Memories of Argentina in the early 1950s bring a man back (in his mind) to his neighborhood, his family, and their hardware store. Alth ough the barrio was filled with people both for and against Juan Perón who was in office as President at this time, the bonds of friendship were stronger than political differences. This view, and the view held throughout the film is that of the man as a young child. Newsreel clips and scenes of Evita Perón's funeral insert an adult perspective, though there is still an element of indecision throughout the film as to which perspective should hold. 　　"Espérame mucho" ("Keep Waiting For Me") is an Argentinian film released in 1983 and based on a short story by Isidoro Blaisten. The action takes place in 1950 and the viewer is able to get a feel for the time from the very first scenes, which consist of TV reporting typical for countries under a centralized economy. The story is told in the first person, in a memoir fashion, with a neat transition between the introductory words of the narrator ” I am 41 years old. In 1950, I was in fourth grade” and the actual story observed through his eyes as a child. 　　Juancito (played by the eleven year old Federico Olivera) is the main protagonist of the story. He is a regular boy who does his lessons under his mother’s supervision while awaiting impatiently for six o’clock so he can hear the story of his favorite hero on the radio -- Tarzan. A lot of political turmoil is happening in Argentina at that time and it causes the young boy to wonder why his mother is referring to his uncle as “A Quixote” instead of ” A revolutionary”, as he sees him. In the later scenes, it becomes clear that the boy compares his uncle with his father -- admiring his uncle for his courage and disapproving of his father who “never speaks up” and always follows the demands of his wife. And Juancito is not afraid to say that to his father’s face, using the words “everyone bosses you around”. At the same time, he relates more to his uncle who sometimes joined the boys in their football games “We loved it when my uncle Migel got the ball. He’d forget politics and play like a child. We all envied him.” 　　Juansito is in love with a girl and the scene in which he gives her a present made my him is one of the most heart warming scenes I have seen in a film. Yet, he soon finds out how unfair life can be…. Generally speaking, the film has some quite touching scenes which alternately brought tears to my eyes or a smile to my face. 　　The cast did an incredible job in the film. Throughout the story, told through the eyes of Juancito, the viewer can appreciate the similarities, differences and beliefs of people from various social classes in Argentina during 1950. The abundance of documentary cadres contributes to the educational value of the film. It accurately portrays the history and the epoch in which the action is set. I believe that everyone who sees this film once will have gained a knowledge and a wisdom - because even as the years change, we today still share the same joys and fears as did the people in 1950. 　　Espérame mucho has some of the most powerful ending phrases that I have seen in any coming of age film. I could not resist quoting them in my review as I believe they represent its core message and will lead to a desire for you to see it: 　　“looking back on those days, the affection of these people, their faces and smiles, I feel the weight of these 30 years. When I left Tarzan, defender of the meek and justice, a wound opened up, for me and for many others and it hasn’t healed yet. The many things that happened buried the enthusiasm …. I am 41 years old. With time, I discovered why Tarzan wasn’t enough ….and I lost my childhood innocence “ 　　When released in 1983, in the last few months of the military rule in Argentina, Esperame Mucho was subject to severe censorship by the regime. After the regime ended, the film was delivered without cuts in its various television displays. 　　I would not hesitate to recommend this film - not only to the fans of the coming of age genre, but to anyone who is interested in watching a high quality cinema production. Despite being produced in 1983, Esperame mucho is a film from which many of today’s filmmakers may learn. 　　The Sky Kid

这是一个很简单却很动人的小故事。小女孩寇伊（Jahla Bryant 饰）爱上了邻居家的小男孩杰森（Ryan Fitzpatrick 饰），梦想着能穿着白裙子嫁给他。但是这个六岁的小男孩对女生完全不感兴趣，甚至见到女生就逃跑，他满脑子装的只有自行车，幻想着有一天能像高年级的男生们一样骑着双轮自行车飞跃跳板，于是他开始了笨拙的练习。女孩只好想方设法靠近男孩，每天看他练习，骑着车在他周围环绕，按他的喜好改变自己，然而他却没有多看她一眼，女孩决定亲自学会双轮自行车，像他的偶像们一样飞跃跳板…… 　　本片灵感来自于导演童年的亲身经历。

