马丁斯科塞斯年轻时在家中听到一首《看那骑士》的布鲁斯歌曲唱者叫铅肚皮lead belly，铅肚的音乐开启了斯科塞斯的另一个天地从此对蓝调着了魔。他与Eric Clapton 合作一部纪录片惟有蓝调nothing but the blues， Clapton 演奏的画面和早期蓝调乐手演奏的档案画面剪辑在一起，这部纪录片是90年代Eric Clapton 翻唱的blues。

我们天生喜欢香，极少喜欢臭。自然规律也显示：香料能使物品保存持久。这其实已经用气味指明了方向，所谓正道，就是千古流芳。于是在古人面前，很多不同类别的名词汇成了一种通感：芬芳、侠骨、馨香、大义、正气、至善、……古人相信，任何选择都会自带气味标签。但吊诡的是，在历史重要节点上那些意见截然相反的人，无不坚称自己都是正气使然。而作为后来人，我们也确实发现，随着深入了解双方，越来越难以评判。香，究竟是客观共识，还是辩证的转化？ 《惟有香如故》由哔哩哔哩与小虫影视联合出品，本片选取与五位古人命运相连的香料，串起他们曾经在那些重要节点上的冲突和选择。

从家乡来北京的老母亲与儿子和未来儿媳的相处。

影片讲述了一位痛失爱妻的男子，因难以摆脱悲痛情绪，最终不得不离开这个令他伤心之地的故事。

余笙童年时期，随妈妈二婚进入楚家豪门，但作为外人，她总显得格格不入。好胜的余笙不愿成为拖油瓶，长大后瞒着楚家独自打工挣钱。楚然从国外归来，偶遇没有血缘关系的小侄女余笙，误打误撞发现了她的秘密，作为交换，两人开始同居生活。朝夕相处之下，两人互相治愈，彼此吸引。当这段相差10岁的恋爱被戳破后，外界和家庭的重重阻隔却没能将他们打倒，余笙和楚然选择勇敢追爱。

五年前一面之缘，顾深苦寻救命恩人林知夏数年。西餐厅偶遇她相亲被刁难，他主动上前护她。\n不敢坦白过往，只能以朋友相伴。告白在即，误会却逼走林知夏。阔别三年再度相见，他下定决心，这次绝不放手。

“黑豹”查德维克-博斯曼遗作！改编自两次普利策奖得住奥古斯特-威尔逊的同名戏剧和传奇“蓝调之母”玛-雷尼的生平！奥斯卡最佳女配角得主维奥拉-戴维斯…

加拿大新锐导演罗伯特·布德里奥和 《爱在黎明破晓时》男星伊桑·霍克携手合作的《生为蓝调》，跳脱传统传记电影的钻研考究，在虚实互映的构组拼贴中，重现爵士乐手查特·贝克充满传奇色彩的戏剧一生。

Darkside Blues (Japanese: ダークサイド・ブルース, Hepburn: Dākusaido Burūsu) is a manga series by Hideyuki Kikuchi. The story has been adapted into an anime film directed by Yoshimichi Furukawa. The film was originally licensed by Central Park Media and then later licensed by ADV Films. The story involves the town of Kabuki-cho, home of a resistance faction called Messiah. In the futuristic setting, Kabuki-cho is one of the last places of freedom because the Persona Century Corporation has taken control of the majority of the Earth. Kabuki-cho is hence known as "The Dark Side of Tokyo". Furthermore, a mysterious stranger called Darkside appears to protect the citizens of Kabuki-cho.

Clint Eastwood directed and hosted this final segment of the seven-part Blues documentary which was aired on PBS in the United States and then released on DVD. Eastwood has been a longtime fan of the piano and of blues and jazz artists. He once did a movie called "Bird" about jazzman Charlie Parker. Here, Clint sits at the piano next to people like Ray Charles, Dave Brubeck, Marcia Ball, Dr. John and others and interviews them. Most aren't good interviewees and say very little, especially Charles who revealed nothing about himself or his music; absolutely no insight. Brubeck does a beautiful number but its jazz, not blues. Apparently, Eastwood forgot this was a documentary on blues. About half of the material here is more on jazz greats, like Brubeck or Oscar Peterson, Thelonious Monk, Duke Ellington, Nat "King" Cole, etc. The best parts were clips of older and deceased piano greats like Art Tatum, who may be the best of all time, as shown here. He was awesome and I admit I knew little about the man until this episode. Other footage highlights Otis Spann and the Chicago electric blues sound, which is more like it, to blues fans like me. Charles Brown offers some good boogie while Big Joe Turner and Jay McShann, Pinetop Perkins, Pete Jolly, Fats Domino, Professor Longhair and others contribute either live or in footage. Meanwhile, film of a slinky woman in a sequined dress playing some boogie-woogie stuff was a highlight to me, too. Man, she could play and was fun to watch. I'd like to see more of her, or at least find out who she was. (I should have taken notes.). Charles, via old TV tape, concludes this episode with his bluesy version of "America" which still in unique and wonderful.