被形容为“当《堤》遇上《爱乐之城》”的这部影片聚焦在香港的菲佣社群，试图展现她们在工作之外的个人生活。主人公H梦想着能离开香港、与同性伴侣共同生活，导演通过将照片与舞蹈场景结合在一起的形式，邀请观众感受这群女性受到的禁锢，以及她们通过跳舞而重获的自由。

被形容为“当《堤》遇上《爱乐之城》”的这部影片聚焦在香港的菲佣社群，试图展现她们在工作之外的个人生活。主人公H梦想着能离开香港、与同性伴侣共同生活，导演通过将照片与舞蹈场景结合在一起的形式，邀请观众感受这群女性受到的禁锢，以及她们通过跳舞而重获的自由。

讲了美国的摩托车文化。

1996年的春节，庄树和父亲庄德增意外撞见摆摊的大林父子，看到了另一种生活的窘迫;临去时庄树吹响小号，嘹亮地奏鸣了新的一年。

农历新年真实的集体梦境——六个乘客登上隔离列车，海上旅途中向路过的渔船阿伯买野生鱼吃。终于隔离结束下了船，那晚他们与朋友狂欢一夜。隔天醒来却都变成了孤岛上的山羊……下大雪那天我们在外面溜达和过年那几天我们在一起生活。隔离与滞留，红黄绿色的生活，与更缤纷的关于生活的标语。灯光无非就是白光暖光暖白光嘛，但你看，任何一栋居民楼竟找不到相邻的灯光是完全一样的；因此，当我看到片子里想动的地方刚好被前人动了的时候，那种默契的亲近感短促地超越了所有身份和前提。 　　五位/组参与者，抽签决定次序，每人/组有48小时接力时间完成剪辑和上传，传至下一位，十天为一轮。休息，重新抽签后再进行一轮。2022年1月17日启动，两轮结束（2月7日）后，经由共同讨论、自愿认领翻译和上字幕成片。 　　参与者与次序： 　　张子木、冯喆&潘赫、万青、陈嘉璐、钟慧侦 　　张子木、陈嘉璐、冯喆&潘赫、万青、钟慧侦 　　Born to Fear? 　　Theater 44 Collective Video Editing Project Vol. 2 　　A real collective dream of the Lunar New Year - six passengers board the quarantine train, and buy wild fish to eat from a passing fishing boat during the sea journey. Finally the quarantine ended, they get off the ship, partied with friends all that night. The next day, they wake up and find out all of them become goats on an isolated island ...... on the day of heavy snow, we skipped outside, we lived together during those days of Lunar New Year. Isolation and stagnation, red, yellow and green daily life, and more colorful slogans about life. The lights are just white light, warm light and warm white light, well, but you see, any residential building can't even find adjacent lights are exactly the same; therefore, when I see the footage that I want to edit has been done by former persons, that tacit intimacy shortly transcends all identity and premise. 　　A total of five participants/groups are drawn in order, with each person/group having a 48-hour relay to complete editing and uploading before the next person takes their turn, in a ten-day round. After that there is be a break and a redraw for another round. The first round starts on January 17, 2022, and the video is finished after two rounds (February 7), a discussion session, and voluntary labor of translating and subtitling. 　　First Round: Zhang Zimu, Feng Zhe & Pan He, Wan Qing, Chen Jialu, Zhong Huizhen 　　Second Round: Zhang Zimu, Chen Jialu, Feng Zhe & Pan He, Wan Qing, Zhong Huizhen

刘宏曾在电影制片厂工作，如今赋闲在家。老邻居陆续搬走，单位拆迁即将改建商圈，好友意外离世，让他面临生活的烦恼，正当他和妻子决定要搬离旧居时，妻子意外受伤，让他改变了，重新获得了生活的动力。

爱丽斯·罗伯茨教授身怀着她的第二个孩子，她想在他出生之前探索“人之为人”这个问题。人类基因中有99%的部分是与黑猩猩相同的；然而从出生的那一刻起，人类的生活就完全不一样。所以，人类是否仅仅是一个普通的物种，抑或人类有特殊之处？ 爱丽斯教授探索了我们的身体结构、我们的基因、以及最终我们的大脑，试图发现什么终究造就了人类。

系列片《我们为何而战》的内容涉及许多国家的政治、经济与文化传统，影像也来自许多国家，犹如一部现代史缩影。这些影片在美国国内起到了“军号” 作用，在美国之外则履行了外交职能。在这些影片中，“同盟国”的观念是以“自由世界”一词加以概括的，这种做法虽然把许多不恰当的问题完全置之度外，却也成为了这些影片在同盟国大受欢迎的重要理由。《英国战役》根据丘吉尔的命令在英国广泛放映，《俄国战役》则根据斯大林的命令在苏联各地放映。但是，卡普拉及其摄影队拍摄的影片并非全都获得了...

该片检视美国军事与工业的共生关系，表达这一体系的存续仰赖持续不断的战争的论点。

Alice and Niklas are happy, they lack nothing - but a child. After several failed invitros, they go on a holiday to Sardinia to leave their wish for a child behind. Right there, however, everything they tried to repress resurfaces. A cheerful Tyrolean family moves directly into the neighboring house and seems to have everything that Alice and Niklas lack in life. An unforeseen incident changes their view on life, in which the most natural thing in the world does not avail.