持霆十年，振作纪纲。赤心一寸，安民厚生。 　　后世览之，当见白圭昭彰，太岳峥嵘。 　　该剧根据曾荣获中宣部“五个一工程奖”、第六届“茅盾文学奖”等多项殊荣的熊召政长篇小说《张居正》改编。

张居正是明代万历年间因厉行改革而彪炳史册的一位传奇人物。张居正为内阁首辅，位居高拱之下，在隆庆重病时，二人矛盾爆发，展开首辅争夺战。隆庆驾崩，年仅十岁的太子登基，是为万历皇帝，张居正正式成为首辅，之后便大刀阔斧展开万历改革。张居正用“考成法”整顿官僚制度，大大提高官员的实干精神和国家组织力，用清丈政策缓解人民的赋税重压。当改革的一切铺垫做好时，父亲忽然去世，但张居正决定不按制度守父孝，继续留在首辅位置上推进改革，其苦心无人理解。万历对张居正逐渐生出叛逆和怀恨，当张居正溘然长逝之后，万历对张家展开了清算，彻底否认了他的贡献。公道自在人心，张居正以一己之力，力除国家积弊，被后人誉为“救时宰相”。

在中国封建社会中并不乏有自平民而荣登宝座的皇帝，刘邦、朱元璋都以开国的一代君主享名青史，但却少有出身寒微而力挽狂澜的宰相，张居正就是罕见的一位。张居正，明万历年间曾因厉行改革而彪炳史册的一位传奇人物。他从秀才、举人、进士，官至内阁大学士，从平民中崛起，荣登首辅之位后，理政十年，协助十岁的小皇帝，推行改革：整饬吏治，刷新颓风；整肃教育，延揽济世之才；革新税赋，梳理财政。拯救朱明王朝将倾之厦，把衰败、混乱的明王朝，治理得国富民安，使万历时期成为明王朝最为富庶的时代。

在中国封建社会中并不乏有自平民而荣登宝座的皇帝，刘邦、朱元璋都以开国的一代君主享名青史，但却少有出身寒微而力挽狂澜的宰相，张居正就是罕见的一位。张居正，明万历年间曾因厉行改革而彪炳史册的一位传奇人物。他从秀才、举人、进士，官至内阁大学士，从平民中崛起，荣登首辅之位后，理政十年，协助十岁的小皇帝，推行改革：整饬吏治，刷新颓风；整肃教育，延揽济世之才；革新税赋，梳理财政。拯救朱明王朝将倾之厦，把衰败、混乱的明王朝，治理得国富民安，使万历时期成为明王朝最为富庶的时代。

1942年 红军军官尼古拉·基谢廖夫接到命令，将 200 多名暂时还未陷入纳粹魔爪的犹太人从被占领的白俄罗斯土地上撤走—— 这些饱受饥饿折磨、失去亲人、几乎失去理智的人，多是老人、妇女和儿童，他们将不得不沿着林间小道行走数百公里…

ALF returns to his Catholic school and encounters a new student, OLIVER, who captivates him, leading him away from his lifelong friends. Yet, when faced with adversity, Alf betrays this attraction, opting to display his masculinity to his friends. This choice results in dire consequences that will leave an indelible mark on them all for life.

ALF returns to his Catholic school and encounters a new student, OLIVER, who captivates him, leading him away from his lifelong friends. Yet, when faced with adversity, Alf betrays this attraction, opting to display his masculinity to his friends. This choice results in dire consequences that will leave an indelible mark on them all for life.

1942年 红军军官尼古拉·基谢廖夫接到命令，将 200 多名暂时还未陷入纳粹魔爪的犹太人从被占领的白俄罗斯土地上撤走—— 这些饱受饥饿折磨、失去亲人、几乎失去理智的人，多是老人、妇女和儿童，他们将不得不沿着林间小道行走数百公里…

An intimate portrait of legendary, master filmmaker Werner Herzog at work on MY SON, MY SON, WHAT HAVE YE DONE, by that film's co-writer, HERBERT GOLDER, a close friend and long-time collaborator. Unlike other documentaries that have been made about Herzog, in which he stares almost defiantly into the camera and, in his inimitable way and in his famous voice, articulates his views on life, this film shows a side of him known only to his friends and close collaborators. Although refreshingly candid and surprisingly revealing, this portrait in no way diminishes Herzog's mystique -quite the contrary-but it does deepen our appreciation of his humanity, and offers, through Golder's running commentary-as much an ongoing conversation with Herzog himself as a conversation with the viewer-an insider's insight into his craft and an exploration of some of the most abiding and deepest themes of his films.