拆迁，吴兰勾结郑浩、郑万财算计老宅。陈杨暗中布局，招标时扶持弟弟陈磊与发王刚拿下东湾温泉项目，反派商业罪行败露入狱。陈磊与媒婆柳容互生情愫，陈杨向助理苏晓表明心意，最终兄弟同日举办婚礼，全家圆满。

A remarkable and brilliant documentary, with superb photographs of nature in a beautiful landscape. Arne Sucksdorff is a swedish director important in the post-World War II revival of the Swedish cinema because of his internationally acclaimed sensitivity in photographing nature. His patiently photographed flowers, insects, birds, and animals are composed into films in which the rhythm of nature is dominant and man is only one of nature's creatures. Sucksdorff studied natural sciences and then turned to painting at the Reihmann Art School in Berlin, but his main interest was photography. After his first short film, Augustirapsodi (1939), won national awards, he was offered a contract by Svensk Filmindustri (1939–1953), Sweden's leading studio. Sucksdorff's early shorts were marked by the love of nature that had been traditionally characteristic of the finest Swedish silent films. Outstanding among them were: Trut (1944 "The Gull"), an account of a Baltic seabird community with the gull as the villain; Skuggor over snon (1945 "Shadows over the Snow"), about a bear hunt through the forest; Manniskor i stad (1946 "The Rhythm of the City"), won the Academy Award for best short subject; En kloven varld (1948 "A Divided World"); Uppbrott (1948 "The Open Road"), and Vinden och floden (1950 "The Wind and the River"), filmed in India. Sucksdorff wrote, directed, edited, and produced his first feature-length film, Det stora aventyret (1953 "The Great Adventure"), the story of life on a Swedish farm, using no professional actors. It further enhanced his reputation, as did such later features as En djungelsaga (1957 "The Flute and the Arrow"), Pojken i tradet (1961 "The Boy in the Tree"), and Mitt hem ar Copacabana (1965 "My Home Is Copacabana").