Young Humphrey is a ghost with a big problem. He and his family, the Craggyfords, have been ousted from their home and left without a place to haunt. As they search for new haunting grounds they soon discover that they are not alone. Ghosts from all over the world have been exorcised from their dwellings, with dark castles and ancient buildings being destroyed by the living, and turned into shopping centers. With time running out, Humphrey digs deep inside, and decides to help save his family and the rest of the haunting community by scaring his way to victory.

A somber retrospective on the final days of the Sakura-tai theatrical troupe that had arrived in the island of Hiroshima to begin preparations for the staging of a play and, at 8:15 on the morning of August 6, 1945, became victims of the atomic bombing, Sakura-tai Chiru is a thoughtful examination of artistic imperative in a time of uncertainty and national crisis. Using the 1987 commemorative ceremony in Hiroshima and the dedication of a memorial to Sakurai-tai at Gohyaku-Rakanji Temple as a springboard to the re-examine the life and careers of the actors (and in particular, the troupe's director, renowned film and theater actor Sadao Maruyama who had appeared in such notable films as Mikio Naruse's Wife! Be Like a Rose!), the film is composed of a series of interviews with friends, family, and colleagues (among them, Nobuko Otawa, Eitaro Ozawa, Haruko Sugimura, and Osamu Takizawa) and re-enactments of the remaining survivors' tragic fate (four actors had survived the immediate bombing - Maruyama, Keiko Sonoi, Shozo Takayama, and Midori Naka - only to inevitably succumb to death days later). The film traces the evolution of the theatrical troupe within the context of Japanese history, from its early permutation as a government-mandated propaganda tool in the 1930s, to established actor, Maruyama's creative directorship of the splinter organization, to the Great Tokyo Air Raid of March 10, 1945 that caused several (predominantly male) actors to take indeterminate leaves of absence from the troupe in order to help their families (and city) rebuild, to the troupe's decision to send out two of the four remaining male actors in order to scout for replacement actors for their August Hiroshima engagement. These seemingly mundane operational decisions - to continue with the performance despite personal hardship and wartime uncertainty - would inevitably lead to the fate of Sakura-tai in light of the tragic context of world history. Tracing the fates of the four survivors as they sought the safety of family and friends after the atomic bombing only to endure lingering, agonizing deaths from incurable radiation poisoning, what emerges from the film's harrowing and deeply personal account is a sense of exploited and trivialized humanity in the face of military aggression and inhuman politics.

Fredi got a raw deal: epileptic fits ,a daughter who sees her parents constantly tearing each other apart,no steady job,people interested in him only when they can use him

杂志社女编辑安娜因为一段巧妙的机缘，一种稀有的血型与马来西亚男友林志均相知相爱，当安娜正憧憬着人生最重要的幸福婚礼时，林志均却在马来西亚遭遇渡轮事故消失不见，从幸福顶点跌落的鹿安娜不愿相信这样意外的事情会降临在自己的生活中，而挚爱就这么突然离开了自己。从最初的惊慌中冷静下来，她毅然开始了寻找爱人下落的征途，随着安娜抽丝剥茧坚韧不放弃的查找，鹿安娜终于揭开了事实的真相，原来未婚夫林志钧的患有家族遗传血液病，其家族企图让安娜成为林志钧的长期血液供应者，林志钧无法面对自己深爱的安娜，选择一次船难的契机与安娜告别，选择消失在安娜的世界独自面对。历经爱的考验，安娜和林志钧勇敢地面对真相，用真挚的爱情战胜的疾病。这世界是复杂的，情感也是复杂的，很多人和事，无法用简单的对错来判断，但爱依然是值得相信的，坚定自己的选择，就会收获爱的真谛。

