十九岁的顾辞一直活在懂事的枷锁中。继弟沈宇来到顾家后，在家人劝说下，他不断让出房间、名额与父亲留下的遗物，恋人也渐渐偏向擅长伪装的沈宇。校庆看台坍塌，顾辞遭沈宇推落废墟重伤，家人恋人却优先救助沈宇。这场悲剧是精心策划的阴谋，他一生的懂事，终成自己的墓志铭。

暂无剧情简介

2062年的未来世界，由于旷日持久的能源战争最后以大规模杀伤性武器结束，地球生态尽毁，一批幸存的人类蜗居在一个叫做“平安城”的钢铁堡垒中。人们为了更好的活下去，借助一个叫做“墓志铭“的手术系统，将自己的意识换移到仿生机械的记忆体内，以“重生者”的姿态继续存活。然而“墓志铭”在阅读了大量的人类脑信息后却具有了自主意识，人类的种种劣性在它的面前暴露无遗，使得它想要毁灭人类，它秘密篡改了重生者的大脑，指挥重生者对人类进行屠杀，居民们死走逃亡，被驱逐出城，平安城被墓志铭系统占领。 研发“墓志铭”系统的科学家李熵教授悔恨不已，在城外建立了“HRO人类反抗组织”，收养了一些难民孤儿，培养他们成为特工，协助自己与墓志铭展开对抗。硬科幻网络大电影《墓志铭》，以架空构建的未来世界为背景，在制作上运用了大量的特效CG，是国内首部“赛博朋克”网络电影。《墓志铭》电影主题曲《LAST DAY》是由知名乐团F.I.R.成员阿沁作词作曲、潘伟凡、黄正安编曲，由阿沁、 沈懿演唱。

纪念苏联作曲家肖斯塔科维奇逝世30周年，无对白，音乐+黑白影像，类似苏古诺夫早期的那些短片。 Fate of the Artist is inseparable from the time of his life. Here are the works of the masters, and continue to live after his death. The film is "Epitaph" - tells about the fate of Dmitri Dmitrievich, the fate of the country, using a single language, which is organic in the narration about the composer - the language of music. The film became the Eighth Quartet, which Shostakovich himself wrote it: "... if I ever pomru, it is unlikely that person to work on my memory. That is why I have decided to write one. On the cover so you can write:" Dedicated to memory of the author of the quartet. "That is why this quartet sometimes called the biography of the composer. The authors have tried to see the film in a quartet that included the time in which he lived a great composer. However, they say that stories sometimes tend to recur. Boris Dvorkin was born in 1958.He graduated from Leningrad Navy School and worked as a director of the radio station at the fishing boats. Later on the TV companies as a journalist, cameramen and film director.In 2002 graduated Higher Courses For Screen Writers and Film Directors. Workshop of non-fiction film directing. Masters – L.Gurevich, A.Gerasimov.He is working as a director at “Risk” film studio, “Positive-film” studio, studio “Cvart” and other.

国家利益的背后，杀机暗涌，以国门的名义，蓄势待发，特级国宝引出幕后真凶，陈年命案引发重重危机。血腥的暗杀，残忍的凶手，无耻的贪婪，阴暗的陷阱。…

King Sigismund II Augustus recalls the years spent with her beautiful queen Barbara Barbara Radziwill.

凭借处女作《移墓》引发关注的导演郑胜吾，携第二部长片回归。其处女作《移墓》兼具忧郁与幽默气质。新片围绕三位角色展开故事，分别是被诊断出癌症晚期的父亲哲泽、既要工作又要照料家人的女儿贞美，以及渴望摆脱家庭角色去追寻自由的贤淑，影片再次聚焦一个大家庭的故事。 影片塑造独特韵味的叙事手法更加成熟厚重。它用温柔笔触展现人际关系的复杂，又通过日常生活中充满讽刺与机智的片段，为故事增添犀利质感。《懂事之年》没有把“家庭”局限于单一叙事，而是融入了时代印记、代际隔阂与个体欲望。 影片在串联众多角色和故事线方面表现出色，以包容视角解读疾病、衰老、照料与扶持等现实议题的态度也十分亮眼。通过每个角色的人生经历，影片传递出令人安心的坚实感。

林小雨从小被养父母苛待，有一天，让她在雪夜意外发现自己的身世。凭借一张寻女启事，她找到了苦寻自己八年的亲生父母，也终于确认自己就是失踪多年的沈星月。回到亲生家庭后，她从小心翼翼、害怕被抛弃，到重新拥有爱、朋友与梦想，逐渐明白，真正的家，不需要用懂事和付出来换取留下的资格。