After a family tragedy, a young girl moves from New York with your younger brother to live with their great grandmother on a Virginia farm and comes closer to understanding the land and roots that inspired her father's writings while discovering herself, the love of family, and the power of truly believing.

影片涉及的是一对从事传媒业的知识分子的感情生活和发生在1972年五月的一家香肠制造厂的罢工事件，他们和工厂经理一起被工人堵在办公室里两天两夜。在影片中，我们看到和听到经理、共产党工会代表、"新左翼"领导人、普通工人讲述他们的见解；看到工厂的作业流程；看到蒙当拍摄广告的工作，听到他讲述自己从68年起的经历和失落；看到方达作为美国广播公司驻法国代表的播音工作，也听到她的失败和烦躁；看到青年激进分子的一次超市抢劫和警察的暴力镇压；看到法国社会各阶层的"标准像"；也看到蒙当和方达共同生活中的争吵与困境。甚至他们的爱情生活也构成了时代的转喻：二人相识相爱于68年五月时对一次罢工的参与，又在72年五月的这次罢工中发现个人生活的破裂。总的来说，这是在"六十年代之终结"之后的西方社会中，对知识分子的个人生活和时代社会的整体状况的一次双重书写，是对参与的无能和表达与再现的失败的一次痛苦反省。对戈达尔，这是他对自己此前电影实践的总结，也是为此后新的探索所设立的可能起点。

A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.

Follows a dysfunctional Parisian family confronted to the tragic illness of one their children.

A trendy advertising company located in the center of Paris has for years been falsely declared in the Free Zone in La Courneuve, a domiciling that allows it to obtain aid and exemptions from charges. During a check, the tax administration realizes the deception and informs the boss. The deal is as follows, the company pays millions of euros in fines to repay the aid it has unduly received, or it must actually settle in La Courneuve and we forget the debt. Fred, the CEO, has no choice and therefore moves to the suburbs with his employees, paralyzed by this arrival in unknown territory. They are guided in this installation by a young employee employed by the city who makes the security of the free zone in which they settle.

一位女性，一间浴室，一场重大诊断。当玛丽发现自己患有多囊卵巢综合征（PCOS）时，她开始质疑自己作为女性的自我认知。

在1980年夏末，16岁的阿尔达和她的姐姐，17岁的玛丽亚，来到里斯本以躲避安哥拉内战。她们必须学会在一个外国城市生存。两个少女白手起家建立新的生活，并成长为女人。当困难几乎无法忍受时，母亲去世的可怕的消息又严重地打击了她们。然而正是这些可怕的消息给了她们力量去挑战自己的命运。

1989 年 11 月 9 日——在柏林墙倒塌和冷战结束的背景下，罗曼诺高中的高年级学生——甚至老师们——都在浑然不觉地准备着十年来的最后一次校外聚会——对一些人来说，这也是他们人生中的最后一次聚会。——马修·卢皮斯

乔希·托马斯(《请喜欢我》)将出演《一切都会好起来的》(Everything's Gonna Be Okay，暂译)，与此同时他还将操刀剧集剧本，该剧共10集。讲述托马斯饰演…