Two housewives discuss philosophical themes (actually an updated dialogue of Plato and Socrates) while doing the house work, the husband of one of them rehearses his part in a play (reading a 20th century philosophical text about totaliarism) at the theater. Returning home, the couple decide to go on vacation in the mountains.

在儿子不幸车祸中丧生后，保罗跟安妮搬到宁静的新英格兰乡村准备开始自己的新生活，但这对仍处于丧子之痛的夫妇在不知不觉中成为了别人的猎物，不久他们发现看似平静的小镇隐藏着一个可怕的黑暗秘密，现在他们必须克服恐惧与悲伤为生存而反击

三星建設海外土木設計第三課の若手社員・高橋啓一は恋人・美由紀にしばしの別れを告げ、南西アジアにある国タルキスタンに出張することになった。空港で出迎えたのは現地の支店長・中井戸と運転手のセーナ、そして貧しい子供たちの群れと戦車のパレード。高橋が呼ばれたのは三年前に政権を掌握したムイニット軍事政権によるODA事業のプレゼンテーションをするためだったが、軍の開発担当相であるカッツ大佐にはライバル会社IBCの富田がしっかり食い込んでおり、入札は案の定IBCに。だがその結果の内示があったカッツの誕生パーティーの日、突如クーデターが起こる。ゲリラの中にはセーナの姿もあった。高橋と中井戸、富田とその部下の升本の日本人商社員四人は市街戦の真っ最中の街を避け、空港にたどり着くためにジャングルを歩くはめになるが、途中の村で革命軍に遭遇、中井戸が捕まえられる。彼はスパイとして政府軍にゲリラの情報を無線で知らせていたのだった。高橋ら他の三人は何とか逃げ出すが、やはり中井戸を助けようと考え、政府軍のデジタル無線を傍受する機械を作り中井戸の命と引き換えに売ろうと戻っていく。革命の混乱の中でも彼らはジャパニーズ・ビジネスマンだった。そんな姿を自嘲気味に最低だと言い合いながら、無事助かった中井戸ともども、四人は空港に向かってオート三輪を走らせるのだった。...

After their teenage son is killed in a car crash, Paul (Andrew Sensenig) and Anne (Barbara Crampton) move to the quiet New England countryside to try to start a new life for themselves. But the grieving couple unknowingly becomes the prey of a family of vengeful spirits that reside in their new home, and before long they discover that the seemingly peaceful town they've moved into is hiding a terrifyingly dark secret. Now they must find a way to overcome their sorrow and fight back against both the living and dead as the malicious ghosts threaten to pull their souls - and the soul of their lost son - into hell with them. Written by Dark Sky Films

After their teenage son is killed in a car crash, Paul (Andrew Sensenig) and Anne (Barbara Crampton) move to the quiet New England countryside to try to start a new life for themselves. But the grieving couple unknowingly becomes the prey of a family of vengeful spirits that reside in their new home, and before long they discover that the seemingly peaceful town they've moved into is hiding a terrifyingly dark secret. Now they must find a way to overcome their sorrow and fight back against both the living and dead as the malicious ghosts threaten to pull their souls - and the soul of their lost son - into hell with them. Written by Dark Sky Films

讲述身处不同时空的一男一女，因一场雨而相遇的奇幻故事。

在联合国最大的会议上，从全世界来了三百个拉拉，接下来将会发生什么？两辆大巴载满拉拉前往地下夜店，她们是如何点燃了中国拉拉运动的星星之火？1995年，在北京举办的第四次世界妇女大会上，女同性恋第一次在联合国NGO论坛上获得了一个帐篷。在帐篷里，人们分享理念，建立连结，确认自己的身份……改变的力量正在浮现。 赵静和石头都是资深的拉拉活动家，她们希望从自己的视角出发，与你分享这次重要的历史事件。在片中，会议参与者、社群领导者回忆了当时的情景，在她们坦率、幽默的讲述中，这部纪录片首次将你带回那个激动人心的时刻。

A new romance for Abigail arrives right in the midst of her parent's chaotic antics. After a lifetime of dysfunctional hilarity, the family, accompanied by an estranged brother, must embrace for one last goodbye.

《我们还在这里》是对詹姆斯·库克抵达该地区 250 周年的电影回应，是对抵抗和生存的诗意而有力的陈述。 影片通过八位英雄主角，穿越 1000 年，探索亲情、失落、悲伤和坚韧的故事。 故事以一部以古代为背景的令人惊叹的动画开始，一对外出钓鱼的母女对未来产生了令人不安的愿景。 然后我们来到 1862 年，澳大利亚和新西兰的原住民都面临着可怕的未来。 1915 年，一名萨摩亚士兵发现自己身处险境，但也遇到了意想不到的善举。 除了过去的故事外，还有关于激进主义、对抗种族主义、浪漫和祖先之爱的当代故事。 最后，是一个反乌托邦未来的愿景。 《我们还在这里》汇集了动画、科幻、浪漫喜剧、古装剧等多种类型，讲述了一个面对殖民主义、种族主义和企图抹杀的坚忍故事。 这也证明了我们地区令人兴奋的新原住民电影人才。

Conceived as a cinematic response to the 250th anniversary of James Cook’s arrival in this region, We Are Still Here is a poetic and powerful statement of resistance and survival. Through eight heroic protagonists, the film traverses 1000 years exploring stories of kinship, loss, grief and resilience. It begins with a stunning animation set in ancient times, when a mother and daughter out fishing have a disturbing vision of the future. Then we are taken to 1862 where, in both Australia and New Zealand, Indigenous people confront the prospect of a terrifying future. In 1915, a Samoan soldier finds himself in a perilous situation, but also encounters an unexpected act of kindness. Alongside stories set in the past, there are also contemporary stories of activism, of confronting racism, of romance and of ancestral love. And finally, a vision of a dystopian future. Bringing together a range of genres – animation, sci-fi, romantic comedy, period drama – We Are Still Here is cumulatively a strident story of endurance in the face of colonialism, racism and attempted erasure. It is also evidence of thrilling new First Nations cinematic talent from our region.