马德仁的短片遭到了批评，试图向他人表达他的观点，事情却朝不同的方向发展。

Minoru is diagnosed with cancer and undergoes surgery, but it is soon discovered that the cancer has spread to his lymphatic system and he is prescribed anti-cancer drugs. He is soon plagued by severe side effects such as vomiting, skin rash, and hematuria, and begins to distrust hospitals.

转学来到天粟滨高校的神庭里美，不论什么事都认真对待。转学第一天里美正在学校里转，碰巧遇到了学校内非承认的“阶段部”社团的部员泉带着女友去保健室。里美也被带到了保健室，泉觉得里美有入部的才能，所以劝说她加入“阶段部”。一开始里美拒绝了她，但是在和“阶段部”部长健吾谈话后，里美决定了加入这个社团……

本片是波兰女导演雅库波夫斯卡(1907-1998)根据个人在奥斯维辛的经历改编的电影，也是最早记录大屠杀的电影作品之一，由于拍摄年份较早，电影大部分是在奥斯维辛被毁改建纪念馆之前实地拍摄。雅库波夫斯卡也在其中加入了自己的电影语言。 本片荣获首届卡罗维发利电影节最佳影片奖，并获1950年英国电影学院奖最佳影片提名。

The present, the whole present and nothing but the present. A young man on a footbridge, a bus departs, his friend is gone. This is followed by a majestic parade through a shopping centre. This central shot in the film is a fragile balancing act between documentary observation and subtle direction. Deliberately asynchronous sound serves to heighten the sense that events are nothing more than a construction of an apparently familiar reality. The boy's melancholic bearing, and the way the film unfolds, are embedded in an extremely expressive, albeit narratively minimalistic, dramaturgy of colour. Vibrant colours introduce each individual sequence: blue, green, yellow, orange, red.

这部电影把我们带进了East Mission城的丧尸隔离区，在这儿Chase Carter必须要阻止秘密政府的阴谋。

收集精神现象的恐怖系列第14部作品在熟悉的视频中有所呈现，未作深入探讨。其中包含诸多恐怖故事，像有奇怪女人试图推动婴儿车的“婴儿车”、“Kaifuu”、“Nayoburu”等。 这是一部灵异投稿纪录片作品，它将普通观众等寄来的与灵异现象相关的投稿视频，和灵异大流行节目组工作人员应投稿者要求，对视频相关事物进行取材的调查部分相结合。作品中介绍的投稿视频，有以拍摄者本人为中心旋转画角拍摄的所谓甜甜圈自拍形式的视频，也有通过包含社交应用在内的智能手机功能拍摄的视频等，体现了个人对视频的拍摄、传播等情况。

A small-town couple finds the perfect apartment in the big city, except there's one catch: the apartment is home to the ritualistic suicides of a deranged cult.