这部意大利电影以一种令人不寒而栗的、非探索性的方式，审视了一个强迫强奸漂亮女人的好年轻人的内心。强奸案以图形化的方式呈现，可能会让一些观众感到不安。从外表上看，卢卡似乎是一个正常、安静的20岁孩子。他的母亲经常离开。当卢卡迷上在隔壁大楼工作的美女瓦莱里娅时，麻烦就开始了。他开始监视她，然后用摄像机偷偷地拍摄她。他试图了解她，但她不理他。这个沮丧的年轻人无法忍受她不断的拒绝，在黑暗的街道上搭讪并强奸了她。第一次强奸几乎是偶然的；他在街上碰见她，把她弄伤了。不幸的是，他喜欢暴力，开始强奸他看到的每一个有魅力的女人。他对Lorena尤其暴力，Lorena是一名珠宝女售货员，他在公园里殴打了她，然后侵犯了她。

假期结束，真由子在返回东京的途中，驾车轻快地行驶在山间的国道上。然而，一名躲在路边故障卡车后的强壮司机突然拦路，迫使她停车。司机假借千斤顶修车，得手后却瞬间变脸，将真由子拖入旁边的森林粗暴地强奸，随后扬长而去。真由子含泪奔向附近的警察局求助，谁知刑警不仅不同情，反而不断询问一些令她感到受辱的细节。羞愤难当的真由子冲出警局，却被一名因涉嫌卖淫正在接受调查的女子哈妮追上。哈妮声称知道那名司机的下落，真由子便随她前往，结果哈妮却偷走她的手提箱逃之夭夭。心力交瘁的真由子继续驾车，不料车辆再次故障。虽然得到加油站店员的帮助，但因无法立即修好，她只得在附近的汽车旅馆过夜。谁知祸不单行，她在旅馆中又遭一名潜入的中年男子无情强暴。身心俱碎的真由子次日清晨去取修好的车时，店员竟索要天价修理费。因无力支付，她再次遭到店员的袭击，被弄得满身油污并遭受凌辱。遍体鳞伤的真由子勉强振作精神继续赶路，途中又遭一名怪异中年男子纠缠，虽受伤但侥幸逃脱。为处理伤口，她走进一家医院，却没想到连那位看似温和的医生也对她实施了侵犯。彻底绝望的真由子再次冲进当地警局，却遭到刑警们的戏弄。走投无路之下，她偷走一把手枪驾车逃离。刑警们紧追不舍，甚至驾驶警车撞击她的车辆。当车辆驶至悬崖边缘时，真由子拼命踩下刹车。她的车在悬崖边千钧一发地停住，而追击的警车却直接冲落谷底，燃起熊熊烈火。真由子踉跄着下车，茫然地俯视着那片火海……

一名年轻女子搬进了一间装有隐藏摄像头的公寓。一个偷窥狂注视着她的一举一动，并与她开始了一段奇怪的关系。

介護師の北島英理(天使もえ)は仕事帰りの夜道で暴漢に襲われるが、通り掛かった吉田順一(神谷哲太)に助けられ、その事がきっかけで交際を始める。両親を早くに亡くし孤独な毎日を過ごす英理と、日々の仕事にストレスを抱えながらも真面目に生きる順一の二人は急速に惹かれ合っていった。しかし英理が介護を担当する老女の二宮岬(谷川みゆき)はふたりの交際に懐疑的であった。そして岬の心配をよそに、やがて二人は一緒に暮らすようになる。そんなある日、英理が夕食をデリバリーにしたことから、順一の態度が急変した。突然英理を突き飛ばし、すぐに食事の支度をしろと怒鳴り始めたのであった。

Good bourgeois damage unintentionally life of a drug-party, during which the mistress of the house is raped without recognizing the aggressor. Both she and her husband come into crisis and try to figure out who it was. The truth comes to the surface slowly, and it is unexpected.

As every summer, Georges Lajoie, his wife Ginette and grown-up son Léon go on holiday to Loulou's campsite. They join old friends, the Schumachers and the Colins. Brigitte Colin, the daughter, is quite a pretty young girl now. One day, Georges rapes and murders her. He hides the body near the barracks of the immigrant Arab workers. The racism of the campers will do the rest... A virulent lampoon against the average Frenchman's racism.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

弘和真守都是隱藏同志身分的年輕警察，而且真守暗戀著弘。某天弘在跟蹤一名蒙面怪客時，遭到強暴並被盜走手槍，該名蒙面強暴犯是猖獗狂妄的影山，他的犯罪目的，就是以強暴直男把異性戀社會改造成同志世界！