Forming part of a film constellation that stretches from Chile across the Pacific, in which Malena Szlam trains her camera on far-flung volcanic landscapes — by turns barren and verdant — the dazzling in-camera multiple exposures of Archipelago of Earthen Bones — To Bunya evoke the layered histories of the titular Bunya Mountains in eastern Australia’s Beerwah region, further deepened by sonified atmospheres from artist Lawrence English.

Forming part of a film constellation that stretches from Chile across the Pacific, in which Malena Szlam trains her camera on far-flung volcanic landscapes — by turns barren and verdant — the dazzling in-camera multiple exposures of Archipelago of Earthen Bones — To Bunya evoke the layered histories of the titular Bunya Mountains in eastern Australia’s Beerwah region, further deepened by sonified atmospheres from artist Lawrence English.

一位貌似耶稣的小偷（Horácio Salinas 饰）从儿童们的石块击打中醒来，与一个无手无脚的侏儒结伴进入城市。城中正进行一场疯狂的庆典，一些人被杀死，鸟雀从他们的枪口中飞出，大量蟾蜍穿着印第安人以及欧洲殖民者的服装在混战中被炸的粉碎。小偷从几个罗马士兵打扮的人手中接过十字架，又被他们将自身的形象制造成无数模型……小偷在众目睽睽下爬上了一座能生产黄金的高塔，塔内的术士从小偷的粪便中提炼出了金子。术士用占星术确认了几位门徒，他们是生产面具的商人、武器商、艺术家、玩具商、政府顾问、军队长官和建筑师，七人分别代表不同的行星。术士把这些掌控国家的人物积聚一起，抛弃一切之后向传说中的圣山进发寻找不朽的秘密。

一位貌似耶稣的小偷（Horácio Salinas 饰）从儿童们的石块击打中醒来，与一个无手无脚的侏儒结伴进入城市。城中正进行一场疯狂的庆典，一些人被杀死，鸟雀从他们的枪口中飞出，大量蟾蜍穿着印第安人以及欧洲殖民者的服装在混战中被炸的粉碎。小偷从几个罗马士兵打扮的人手中接过十字架，又被他们将自身的形象制造成无数模型……小偷在众目睽睽下爬上了一座能生产黄金的高塔，塔内的术士从小偷的粪便中提炼出了金子。术士用占星术确认了几位门徒，他们是生产面具的商人、武器商、艺术家、玩具商、政府顾问、军队长官和建筑师，七人分别代表不同的行星。术士把这些掌控国家的人物积聚一起，抛弃一切之后向传说中的圣山进发寻找不朽的秘密。

一位迷人的舞者被大自然雄伟的美景所吸引，前往山中的小村追寻她的梦中情人，她在那裡认识了隐居的登山家和滑雪家‧‧‧。这是二0年代阿诺德‧芬克Arnold Fanck导演『山岳电影』（mountain films）的代表作，莱芬斯坦以「圣山」在影坛崭露头角，也在芬克的协助下成为导演。 　　片长：105min

一位迷人的舞者被大自然雄伟的美景所吸引，前往山中的小村追寻她的梦中情人，她在那裡认识了隐居的登山家和滑雪家‧‧‧。这是二0年代阿诺德‧芬克Arnold Fanck导演『山岳电影』（mountain films）的代表作，莱芬斯坦以「圣山」在影坛崭露头角，也在芬克的协助下成为导演。 　　片长：105min

圣山脚下居住的贫困牧民巴彦梦想着一夜暴富，儿子达巴纳考上了自治区的高中，但是他没跟父亲讲……富裕牧民蒙和一心要帮助他们，蒙和的女儿澈丽梦也为达巴纳的失学而十分焦急。下乡来蹲点的帮扶干部珠拉想帮助他们改变生活，可爱面子的巴彦不领情，拒绝加入蒙和的牧民互助联户牧场。自负的巴彦受了别人的骗把全家仅有的30只羊卖掉，买了两头假奶牛……无奈之下巴彦又做起贩羊生意，被送进派出所，蒙和把他领回来，几个牧民要出卖草场，巴彦欣喜若狂，妻子桃尔根反对，发生激烈冲突，家庭支离破碎。在珠拉和蒙和的帮助下，几经周折，巴彦噩梦醒来，承包草场，埋头苦干，实现了脱贫之梦。达巴纳和澈丽梦告别圣山，踏上了上学之路，草原上牧人的梦想还在继续……

With her son Edward (Tom Hiddleston) about to embark on a volunteer trip to Africa, doting mother Patricia (Kate Fahy) wants to give him a good send-off, and gathers her family together for a getaway to a holiday home on idyllic Tresco, one of the Isles of Scilly. Edward’s father’s attendance is eagerly anticipated, though sister Cynthia (Lydia Leonard) appears to be there under some duress, going through dutiful motions. Cook Rose (Amy Lloyd) is happy to tend to the family, though her presence causes some discomfort. The holidaymakers spend their time walking, cycling, taking picnics and being tutored in oil painting, appreciating the breathless beauty of their surroundings. Gradually, deep fractures within the family set-up begin to surface. One of the most eagerly anticipated features of the year, Joanna Hogg’s follow up to Unrelated serves as a worthy companion piece to her brilliant and acclaimed debut, as she continues to make astute and authoritative observations on the malaises of the middle-class, extracting sometimes painful drama from incidental events. Archipelago confirms Hogg as one of the most intriguing and vital voices in modern British cinema.

With her son Edward (Tom Hiddleston) about to embark on a volunteer trip to Africa, doting mother Patricia (Kate Fahy) wants to give him a good send-off, and gathers her family together for a getaway to a holiday home on idyllic Tresco, one of the Isles of Scilly. Edward’s father’s attendance is eagerly anticipated, though sister Cynthia (Lydia Leonard) appears to be there under some duress, going through dutiful motions. Cook Rose (Amy Lloyd) is happy to tend to the family, though her presence causes some discomfort. The holidaymakers spend their time walking, cycling, taking picnics and being tutored in oil painting, appreciating the breathless beauty of their surroundings. Gradually, deep fractures within the family set-up begin to surface. One of the most eagerly anticipated features of the year, Joanna Hogg’s follow up to Unrelated serves as a worthy companion piece to her brilliant and acclaimed debut, as she continues to make astute and authoritative observations on the malaises of the middle-class, extracting sometimes painful drama from incidental events. Archipelago confirms Hogg as one of the most intriguing and vital voices in modern British cinema.

Edward在即将前往非洲当志愿者之前与家人在小岛上相聚。他的父亲常常不能来参加家庭聚会，然而这一次他的缺席终于让一家人之间埋藏已久的愤怒和压抑的情感爆发出来。