In the 15th century Richard Duke of Gloucester, aided by his club-footed executioner Mord, eliminates those ahead of him in succession to the throne, then occupied by his brother King Edward IV of England. As each murder is accomplished he takes particular delight in removing small figurines, each resembling one of the successors, from a throne-room dollhouse, until he alone remains. After the death of Edward he becomes Richard III, King of England, and need only defeat the exiled Henry Tudor to retain power.

在德国的一名英国秘密特工需要一份工作作为助理一对老灯塔看守人，打算让他逃跑了一些有价值的文档时，英国船来接他们。

暂无剧情简介

当一群朋友不顾一切地违反塔罗牌阅读的神圣规则时，他们在不知不觉中释放了被困在塔罗牌中的邪灵。他们一个接一个地面对命运，最终与死亡赛跑。

塔斯马尼亚岛袋獾是一种肉食性有袋哺乳动物，短腿、牙齿尖利，叫声响亮而恐怖。塔斯马尼亚岛的早期居民因这恐怖的叫声而将它们称为 “塔斯马尼亚恶魔”。 但是自上个世纪90年代以来，“塔斯马尼亚恶魔”却遭遇了真正的“魔鬼”——袋獾面部肿瘤。这种疾病十几年来已经杀死大约一半的野生袋獾。科学家们仍不知道这种神秘疾病的起因以及传播方式。但至少人们相信，入列《濒危物种法》，以及建立一个专门的袋獾实验室，将使它们受到保护，并且有利于科学家进一步研究病因，使这一物种不至于彻底灭绝。

在一个景色秀丽的山坳，居住着两百多名未成年的孩子。他们多是令学校和家长头痛的问题儿童，因此被送到这里接受教育和感化。不过，与那些冷冰冰的少管所不同，这里的师长注重对孩子们动手技能和德智培养，孩子们由各自的“爸爸妈妈”管理，与兄弟姐妹们住在一起，学习各种各样的技能，为将来走上社会做着不懈的努力。这一天，娇生惯养的多美子（野村有為子 饰）来到了这里，但是她始终无法适应周遭，不仅和妈妈、姐妹们矛盾不断，还伙同男宿的善雄（横山準 饰）等人逃跑。春去冬来，寄宿学校发生了许多有趣的事情，这群顽劣孩子的心中也悄悄发生着变化…… 本片根据熊野隆治和丰岛吉雄的原著改编。

10 min

该片讲述塔卢拉从一位不负责任的母亲那里偷得婴儿后，当起假妈妈。佩吉饰演的塔卢拉无家可归，吃睡住皆在一辆货车上。而在华盛顿广场公园的戏份中，佩吉开始溺爱地照顾窃来的婴儿。

The exact details of what took place while Talib Ben Hassi, 19, was in police custody remain unclear. Police officers Jens and Mike are on routine patrol in Svalegården’s ghetto when news of Talib’s death comes in over the radio, igniting uncontrollable pent-up rage in the ghetto’s youth who lust for revenge. Suddenly, the two officers find themselves in a fair game and must fight tooth and claw to find a way out.

“In The Black Tower we enter the world of a man haunted by a tower which, he believes, is following him around London. While the character of the central protagonist is indicated only by a narrative voice-over which takes us from unease to breakdown to mysterious death, the images, meticulously controlled and articulated, deliver a series of colour coded puzzles, jokes and puns which pull the viewer into a mind-teasing engagement. Smith’s assurance and skill as a filmmaker undercuts the notion of the avant-garde as dry, unprofessional and dull and in The Black Tower we have an example of a film which plays with the emotions as well as the language of film.” ----Nik Houghton, Independent Media 1987