杂志社女编辑安娜因为一段巧妙的机缘，一种稀有的血型与马来西亚男友林志均相知相爱，当安娜正憧憬着人生最重要的幸福婚礼时，林志均却在马来西亚遭遇渡轮事故消失不见，从幸福顶点跌落的鹿安娜不愿相信这样意外的事情会降临在自己的生活中，而挚爱就这么突然离开了自己。从最初的惊慌中冷静下来，她毅然开始了寻找爱人下落的征途，随着安娜抽丝剥茧坚韧不放弃的查找，鹿安娜终于揭开了事实的真相，原来未婚夫林志钧的患有家族遗传血液病，其家族企图让安娜成为林志钧的长期血液供应者，林志钧无法面对自己深爱的安娜，选择一次船难的契机与安娜告别，选择消失在安娜的世界独自面对。历经爱的考验，安娜和林志钧勇敢地面对真相，用真挚的爱情战胜的疾病。这世界是复杂的，情感也是复杂的，很多人和事，无法用简单的对错来判断，但爱依然是值得相信的，坚定自己的选择，就会收获爱的真谛。

女主突遇车祸，丧失记忆，其丈夫将其接回家调养身体，骗她说两人没有孩子。可某天，女主遇到邻居喊她朵朵妈，女主惊讶，跑到公司准备质问丈夫，没想到发现了一个暗室，里面躺着的正是她的丈夫，而这时，外面同样想起一个声音喊她老婆，女主惊恐，原来这一切都是假象，其实自己的丈夫早就死了，而眼前的人是个冒牌货......

年过35的索菲亚（安妮·艾莉莎贝斯·博塞 Anne-Élisabeth Bossé 饰）丢掉了上一份工作，求职无门，差一点就要沦落到流落街头的境地，哥哥卡里姆（帕特里克·伊冯 Patrick Hivon 饰）的家成为了索菲亚最后的港湾。索菲亚和卡里姆之间的兄妹之情十分的深厚，两人几乎是无话不谈，而卡里姆也非常乐意将自己家的一部分和妹妹分享，就这样，索菲亚开始了和卡里姆住在同一屋檐下的生活。 　　然而，当一个名叫艾尔罗斯（伊夫林·布洛初 Evelyne Brochu 饰）的女人出现在卡里姆的生活之中后，一切都发生了改变，卡里姆人生第一次坠入了爱河之中。而索菲亚再也没有想到，自己竟然对哥哥所爱的女人产生了嫉妒之情。

年过35的索菲亚（安妮·艾莉莎贝斯·博塞 Anne-Élisabeth Bossé 饰）丢掉了上一份工作，求职无门，差一点就要沦落到流落街头的境地，哥哥卡里姆（帕特里克·伊冯 Patrick Hivon 饰）的家成为了索菲亚最后的港湾。索菲亚和卡里姆之间的兄妹之情十分的深厚，两人几乎是无话不谈，而卡里姆也非常乐意将自己家的一部分和妹妹分享，就这样，索菲亚开始了和卡里姆住在同一屋檐下的生活。 　　然而，当一个名叫艾尔罗斯（伊夫林·布洛初 Evelyne Brochu 饰）的女人出现在卡里姆的生活之中后，一切都发生了改变，卡里姆人生第一次坠入了爱河之中。而索菲亚再也没有想到，自己竟然对哥哥所爱的女人产生了嫉妒之情。

女主突遇车祸，丧失记忆，其丈夫将其接回家调养身体，骗她说两人没有孩子。可某天，女主遇到邻居喊她朵朵妈，女主惊讶，跑到公司准备质问丈夫，没想到发现了一个暗室，里面躺着的正是她的丈夫，而这时，外面同样想起一个声音喊她老婆，女主惊恐，原来这一切都是假象，其实自己的丈夫早就死了，而眼前的人是个冒牌货......

女主突遇车祸，丧失记忆，其丈夫将其接回家调养身体，骗她说两人没有孩子。可某天，女主遇到邻居喊她朵朵妈，女主惊讶，跑到公司准备质问丈夫，没想到发现了一个暗室，里面躺着的正是她的丈夫，而这时，外面同样想起一个声音喊她老婆，女主惊恐，原来这一切都是假象，其实自己的丈夫早就死了，而眼前的人是个冒牌货......