Memories of Argentina in the early 1950s bring a man back (in his mind) to his neighborhood, his family, and their hardware store. Alth ough the barrio was filled with people both for and against Juan Perón who was in office as President at this time, the bonds of friendship were stronger than political differences. This view, and the view held throughout the film is that of the man as a young child. Newsreel clips and scenes of Evita Perón's funeral insert an adult perspective, though there is still an element of indecision throughout the film as to which perspective should hold. "Espérame mucho" ("Keep Waiting For Me") is an Argentinian film released in 1983 and based on a short story by Isidoro Blaisten. The action takes place in 1950 and the viewer is able to get a feel for the time from the very first scenes, which consist of TV reporting typical for countries under a centralized economy. The story is told in the first person, in a memoir fashion, with a neat transition between the introductory words of the narrator ” I am 41 years old. In 1950, I was in fourth grade” and the actual story observed through his eyes as a child. Juancito (played by the eleven year old Federico Olivera) is the main protagonist of the story. He is a regular boy who does his lessons under his mother’s supervision while awaiting impatiently for six o’clock so he can hear the story of his favorite hero on the radio -- Tarzan. A lot of political turmoil is happening in Argentina at that time and it causes the young boy to wonder why his mother is referring to his uncle as “A Quixote” instead of ” A revolutionary”, as he sees him. In the later scenes, it becomes clear that the boy compares his uncle with his father -- admiring his uncle for his courage and disapproving of his father who “never speaks up” and always follows the demands of his wife. And Juancito is not afraid to say that to his father’s face, using the words “everyone bosses you around”. At the same time, he relates more to his uncle who sometimes joined the boys in their football games “We loved it when my uncle Migel got the ball. He’d forget politics and play like a child. We all envied him.” Juansito is in love with a girl and the scene in which he gives her a present made my him is one of the most heart warming scenes I have seen in a film. Yet, he soon finds out how unfair life can be…. Generally speaking, the film has some quite touching scenes which alternately brought tears to my eyes or a smile to my face. The cast did an incredible job in the film. Throughout the story, told through the eyes of Juancito, the viewer can appreciate the similarities, differences and beliefs of people from various social classes in Argentina during 1950. The abundance of documentary cadres contributes to the educational value of the film. It accurately portrays the history and the epoch in which the action is set. I believe that everyone who sees this film once will have gained a knowledge and a wisdom - because even as the years change, we today still share the same joys and fears as did the people in 1950. Espérame mucho has some of the most powerful ending phrases that I have seen in any coming of age film. I could not resist quoting them in my review as I believe they represent its core message and will lead to a desire for you to see it: “looking back on those days, the affection of these people, their faces and smiles, I feel the weight of these 30 years. When I left Tarzan, defender of the meek and justice, a wound opened up, for me and for many others and it hasn’t healed yet. The many things that happened buried the enthusiasm …. I am 41 years old. With time, I discovered why Tarzan wasn’t enough ….and I lost my childhood innocence “ When released in 1983, in the last few months of the military rule in Argentina, Esperame Mucho was subject to severe censorship by the regime. After the regime ended, the film was delivered without cuts in its various television displays. I would not hesitate to recommend this film - not only to the fans of the coming of age genre, but to anyone who is interested in watching a high quality cinema production. Despite being produced in 1983, Esperame mucho is a film from which many of today’s filmmakers may learn. The Sky Kid

灵感来自真实事件，向1948年的黄金时代致敬。“好莱坞发生的事情，留在百老汇”。从蒙蒂·克利夫特到理查德·罗杰斯的传奇人物的私生活，通过24岁的 Sid Lumet 的眼睛讲述。

Inspired by true events, pays homage to the Golden Age, 1948. "What happened in Hollywood, stayed on Broadway". The private lives of legends from Monty Clift to Richard Rodgers, told through the eyes of 24 year old Sid Lumet.

十年前，陆升是意气风发的豪门富少，虞芷溪是贫穷拮据的美丽校花。十年后，他破产为服务员，她崛起为女总裁。在一次同学聚会上，两人再次重逢。总有人不管你的出生，家庭背景，只要你敢勇敢地做自己，就总会有人爱你。

改编自丁墨的作品《待我有罪时》。 来自江蓉市的女刑警尤明许深入川西追查连环杀人案，偶遇受伤失忆的犯罪心理学教授殷逢，两人组成一对探案搭档。失忆的殷逢心智回到了少年时代，天真热烈，走进了尤明许因幼年失母而封闭的内心。在办案过程中，殷逢展现出了卓越的犯罪心理分析能力，而尤明许则依靠多年办案经验和敏锐的直觉，在殷逢的帮助下屡次破案，两人从陌生走向默契，也渐渐对彼此萌生爱情。殷逢也找回了记忆，他外表冷漠，内心仍对尤明许充满感情。但殷逢推理出自己的哥哥可能是当年杀害尤明许母亲的凶手。为了解开十九年前的尤明许之母的死亡迷案，两人抽丝剥茧，最终尘封多年的真相浮出水面，真凶伏法。

媳妇是天下闻名的美女董事长，他却摇身一变成为一个送快递。伏尸百万为红颜，流血千里为老婆。繁华都市，且看他如何继续热血的传奇之旅。

一场意外，夏星河救下了慕长风，从此却被他赖上，他宠她爱她呵护她，而她一看到他就想逃跑。有人欺负她，他霸气护妻！

秋菊不听劝嫁给二婚带一娃的志强，志强却不喜欢秋菊，大婚当日志强碰都没碰秋菊，甚至第二天就跟同村大哥进城打工，一走就是十八年，十八年后，志强终于回来，却已经在城里....这次回来竟是为了和秋菊离婚...

婆婆搬入家中后处处针对林晚，日常饮食刻意将她排除在外，丈夫陈默却一味偏袒纵容。雪上加霜的是，林晚查到夫妻共同存款被私自挪给婆婆，工作上又遭遇恶意骚扰。 一边是步步紧逼的婆家，一边是缺位冷漠的丈夫，无休止的道德绑架扑面而来。林晚不再妥协，冷静收集全部证据，拿起法律武器分割婚内财产，毅然提出离婚。 她挣脱压抑畸形的婚姻牢笼，斩断消耗自己的关系，夺回属于自己的财产与尊严，拥抱自在独立的全新人生。

母亲来林婉秋家暂住七天，丈夫孙强却始终态度恶劣，当着母亲的面连续摔碗，甚至故意将热饭菜泼到母亲身上，言语间满是嫌弃。母亲满心委屈，临走时攥着林婉秋的手哭诉，直言再也不来添麻烦。国庆节这天，孙强满脸讨好地告知林婉秋，他的父亲孙建军要来家中暂住，还反复叮嘱她务必好好招待。想起母亲所受的委屈，忍无可忍的林婉秋不再隐忍，学着孙强当初的模样对待孙建军，故意打翻热菜、言语试探，一步步反击。