梅丽莎和她的家人在暴风雨中寻求庇护，他们被困住了。没有救援的迹象，开始有恐怖的事情发生，梅丽莎开始意识到她的女朋友艾米可能与威胁她的家庭的恐怖…

在这部电影中讲述了伊朗沿海地区一个小村庄从事的地下经济活动，从一开始的走私货物到人口，形势变得更加严峻。墨图是这伙由年轻人组成的犯罪团伙的首领，经营着通过海上船只走私大量货物的非法事业。他们的家族成员也参与其中，只不过墨图的父亲却在偷渡外国人的时候意外失踪了。没有人知道他去了哪里也不确定他是否还活着。墨图的生意也变得更加危险，他需要面对的还有来自妻子日益加重的压力以及威胁到自己的疾病。 　　该片获得2009年鹿特丹国际电影节最高荣誉金老虎奖以及1万5千欧元的奖金。这部影片是伊朗人拉玛汀·拉瓦费波尔的电影处女作，独立完成了其中的导演、编剧、制片和剪辑等多项工作。影片以纪录片式的风格真实再现了伊朗风貌，并且透过一个小村庄发生的悲剧故事来反应传统生活逐渐瓦解，转而被现代快餐消费的社会所取代。

十五年前，三个年轻人的离世让这座原本沉闷的海滨小镇陷入了巨大的伤痛之中。而如今，一名年轻女子的神秘死亡，再度撕开了那尚未完全愈合的旧伤疤。

十五年前，三个年轻人的离世给这座沉闷的海滨小镇带来了巨大的伤痛。如今，一名年轻女子的神秘死亡又撕开了旧伤疤。

一对恋人，在美丽的日子结束不美丽的人生。

1983年，导演的24岁姐姐出现精神分裂的症状。从事医学研究的父母却无法接受这个事实，不仅拒绝为她寻求治疗，更选择将女儿长期锁在家中，以保护为名行囚禁之实。弟弟对此深感困惑，拿起摄像机开始记录家庭日常。导演翻找原本温馨私密的家庭视频，忍痛翻开伤口，审视亲情与疾病、伦理与抉择之间的复杂纠缠，诘问社会对精神病的偏见以及日本传统观念的束缚，反问自己面对着无法重来的过去——「我们当时究竟该怎么做？」

By recreating personal stories though testimony, poetry and archival material, the artist and performers explore deep traumas that no single place or language can contain. Abkhazia, the disputed state on the Black Sea – once an opulent Soviet holiday resort with a multi-ethnic population – became a symbolic ghost town following the 1992-93 war with Georgia. Here, fragmented memories and dreams destroyed by violence and exile are exhumed through interpretive re-enactment and haunting sound.

影片以一对恋人在美丽日子结束不美丽人生为题。

By Our Selves documents a four-day walk made by the English Poet John Clare. Toby Jones, Iain Sinclair and a Straw Bear follow in his footsteps exactly 150 years after his death. En route they bump into Macgillivray, Dr Simon Kovesi and the wizard Alan Moore. Meantime the journey is narrated by Toby’s father Freddie, a maverick actor who featured in numerous David Lynch films. 　　John Clare’s escape from Epping Forest; an epic march through hunger and madness, is an English journey to set beside ‘A Pilgrim’s Progress’. Andrew Kötting, hyperkinetic camper-van captain of Gallivant, sets out in hot pursuit, dressed as a Straw Bear. Father and son, Freddie and Toby Jones, are possessed by the spirit of Clare, and locked in Beckettian embrace: one all-voice and one all-mute. 　　The writer Iain Sinclair watches from the shadows, Alan Moore waits like a bearded figure of fate, in Northampton and Dr Simon Kovesi hands out the medicine. Captured in lustrous black and white photography, they discover the only truth of the road; whatever our hopes and delusions, we are always by ourselves. The film is inspired by Iain Sinclair’s Edge of the Orison and John Clare’s Journey out of Essex.

WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.