苏念幼时与家人走散，被寻回时家中已有养女苏瑶，父母及哥哥苏辰偏爱苏瑶而漠视她。苏瑶因嫉妒烧掉苏念的录取通知书引发火灾，还诬陷救人的苏念入狱。 十年后苏念出狱，得知未婚夫江浩与苏瑶订婚，幸得顾修远带她赴法。苏辰此时才发现苏念曾遭不公及为江浩捐肝的真相，众人去机场挽留，苏念仍毅然离开。 五年后，苏念化名林砚，在男友陆则衍和顾修远助力下成为国际艺术家。她回国参加苏瑶画展复仇，多次击败苏瑶并夺下苏氏集团。

李雁雁生于合肥，是中国第一个赴国外留学的盲人。1985年秋，李雁雁感觉视力异常模糊，渐渐不能视物，医院确诊是青光眼发展成视神经萎缩，导致双目失明。失明后，母亲带他辗转多地治疗均没有效果，李雁雁决定直面命运，开始新的生活。他在12年间辗转日本、美国学医，克服难以想象的困难，获得帕默正骨大学博士学位，成为亚洲第一个盲人医科博士。而后，思乡心切的他回国，把在日本和美国学到的医学经验与中医科学融合，创造出新疗法造福更多的脊柱神经患者，《归雁》正是反映了盲人青年这一励志历程。

太傅之女沈书言大婚当日，夫君萧淮为救柳云薇弃她于喜堂，沈父带她退婚归府。沈书言智斗柳云薇与将军府，意外发现柳云薇是旧案孤女，其接近萧淮实为复仇。沈书言与父亲联手查案，揪出幕后兵部尚书，洗清旧冤，她也凭功获封郡主，执掌慈恩堂，活成独属于自己的光芒。

失散十六年的陆家嫡女孟超，在市井摸爬滚打长大，凭一身街头本事智擒人贩子时被陆家认出，接回豪门。面对假千金陆薇薇的连环构陷、亲戚刁难与豪门规矩的束缚，她以实用主义智慧正面硬刚，屡屡破局。她与夏氏继承人夏明舟从互怼到双向奔赴，联手化解家族内斗与商业危机，拒绝豪门排场举办烟火气婚礼，坦然迎接京都宗族的全新挑战。

根据樊祥达小说《上海新贵族》改编，在日本留学的祝先生,带着遍体伤痕回到故土上海,经历了一场难以承受的感情风暴潮:一方是结发妻子及心爱的儿子,一方却是携手同归的东京情人。

太傅之女沈书言大婚当日，夫君萧淮为救柳云薇弃她于喜堂，沈父带她退婚归府。沈书言智斗柳云薇与将军府，意外发现柳云薇是旧案孤女，其接近萧淮实为复仇。沈书言与父亲联手查案，揪出幕后兵部尚书，洗清旧冤，她也凭功获封郡主，活成独属于自己的光芒。

不可思议的少女花户小鸠有个“想去的地方”，为达到目的，她必须收集许多受伤的心来装满瓶子，在那之前，便需要治愈那些人们的心灵创伤。机缘巧合的情况…

The European mentality of this German silent was a bit racy for mainstream American tastes of the era; nevertheless, the images created by director Paul Czinner told this story well. A wife (Elizabeth Bergner) is bored by her overweight slob of a husband (Emil Jannings). She gives in to the temptation of a slickly seductive poet (Conrad Veidt). The cuckolded husband (a common role for Jannings) tries to convince the pair to stop the philandering, but the wife runs off with her lover anyway. The lover shortly grows tired of her (just as the husband predicted he would) and dumps her. Without either her lover or her husband, the desperate woman throws herself off a cliff. Although Husbands or Lovers was not released in the U.S. until 1927, it was filmed in 1924, before Jannings came to America to make his mark on films there. In European release it was called Nju, which was the Bergner character's name. A playwright and theatrical producer in Austria, Paul Czinner directed his first film in Vienna in 1919. He scored a success in the German film industry with his 1924 drama Nju (aka Husbands or Lovers), starring Elisabeth Bergner. She went on to act in most of Czinner's films, and the two married in 1933. That same year they fled the Nazis and moved to England, where their films included Catherine the Great and As You Like It. In the '40s they lived in America, working on the Broadway stage. Returning to England in the '50s, Czinner filmed dance (The Bolshoi Ballet}, The Royal Ballet) and opera (Don Giovanni, Der Rosenkavalier) using his own innovative multi-camera methods.

她为供丈夫读书，在乡下苦守十年，照顾病重婆母，扛起整个家。丈夫却在外另立家室，让亲娘装病将她困于老宅。得知真相后，她没有哭闹纠缠，而是默默毁掉婚书，独自踏上边关之路。在那里，有一个曾被她拒绝的小兵，用赫赫军功换来了一纸婚书，只为给她一场真正的婚礼。这一次，她为自己而活。从被辜负的发妻，到将军夫人——原来，离开错的人，才能遇见对的他。

厉景琛的妻子温以宁车祸后成植物人，他雇佣护工江姗姗照顾。江姗姗贪图厉家财富，趁其不备将家人接进地下室寄生。时间一久，她嫉妒厉景琛对温以宁的深情，不再满足于做保姆，妄想取代温以宁成为新的厉夫人。