他既无法接受自己一生所投入的温室即将停业，也不能忍受妻子阿德莱将要离他而去。于是，他决定斗争，不惜采用任何手段。

在东京一处贫苦百姓聚集地，住着一个极其平凡无奇的小人物喜八（坂本武 饰）。他白日里劳作赚钱，回到家还要尽心照顾年幼的儿子富夫（突贯小僧 饰）。好在生活中有好哥们次郎（大日方伝 饰）的帮衬，让他不至于太过疲于奔命。某天，两位好朋友偶然邂逅一个年轻美丽的女孩春江（伏见信子 饰），他们热情地施以援手，喜八更自不量力地对女孩一见钟情。他对春江大献殷勤，谁知春江反而对次郎有意，次郎则不知出于何种原因表现出冷漠的回绝态度。失望伤心的喜八借酒浇愁，更与富夫发生争吵。未过多久，富夫意外得病，这对穷人来说可如同天塌下来一般。 次郎、春江竭尽心力筹钱出力救富夫的命，而喜八为了偿还债务毅然决定远行……

六年养鸭，周砚的鸭棚被父母暗中卖掉补贴兄长。一腔付出化为乌有，历经亲情情感双重失意。过往的耕耘沉淀宝贵经验。在一无所有的境地，他没有沉沦，转身创业，用实力证明自身价值。

萧国破灭，太子妃沈昭安被太子拉着一同殉国。两人来到地府，却遇上地府新规：只能结为一夫一妻。太子果断抛弃结发妻子，选择了娇弱侧妃，谁料鬼差当场点破侧妃竟是导致亡国的敌国密探！太子悔不当初回头纠缠，沈昭安却在观看“往生镜”时，意外揭开十年婚姻的真相：所谓的美好尊荣皆是虚妄，真正在背后默默守护她、为她筹谋一切的，竟是清冷孤傲的太子府詹事谢云鹤。面对前夫的迟来深情与纠缠，沈昭安清醒决断绝不回头。而阳间的谢云鹤耗尽心血，用满腔深情为她送来地府的安稳。最终，深情之人跨越生死重逢，沈昭安抛却过往枷锁，迎向了真正属于自己的光芒。

库尔特（汤姆·希林 Tom Schilling 饰）的姨母曾经被关进过集中营，最终在纳粹医生卡尔（塞巴斯蒂安·科赫 Sebastian Koch 饰）的折磨下不幸死去。虽然库尔特幸运的在柏林墙建成之前逃往了西德，但他的整个童年时代都生活在纳粹的阴影之下，这给他的人格带来了极大的创伤。 之后，库尔特进入了杜塞道夫美术学院就读，无法走出过去阴影的他将内心的绝望和伤痛都挥洒在了画布之上。一次偶然中，库尔特邂逅了名为艾利（葆拉·贝尔 Paula Beer 饰）的女孩，美丽活泼的艾利渐渐的治愈了库尔特内心的伤痕，当两人鼓起勇气想要将关系再推进一步时，却遭到了艾利父亲的强烈反对。

Dream Work does not so much present dream content than filmic methods of representation corresponding to Freudian dreamwork: mechanisms of displacement and condensation are seen in relation to figurative elements found in Tscherkassky’s source material. Tscherkassky processes these in a manner that resembles Freud’s description of the compression (Pressung) of dream thoughts that takes place in the work of dreams, whereby “components are turned, crumble, and get pushed together, like drift ice.” 源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14624

For every movie made, dozens of pictures remain missing forever. MISSING PICTURES gives directors a chance to tell the story that would otherwise never be told. Each episode invites one filmmaker to narrate some key points of the movie, why the movie was so important for them at the time and why it was never made. Episode 1: Abel Ferrara, Birds of Prey (USA) In this episode, we meet long-time independent American filmmaker Abel Ferrara. ‘Birds of Prey‘ would have been the political thriller of his dreams…until it all fell apart. The neo-noir, provocative director behind movies like Ms. 45 (1981) and Bad Lieutenant (1992), takes us with him on a journey through the heart of his unfinished story based in the 70’s New York City. Episode 2: Tsai Ming-Liang, The Seven-Story building (Taïwan) Tsai Ming-Liang, the Taiwanese maestro of slow cinema, doesn’t have a real “missing picture”, but what he does have are childhood memories, so vivid that it is impossible for him to film. The filmmaker seizes the medium of virtual reality to go back to the Malaysia of his childhood, when his grandparents took him to see two movies every night. Rather than telling us about an unmade film, Tsai Ming-Liang transforms the exercise into a making-of of his entire film career. Episode 3: Catherine Hardwicke, The Monkey Wrench Gang (USA) After Twilight Chapter 1’s huge box-office hit, American filmmaker Catherine Hardwicke tried to make an adaptation of The Monkey Wrench Gang by Edward Abbey, a cult book of the 70s American counterculture and a precursor of eco-activism. The director revisits this project which excited her so much and which became, because of the reluctance of the Hollywood studios, one of these umpteenth “ghosts of the garage”. Episode 4: Lee Myung-Se, Father is gone (South Korea) Father is gone could have been Lee Myung-se’s debut film, but slipped into a long hiatus instead. After thirty years busy directing unprecedented features in Korea like First Love or Nowhere to Hide, Lee finally brings the lost project back to life through virtual reality. Set against the backdrop of a family of three moving to the outskirts of Seoul in the 1960s – where the director himself grew up – Father Is Gone questions the place of the father in the traditional Korean culture. Episode 5 : Naomi Kawase, Oh Debu (Japan) The most celebrated female filmmaker from Japan revisits a project that she envisioned after her 2015 film Sweet Bean. Oh Debu tells the story of Aya, a 27-year-old, overweight and over romantic woman. Through this story, Naomi Kawase wanted to give herself a challenge trying to make a comedy, far from her naturalist, poetic previous work.

订婚三周年的珠宝发布夜，首席设计师姜晚耗时七月打磨的压轴大作“归潮”，被未婚夫宋知礼夺走，戴在品牌新缪斯温蔓颈间。二人篡改设计署名，设局栽赃她监守自盗，想将她踢出一手救活的知意珠宝，踩着她的心血冲击上市。姜晚不再隐忍，亮出星澜资本实控人、国际设计大师的真实身份，以铁证揭穿调包阴谋与多年版权侵权。她解除婚约与股权托管，一举掀翻上市大局，令宋氏资金断裂破产，渣男小三身败名裂

Hit man Cleve approaches writer/cop Dennis about a story for his next book: How Cleve made a living, working for one of the most powerful politicians in the country. To get the story right, they travel around the country to gather statements and evidence, while strong forces use any means they can to keep the story untold.