一对夫妇的八岁儿子失踪，在无尽的等待和残酷的压力下，他们不得不分居两地，各自消解因儿子失踪而带来的极度悲伤。然而，努力寻求平静却在警方掘出稚儿的遗骨时彻底毁灭——十年后，真相大白，儿子惨遭恋童癖杀害。在此期间，他们各自背负着失去挚爱的痛苦，接受现实，走出阴影，也试着重 修旧好。《思念忧伤曲》是一个爱的故事，两个活下来的人在哀悼以后彼此治愈，毅然前行。（小易甫字幕组）

一对夫妇的八岁儿子失踪，在无尽的等待和残酷的压力下，他们不得不分居两地，各自消解因儿子失踪而带来的极度悲伤。然而，努力寻求平静却在警方掘出稚儿的遗骨时彻底毁灭——十年后，真相大白，儿子惨遭恋童癖杀害。在此期间，他们各自背负着失去挚爱的痛苦，接受现实，走出阴影，也试着重 修旧好。《思念忧伤曲》是一个爱的故事，两个活下来的人在哀悼以后彼此治愈，毅然前行。（小易甫字幕组）

小黑沒有告訴媽媽，自己就偷偷跑去印度抓老鼠。有一個印度人告訴他說：「印度象害怕老鼠，以至交通大亂，所以印度人沒辦法坐大象去公司上班。」去抓老鼠可以賺很多錢，小黑心想，賺錢了，我就可以讓媽媽得到很多幸福。他以為印度的時間和我們不一樣，賺錢回來時，這裡好像才過了1分鐘。 小黑長大後服用了鮭魚與候鳥提煉的藥，尋覓回家的路，正當一切線索都如他所期待的越來離家越近時，途中遇到一個捕獵犀牛角的獵人。小黑聽說有個恐怖的妖怪，獵人認為是妖怪吃掉了小黑的媽媽。於是他決定運用在印度學到的本事 去捕捉妖怪。可是，這獵人誤會了一件事，其實媽媽並不是被妖怪吃掉的… 「2007影像詩」是由五位導演，五種風格，各用十分鐘影像書寫一首詩，文字的「詩」和影像的「詩」如何連結，如何對位與錯位？ 當「影像」碰上「詩」，又會激盪出什麼樣的創意精靈？ 導演「吳米森」拍攝的影像詩「思念」，是五位導演中唯一沒有使用詩人詩作的作品。 內容是他多年前，給學生的課堂作業裡的感人故事。 他將學生母親遭土石流活埋的真實情景，改編成童話。 邀請曾獲台灣國際動畫影展首獎的潘心屏將故事畫成動畫。 擔任旁白配音的是森林小學校長朱台翔。 歌德童年時曾以夢境為基礎，套用在現實環境裡的地圖，繪聲繪影講給其他小朋友聽童話。 他們聽了之後，個個神往地遁尋著歌德口述裡中的夢境走上一遭。夢中那座險惡城牆或花園、隱居的老人與在指尖上跳舞的精靈，每每因個人尋幽訪勝當下的心理狀況而產生不同的版本。多采多姿的童話更添神秘甚至於逼近真實！這就是影像詩裡的「詩與真實」！

A music video for Lana Del Rey's song 'Summertime Sadness'.

Back in France after a few years in the United States, a reporter goes in search of his wife.

该剧讲述了从出生就是朋友的主人公们在青春期陷入三角关系的青春浪漫故事。

一场只可思念的爱情。一个失落的丈夫（朴施厚 饰）在妻子（尹恩惠 饰）陪伴在身边时没有意识到她对自己有多重要，直到她离开后才追悔莫及。丈夫带着对妻子的思念与眷恋来到韩国，踏上一场名为思念的旅途……在丈夫的前半生中，妻子用“生命”表达她对丈夫的爱恋，而当妻子意外身亡之后，丈夫则是用后半生来表达他的爱恋。

柬埔寨，金边。喜爱跳舞的卡妮塔，在各式打工中回旋来去，骑着机车在城市日夜晃荡。家中，父亲长卧病榻，母亲催促婚嫁。现实与梦难辨，生活犹如一张风格各异的demo带，有时迷离，有时清醒。当她再次迎风出发，明亮的日光映入眼帘。未完成的父女之情，映照粼粼河水。孤独之舞，能否航向最美好的那支旋律？

官方评选出的格鲁吉亚影史十五佳的第二名，经典的高加索民族传统喜剧，第一名居然也是这个导演的作品，Mimino (1977)。 This light comedy is taken from the Claude Tiller novel "My Uncle Benjamin", a family favorite of director Georgi Daneliya. Benjamin (Vakhtang Kikabidze) is the young physician who leads a carefree life. He and his friends drink and dance at the local tavern and take pleasure in the butcher's wife. Levan (S. Zakariadze) is the older doctor who wants Benjamin to marry his daughter, but she runs away with an Army officer. The worried father asks Benjamin to find his daughter and bring her home. He finds her but she dies while giving birth to a child, and the officer is killed in a dual. Benjamin returns with the baby to his hometown, where he is saddened to learn of Levan's demise. At the funeral, Levan watches his family and friends for the last time before he really dies. His last wish is fulfilled as he sees the people who are close to him one last time. This is the only film by Daneliya that is set entirely in his native country of Georgia. Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

厉昭昭本应是海城首富厉修远的千金，可她从没见到过自己的爸爸。昭昭从来不哭，她只是默默地长成了一个小大人，费尽千辛万苦的保护着妈妈。直到有一天，命运的齿轮再次开始转动，把厉修远，带到了昭昭面前……当两人再次相遇时，许梦瑶早已满头白发，常年病魔缠身，唯一的希望就是她的女儿昭昭。