这是一个很简单却很动人的小故事。小女孩寇伊（Jahla Bryant 饰）爱上了邻居家的小男孩杰森（Ryan Fitzpatrick 饰），梦想着能穿着白裙子嫁给他。但是这个六岁的小男孩对女生完全不感兴趣，甚至见到女生就逃跑，他满脑子装的只有自行车，幻想着有一天能像高年级的男生们一样骑着双轮自行车飞跃跳板，于是他开始了笨拙的练习。女孩只好想方设法靠近男孩，每天看他练习，骑着车在他周围环绕，按他的喜好改变自己，然而他却没有多看她一眼，女孩决定亲自学会双轮自行车，像他的偶像们一样飞跃跳板…… 　　本片灵感来自于导演童年的亲身经历。

灵感来自真实事件，向1948年的黄金时代致敬。“好莱坞发生的事情，留在百老汇”。从蒙蒂·克利夫特到理查德·罗杰斯的传奇人物的私生活，通过24岁的 Sid Lumet 的眼睛讲述。

Inspired by true events, pays homage to the Golden Age, 1948. "What happened in Hollywood, stayed on Broadway". The private lives of legends from Monty Clift to Richard Rodgers, told through the eyes of 24 year old Sid Lumet.

改编自丁墨的作品《待我有罪时》。 　　来自江蓉市的女刑警尤明许深入川西追查连环杀人案，偶遇受伤失忆的犯罪心理学教授殷逢，两人组成一对探案搭档。失忆的殷逢心智回到了少年时代，天真热烈，走进了尤明许因幼年失母而封闭的内心。在办案过程中，殷逢展现出了卓越的犯罪心理分析能力，而尤明许则依靠多年办案经验和敏锐的直觉，在殷逢的帮助下屡次破案，两人从陌生走向默契，也渐渐对彼此萌生爱情。殷逢也找回了记忆，他外表冷漠，内心仍对尤明许充满感情。但殷逢推理出自己的哥哥可能是当年杀害尤明许母亲的凶手。为了解开十九年前的尤明许之母的死亡迷案，两人抽丝剥茧，最终尘封多年的真相浮出水面，真凶伏法。

十年前，陆升是意气风发的豪门富少，虞芷溪是贫穷拮据的美丽校花。十年后，他破产为服务员，她崛起为女总裁。在一次同学聚会上，两人再次重逢。总有人不管你的出生，家庭背景，只要你敢勇敢地做自己，就总会有人爱你。

改编自丁墨的作品《待我有罪时》。 　　来自江蓉市的女刑警尤明许深入川西追查连环杀人案，偶遇受伤失忆的犯罪心理学教授殷逢，两人组成一对探案搭档。失忆的殷逢心智回到了少年时代，天真热烈，走进了尤明许因幼年失母而封闭的内心。在办案过程中，殷逢展现出了卓越的犯罪心理分析能力，而尤明许则依靠多年办案经验和敏锐的直觉，在殷逢的帮助下屡次破案，两人从陌生走向默契，也渐渐对彼此萌生爱情。殷逢也找回了记忆，他外表冷漠，内心仍对尤明许充满感情。但殷逢推理出自己的哥哥可能是当年杀害尤明许母亲的凶手。为了解开十九年前的尤明许之母的死亡迷案，两人抽丝剥茧，最终尘封多年的真相浮出水面，真凶伏法。

桑娅和萨蒂亚是一对同居夫妇。萨蒂亚背叛了妻子，他有一个情妇，名叫坎哈。坎哈是一位美丽的女人，一头长发垂到腰间。两人一直保持着秘密，直到坎哈生下孩子，而当时他的妻子索尼娅也怀孕了。作为父亲，萨蒂亚承诺不再背叛妻子，并将与她共度美好时光，为家庭带来幸福。他建议坎哈结束这段关系并堕胎。当卡哈意识到自己是情妇并被抛弃后，她极度沮丧，决定跳楼自杀，结果有人把她的头发全部剪掉了。作为妻子，索尼娅知道丈夫更喜欢长发女性，而不是传统女性，于是努力博得丈夫的喜爱。

桑娅和萨蒂亚是一对同居夫妇。萨蒂亚背叛了妻子，他有一个情妇，名叫坎哈。坎哈是一位美丽的女人，一头长发垂到腰间。两人一直保持着秘密，直到坎哈生下孩子，而当时他的妻子索尼娅也怀孕了。作为父亲，萨蒂亚承诺不再背叛妻子，并将与她共度美好时光，为家庭带来幸福。他建议坎哈结束这段关系并堕胎。当卡哈意识到自己是情妇并被抛弃后，她极度沮丧，决定跳楼自杀，结果有人把她的头发全部剪掉了。作为妻子，索尼娅知道丈夫更喜欢长发女性，而不是传统女性，于是努力博得丈夫的喜爱。