关于这部影片，我实在是不好介绍，因为我只看过一次而且根本就没怎么看懂。2000年我在美国旧金山国际实验电影节上的东欧作品参展单元看到这部电影，给我留下深刻印象是不是本片的剧情或摄影手法多复杂，而是本片从头到尾全部都是反向拍摄的！大概基本的剧情是讲一个人从出生到成年到结婚到由于某些原因害死妻子到最后法庭审判到执行死刑，但由于影片导演的大胆创意将其逆向拍摄，所以我们看到的情节开始是主角被执行死刑最后才是主角的出生，全家的快乐，而更疯狂的是，全片所有演员的行为，动作，场景，甚至连对白都是反着的，我们能看到倒着走路的人物，死刑犯死后复生，甚至首先听到的是对话中的答案，然后才听到别人的问话！实在是比较复杂吧，你能想象一部70分钟的影片完全反着拍摄吗？如果你没有一点反向思维能力，估计很难看懂影片。这是电影史上独一无二的一部完全反向拍摄的故事长片，我实在搞不懂导演为什么要这样拍片，也许是真的想追求一个真正快乐的结局吧。导演奥德里奇.利布斯克虽然不属于捷克新浪潮的一批，但在捷克电影史上是一位很有创新意识的剧情片导演，他1964年的讽刺剧杰作《雷蒙纳多.乔》被誉为最经典的捷克电影之一，他所有的影片之中唯有这部影片是最最独特的，不得不怀疑导演当时拍片的时候是不是病了才会想出这么一个古怪疯狂的点子。 自2000年后我一直在找这部古怪但对健脑倒是颇有好处的怪鸡电影，目前依然一无所获，估计在捷克本土也很少放映更别说国外了，希望有机会再看一遍，应该就能看懂了。

《HAPPY ENDING》讲述了一家之主的爸爸金斗秀（崔民秀饰），在生命被判定限期后，准备与家人离别。在此过程中，重新开始领悟到家庭的爱，并重新令家庭幸福愉快的故事。

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节目以沈月、王敬轩、吴宇恒、周彦辰为核心的原生好友圈为主，通过让嘉宾自行策划并制作自己的节目为切口，共同寻找当代年轻人“快乐生活”的秘诀，鼓励更多年轻人一起做快乐的大人。

艾玛是魁北克古典音乐界最闪亮的明星之一。她的父亲以她为荣，但认为对她的严格管束是他最大的责任，而艾玛觉得自己可以挣脱束缚。当另一位带着孩子的杰出音乐家娜埃勒闯入艾玛的生活，她感觉自己完全活了过来......并准备好与那个不愿放手的男人一较高下。

阿南德（拉杰什·库纳饰）是一位癌症晚期患者，但他活得问心无愧。与其他抑郁绝望的病人不同，他尽情享受着生命的每一刻。他的医生巴斯卡尔（阿米塔布·巴强饰），大家亲切地称他为莫沙伊先生。他有着惊人的精神力量，以自己的方式让周围人领悟生命的意义。然而，巴斯卡尔对阿南德的病情却无能为力。《阿南德》成功塑造了一个勇敢面对死亡的人物形象，是一部令人动容的电影。该片在1972年的印度电影观众奖颁奖典礼上斩获六项大奖，包括最佳男主角（拉杰什·库纳）、最佳男配角（阿米塔布·巴强）、最佳对白（桑普尔南·辛格·古尔扎）、最佳编剧（赫里什凯什·穆克吉）、最佳影片（赫里什凯什·穆克吉、N.C.…… ）

A few years before he went on to make a big splash in the cannibal sub-genre, Ruggero Deodato directed this successful rip-off of Roman Polanski's brilliant Knife in the Water. Naturally, being an Italian film - there's more of a focus on sex than the relationship between the central couples, but the claustrophobic atmosphere and entertaining characters help to keep the tension bubbling over, which ensures that the movie is interesting for the duration. The film doesn't have nearly as much 'bite' as Cannibal Holocaust and most of the rest of Ruggero Deodato's filmography, but it's obvious that even with this early film; Deodato is a director with the potential to make a mark on cinema. The plot is simple in that it just focuses on two couples. George and Silvia invite Irem and Barbara for a weekend cruise on their yacht. It soon transpires that George isn't the most sensitive man to ever live, and Silvia doesn't seem to mind him treating her badly. The situation escalates, and Irem and Barbara join forces with Silvia for vengeance against George...and three way sex, of course. The film is set aboard a yacht for the majority of its duration, and this makes for a great setting for the movie to take place in. The isolated setting means that Deodato can keep the focus on the characters, which is definitely a good thing for the film. As is the case with a lot of trashy Italian films, some of the characters actions are a bit fishy and the dialogue is largely inane - but these sorts of things don't bother me too much, and Waves of Lust is lots of fun to watch. There are plenty of sex scenes, and while the film features very little blood, it's not important as it's clear where the focus is meant to be. The film doesn't feature any particularly well known performers, although the four central actors would all go on to star in better known Italian films. John Steiner is the biggest standout in acting terms and delivers a good performance alongside eye candy Elizabeth Turner and Silvia Dionisio. Al Cliver (from Zombie Flesh-Eaters) rounds off the central foursome. Overall, Waves of Lust is definitely worth seeing. The atmosphere and tension are good and it all boils down to a satisfying conclusion.

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Anand (Rajesh Khanna饰)，一个癌症末期的病人，却活得问心无愧，不像其他抑郁和绝望病人，他享受着余下生命的每一刻。他的医生Bhaskar (Amitabh Bachchan饰)，被人们亲热地称呼为Moshai先生，他的精神拥有着令人惊讶的力量，以自己的方式让周围的人了解生命的意义。可是，Bhaskar却对Anand的病无能为力… 《Anand》成功塑造了一个勇敢面对死亡的人，这是一部令人感动的电影。该片在1972年的 Filmfare Awards颁奖典礼上获得六个奖项，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳对白（Sampooran Singh Gulzar）、最佳编剧（Hrishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳剧情（Hrishikesh Mukherjee）。

Casey is a student teacher who gets his very first placement in class 5b. He is not sure how to teach yet, but thankfully the children are more than willing to help him.