1990年夏天，埃尔莎和父亲前往法国南部度假。他们在山间的一座房子里与他的老朋友以及他们的四个孩子团聚。大人和孩子们之间快速找回了往日的亲密感。然而，埃尔莎开始暗暗担忧日益加剧的火药味。

Tre Manchester的处女座 自编自导

Yuuto Matsubara is a 27-year-old man who works in the sales department of a major toy maker, but he isn't able to pursue his dreams, and he feels hollow every day. He's even given up on love with his childhood sweetheart Ai. One day a "Time Driver" robot that runs on the power of dreams appears in front of him, and he is forced into the cockpit against his will. Inside is a 12-year-old version of himself.

At this moment you can be anywhere, doing anything. Instead you sit alone before a screen. So what is stopping us from doing what we want, being where we wanna be? Each day we wake up in the same room, following the same path to live the same day as yesterday. Yet at one time, each day was a new adventure. Along the way something changed. Before, our days were timeless, now our days are scheduled. Is this what it means to be grownup, to be free, but are we really free? Food, water and land, the very elements we need to survive are owned by corporations. If you try to take what earth provides you’ll be locked away, so we obey their rules. We discovered the world through a text book, raised not to make a difference in this world, raised to be no different. Smart enough to do our job, but not to question why we do it. So we work and work left with no time to live the life we worked for. If you live in America there is a 41% chance you will get cancer. Heart Disease will kill one out of 3 Americans. We’re told that everything could be solved by throwing money at scientists so that they can discover a pill that makes our problems go away. But the drug companies and cancer societies rely on our suffering to make a profit. We think we running for a cure but really we running away from the cause. Our body is a product of what we consume and the food we eat is designed purely for profit. We fill ourselves with toxic chemicals, the bodies of animals infested with drugs and diseases. But we don’t see this. The small group of corporations that own the media don’t’ want us to. Surrounding us with a fantasy we’re told is reality. It is not too late, we can change it.

Amazon过去预订一部半小时未命名喜剧试映集（前名《同光谱 On the Spectrum》），这部Jason Katims负责的喜剧改编自以色列剧《同光谱》，讲述三个20多岁﹑同样患有自闭症光谱的室友（患有此自闭症的特征是缺乏社交活动，并会重复某种行为），他们都渴求找到能持久下去的工作﹑朋友﹑伴侣，以及共同应付这个不太欢迎他们的世界。 Rick Glassman饰演Jack，聪明的他是个出色的电脑程序员，但他毫无过滤式的诚实往往搞垮了身边的事。诚挚的他不懂得处理﹑表达自己的情感，这很大程度上影响了他为数不多的关系。Sue Ann Pien饰演Violet，她是个会展示自身任何感觉的人，最大的希望是能像同龄人一般找到好工作及男友。 Albert Rutecki饰演Harrison，热切﹑有爱﹑易笑﹑慷慨（假如有钱时）的他是个忠心好友，但完全不会社交，一方面是他对离开公寓的强烈抵制，另一方面则是他搞不懂应付别人的规则。Sosie Bacon饰演Mandy，幽默的她被聘请来指导三人组如何独立生活；不过在Mandy照顾室友们的同时，她亦在摸索自己的未来。Chris Pang饰演Van，Violet的可靠哥哥。虽然看着傲慢，但Van一直为妹妹而努力，并在「妹妹的唯一监护人」及「自己的29岁生活」中取得平衡。

90年代末，詹姆斯·毕夏普在好友协助下应对复杂的失恋状况，同时争分夺秒，赶在僵尸末日来临前完成自己的书。

Bronx rap artist Kemba explores the growing weaponization of rap lyrics in the United States criminal justice system and abroad — revealing how law enforcement has quietly used artistic creation as evidence in criminal cases for decades.

入围圣丹斯电影节美国纪录片竞赛。布朗克斯说唱歌手肯巴（Kemba）探索了说唱歌词在美国及其他国家刑事司法系统中日益被用作武器的现象——揭示了执法部门几十年来如何悄然将艺术创作用作刑事案件的证据。

盖・勒布朗是提线木偶工匠，却突然在工作室上吊自杀，家人震惊不已。长子安德烈为保护感情脆弱的弟弟大卫，隐瞒了此事，且父亲遗嘱将工作室留给大卫。后来大卫与玛丽相爱成家，儿女双全，生活幸福，这让安德烈心生嫉妒，在圣诞聚会醉酒后将父亲自杀的真相告知大卫，使大卫陷入痛苦。 孩子们长大后，大卫因翻看女儿劳伦斯日记致父女生隙。劳伦斯考上大学离开，后带男友菲利克斯回家，大卫似因此解脱，留纸条去打猎后在森林上吊自杀，家人悲痛万分。尤其劳伦斯在奶奶劝慰下，决定接受现实好好生活。最终，劳伦斯偶然打开日记看到父亲遗言，选择原谅了父亲，这段充满波折的家庭故事画上了带着遗憾却也有一丝温情的句号，展现出亲情在岁月中的复杂与坚韧。