Ambitious mid-life careerist Hanna just needs one more kid before her life is perfect. Instead, her baby daddy unexpectedly dumps her. Suddenly she finds herself without a place to live, job or family. With every fiber of her being calibrated for success, Hanna is set on getting it all back. But getting there means having to win something much more important, love and desire for herself and who she is. "The Year I Started Masturbating" is Erika Wasserman's (Silent Roar, Border) first full-length film as director.

《毕业那一年》讲述刚从大学毕业的男主角和另外两个同学共同租了一间公寓，为了爱情和追求决定留在城市打拼，他们相信凭借自己学历和聪明智慧，一定能够找到一个很好的工作，为实现梦想奠定经济基础。然而在对梦想的追去过程中，男主角逐渐感觉到他真正需要的不仅仅是事业爱情名利等有形的东西，还有许多譬如友谊、关爱、利他、信任、快乐、本真等无形的东西，明白梦想不在远方就走身边，就在平凡的工作和生活当中。

1999那年十七岁，澳门回归前夕，问题少年陈进杰因家庭问题转校后跟新同学们组成乐队，开展了一场追求音乐及寻找存在价值的青春校园励志故事。八十后澳门导演陈雅莉以初恋为题创作，关于青春，也关于澳门社会回归以来演变的故事。

Hilarious and genre-mashing, a retro-romantic, animated comedy about one girl’s determination to lose her virginity despite the pathetic pickings in the outskirts of Houston. Created by Pamela Ribon from her critically-acclaimed memoir for FX’s Cake.

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and www.molikan.com strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

2012年北京电影学院毕业作品。参与了第65届戛纳电影节电影基石单元的评选。 影片讲述了一个永恒的故事，始于手风琴老人的独白，及至戴望舒与丁香的爱情，并在其中渗入了一系列宏大的主题元素，宗教与梦境，理想与现实，新生与死亡，狂欢与孤独，意识形态的桎梏，以及对人性的深掘。其 中“随缘不变，不变随缘”的呢喃，则契如《暴雨将至》中“时间不逝，圆圈不圆”的慨叹。 影片尚在写剧本之时，就曾引起很大争议，因为它无法定义，更无法被归入某种类型。这是由梦境组成的故事，充满戏剧化的舞台感与间离感，是对现实的一种诗性描摹。

31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing himself, Streusel, a cheeky boy covered with spots, Tümai, a pretty Turkish girl, Kerstin, best friend of Tümai and very sporty, Elrond, with a heavy stutter, but regardless extremely popular and good looking, Lars and Simone, so far the only couple in the class who spend most of their time smooching and Long Jana, a girl who is at least 6 foot tall and extremely skinny.

十五岁的夏天，尚未迎来初潮的林良，陷入了成长的阵痛期：她在自身的性别与性取向中迷惘，母亲则一心想要保全婚姻，却遭到了背叛离弃。无雨的夏日，林良对自己的性向与身体产生疑惑，分崩离析的家庭、无疾而终的初恋也正在拉扯着她。

袁冰（袁秀芬 饰）是个喜欢歌唱的女孩，她为了挣脱包办婚姻的束缚在歌舞团认识了歌手豫东（马良 饰），两人克服漂泊不定的生活惺惺相惜，在经历了鲜花掌声、车陷荒野、路遇劫匪、与团里的兄弟姐妹共同战胜困难，终于化险为夷成就完美爱情。 一部以音乐为主题的现实风格影片，真实唯美，拍摄手法有点独特。迄今为止第一部也是唯一一部描写民间走穴演出团体生存现状的影片，以前从来没有注意过这个群体，给人感觉他们的故事就像迷一样流传，属于时代的印证。歌手们在五光十色的舞台上表演，现实生活中他们的喜怒哀乐爱恨情仇展现的淋漓尽致，看到一个很少涉足的领域。影片以探索揭秘的视角呈现给观众从来没有的独特体验，这个类型罕见。