What does it mean to come from somewhere? This film focuses on California’s Native core.

一对兄妹在很小的时候就不幸分居，几年后，他们以陌生人的身份在法律的对立面相遇。

“这是正手击球时握拍的方式。只需将手臂向后移动，左肩朝向球，左脚向前迈出，击球。”

The final film by filmmaker Marlon Riggs jumps into the middle of explosive debates over Black identity. BLACK IS... BLACK AIN'T is a fi lm every African American should see, ponder and discuss. White Americans have always stereotyped African Americans. But the rigid definitions of "Blackness" that African Americans impose on each other, Riggs claims, have also been devastating. Is there an essential Black identity? Is there a litmus test defining the real Black man and true Black woman? Riggs uses his grandmother's gumbo as a metaphor for the rich diversity of Black identities. His camera traverses the country, bringing us face to face with Black folks young and old, rich and poor, rural and urban, gay and straight, grappling with the paradox of numerous, often contested definitions of "Blackness." Riggs mixes performances by choreographer Bill T. Jones and poet Essex Hemphill with commentary by noted cultural critics Angela Davis, bell hooks, Cornel West, Michele Wallace, Barbara Smith and Maulana Karenga to create a flavorful stew of personal testimony, music, and history.

1.KISS 2.男は兄女は妹 3.女になりたい 4.せつなくて 5.告白 6.悪魔のように 7.もう二人だけ 8.復讐 9.レイプ 10.結ばれた夜 11.さよなら

共青团员瓦西里（谢苗·斯瓦申科 Semyon Svashenko 饰）主动承担帮助农民购买拖拉机的责任，积极促进集体农庄的建立，并成为农庄的引领者和组织者。然而，他的行为引来了富农们的敌视和不满。在一个平静的夜晚，瓦西里与未婚妻在田野上欢愉地约会后准备回家，在途中被富农之子科马开枪打死。 这一事件唤起了全体村民的团结与觉醒，他们意识到了谁才是他们共同的敌人。新购置的拖拉机成为了农民们凝聚力的象征，他们用它推倒了土地上的界限。全体村民纷纷要求加入集体农庄，共同努力追求更好的生活。而杀害瓦西里的凶手科马最终也得到了他应得的惩罚，

影片讲述了一个关于印度政坛的故事。 印度的政治与选举，使得少数的人得以操控数千万人的生活，但这群人并不满足，仍汲汲营营的满足自己的野心，为此不惜暴力相向。 少数人玩弄政治、攫取利益，而其影响所及将超出你我的想象。

韩国SBS电视剧《土地》，是由李钟汉导演拍摄的52集电视剧，由金贤珠、柳俊尚、李在恩、金美淑主演，电视剧《土地》是以崔瑞熙这一主人公曲折的人生(从5岁到54岁)为主线，附加周围相关人物的故事为副，讲述了人们多种多样的人生。剧中能说能笑的演员们，将会把电视剧演的逼真生动，而且会让我们重新回顾已经走过的人生。

The Land, the least typical, least known, and most controversial of Robert Flaherty's films, depicts a vast and vague territory across the southern and midwestern United States. Here, in the period between the Depression's end and the beginning of World War II, abandoned farmhouses lined dusty roadways, and forgotten farm people had almost ceased to hope for a better life. On the face of it, The Land might have become the earthly counterpart to Pare Lorentz's The River, easily the best known and most widely praised American documentary film. But as it turned out, The Land pleased few people, least of all Flaherty himself. 源自：https://dmzdocs.com/eng/addon/00000001/program_view.asp?m_idx=102964&QueryYear=2023&c_idx=245&QueryType=B&QueryStep=2

两位土著妇女和她们的家族奋力抗争，阻止能源公司的输油管道摧毁她们的家园和历史。