Ono’s work related destruction to interpersonal, often intimate, human relations. This element was particularly thought-provoking in ‹Cut Piece›, one of many actions she did as DIAS [Destruction in Art Symposium]. Ono had first done the performance in 1964, in Japan, and again at Carnegie Hall, in New York, in 1965. Ono sat motionless on the stage after inviting the audience to come up and cut away her clothing, covering her breasts at the moemnt of unbosoming. ‹Cut Piece› entailed a disrobing, a denouement of the reciprocity between exhibitionism and scopic desires, between victim and assailant, between sadist and masochist: and, as a heterosexual herselft, Ono unveiled the gendered relationship of male and female subjects as objects for each other. 　　(source: Kristine Stiles,«Uncorrupted Joy: International Art Actions,» in: Out of Actions: between performance and the object, 1949–1979, Paul Schimmel (ed.), MoCA Los Angeles, New York/London, 1998, p. 278.)

父亲弄丢宠物狗乐乐之后，女儿在原本用来监看乐乐的监控里，切片式地参与了父母的生活。

父亲弄丢宠物狗乐乐之后，女儿在原本用来监看乐乐的监控里，切片式地参与了父母的生活。

刚踏入新居的妻子徐曼怀孕了，这让她本就不适的婚后生活更加难以自如，对生育的恐慌与丈夫的不理解也形成了难以调和的冲突。徐曼决定不要孩子，并对突然到访的婆婆保守秘密。

刚踏入新居的妻子徐曼怀孕了，这让她本就不适的婚后生活更加难以自如，对生育的恐慌与丈夫的不理解也形成了难以调和的冲突。徐曼决定不要孩子，并对突然到访的婆婆保守秘密。

我尝试用生物显微镜的方法观察面前的城市。

我尝试用生物显微镜的方法观察面前的城市。

在农村李家，李大娘长期偏心养子李成国，不仅将本应属于亲生女儿李小华的村里职位让给李成国，还逼迫李小华放弃工作、用彩礼为李成国娶亲；李成国在城里与孙小倩未婚生子后，为保工作和名声将其抛弃，独自返乡，返乡后又与青梅竹马的小颖谈婚论嫁并隐瞒生子真相；期间李小华多次为孙小倩母子发声，还曾计划与恋人小元私奔却因李大娘索要 5 万元彩礼失败；最终李成国的秘密曝光、工作丢失后精神崩溃，李大娘才坦白李成国是闺蜜遗孤的身世，李成国幡然醒悟，找回孙小倩，将村书记职位还给李小华，一家人及小元最终团聚。

射箭冠军穿成高冷侯爷的外室，一年不转正就小命不保。 她撩他、撩他、再撩他，把事业脑侯爷拉下神坛，顺便改良弓箭保家卫国，完成从扬州瘦马到一品侯夫人的逆袭。

考古发掘发现了一座仙人墓，挖开后竟真有仙人现世，也不知是福还是祸。原来，夏玄本是上古仙尊，因镇压旱魃而沉睡了三千年。然而当考古队意外发现山中存在的千年古墓后，意外唤醒了沉睡的夏玄。