Nationen malen keine Bilder. Doch können Bilder die Geschichte einer Nation erzählen? Wie spiegelt die Malerei in Deutschland über ein Jahrhundert hinweg die Sehnsucht nach Einheit und einem Kaiserreich wider, das Streben nach Modernität und Macht, die Kriege und Wunden, das Abdriften in Nationalismus und totalitären Wahnsinn in diesem Land in der Mitte Europas? Von Caspar David Friedrich über Anton von Werner und Arnold Böcklin bis hin zu John Heartfield, Otto Dix und Georg Grosz: Die Künstler wirkten, auf je ihre Weise, an der Entstehung einer gemeinsamen Nation und der Entwicklung einer deutschen Identität mit. Rund 200 Werke wurden für die Ausstellung "De l’Allemagne" im Pariser Louvre zusammengestellt. Sie sind ein Schlüssel zum Verständnis der kulturellen, sozialen und politischen Entwicklung Deutschlands im 19. und zu Beginn des 20. Jahrhunderts in Europa.

文艺复兴是指13世纪末在意大利各城市兴起，以后扩展到西欧各国，于16世纪在欧洲盛行的一场思想文化运动，带来一段科学与艺术革命时期，揭开了近代欧洲历史的序幕，被认为是中古时代和近代的分界。 主持人Andrew Graham-Dixon用不同的主题去探讨德国的艺术，包括景观、民俗文化等，为那些对世界艺术和文化传统不太熟悉的人群开阔了视野。

Gene Bervoets在内衣店前等候妻子时眼神搭讪上白衣女子，短时间内，他要直面这个边宽衣边向他款款走来的尤物，再严寒的冬天也无法冷却这刺激…… 2003年荷兰国家电影节最佳短片提名

When the war breaks out, Annika lives with her parents in Värmland, close to the border to Norway. Her cousin Harald is a dealer in the black market but has to escape from the police to Norway. Annika moves to Stockholm and gets a job as a waitress. She meets the happy-go-lucky Berit and together they have a wonderful time. She also meets a young man, Bengt, whom she marries. But almost immediately she discovers that her husband is different from the man who was courting her. Plot by Mattias Thuresson.

Wilson pays a visit to his friend Werner, in Berlin, in 1939. Elsewhere, a troubled young man seeks psychoanalysis from Sigmund Freud in London, but Freud is unwell.

该剧讲述了抗日战争期间，日军决定实施代号“1855”的行动，企图将细菌武器应用到战场。以许马和赵依娜为代表的我党情报人员针对敌人的种种伎俩，启动代号为“夜来香”的行动，最终将敌人的阴谋彻底粉碎。

With this new series Andrew Graham-Dixon returns to Europe taking us on a journey into the captivating watery world of the Low Countries and its art. This small myriad of regions we now know as Holland and Belgium produced some of the most celebrated names in art: Van Eyck, Bosch, Rembrandt, Rubens, Vermeer, Van Gogh, Mondrian and Magritte. As he travels by canal boat and of course by bicycle Andrew reveals just how important the Low Countries were in key moments in the development of western culture - the birth of oil painting in the late medieval ages, the triumph of the Dutch golden age, and the onset of polarizing modern art movements surrealism and abstraction. This is not the story of one nation, but of fluid, ever-shifting boundaries and the search for identity in an area that has always been politically contested. EPISODE ONE: The first episode will be about how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers Andrew explains their ground breaking innovation in oil painting and marvels how the colours they obtained can still remain so vibrant today. Andrew will describe how in the early Renaissance the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realized in swarming microscopic detail by Hieronymus Bosch. EPISODE TWO: In the second episode Andrew explores how the seemingly peaceful countries of Holland and Belgium – famous for their tulips and windmills, mussels and chips - were in fact forged in a crucible of conflict and division. He will examine how a period of economic boom driven for the first time by a burgeoning and secular middle class led to the Dutch Golden Age of the 17th Century. Andrew travels to Delft and Amsterdam to demonstrate the striking contrast between two of its greatest proponents, Rembrandt and Vermeer (one famed for his breathtakingly realistic domestic street scenes, the other for explosive rapid brushstrokes and raw colours, best exemplified in his contentious magnum opus – The Nightwatch.) Radically different in style, both men were united by the realization that they must become innovators in business as well as masters of their craft. Yet boom also meant bust - and in a story with very modern echoes they ultimately shared the same fate, financial destitution. EPISODE THREE: Following a brief period of decline, the third episode will look at how the entrepreneurial and industrious region of the Low Countries rose again to become a cultural leader in the modern age; how despite its small and apparent insignificance when stood up against the powerhouses of Europe it produced important forward thinking artists like Van Gogh, Mondrian, Magritte and Delvaux who changed the face of art forever. In this episode Andrew’s exhilarating journey takes us to a remote beach in North West Holland which inspired Mondrian’s transition to his now renowned abstract grid paintings.

记者兼纪录片制作人理查德·布钦斯研究了艺术和文化中对侏儒的呈现，揭示了社会对侏儒症患者态度的转变。

这部纪录片是根据弗莱德·格林的作品《我们想要另一个世界：德国年轻人1900-2010》（Wir wollen eine andere Welt: Jugend in Deutschland 1900 – 2010），由导演Jan-Hinrik Drevs和两位演员安娜·玛利亚·穆埃和柯思亚·乌曼合作拍成。电影主要以相应历史时期真实人物的日记、信件、照片和录音为主线，有真实录像，有演员拍摄的重现场景，生动地重现了德国从上世纪初到新世纪年轻人的面貌。电影由NDR和WDR电视台联合出品，2014年4月在ARD播出

An exemplary reconstruction of a historical turning point. Time and again, the images and the remembered stories.