The story, set in rural Calabria in the late 1940s, tells of the friendship between a single mother and the local wedding planner, the only homosexual in the village. This friendship leads her to challenge the prejudices of the community and fight to find her place in the world.

这位伊朗出生的导演返回她的出生地，寻找迷失的自己。她找到了自己的灵魂伴侣，也许这正是她想要寻找的。

阿美嫁给老王成了台湾媳妇，生了个儿子小杰。老王整日担心年龄的差距无法拴住阿美的心；小杰和同学在学校相处不融洽；远在越南的家人也需要阿美金钱上的支援。阿美与同乡的阿金在异地相遇，为原本阴霾的生活带来了一道午后的炽热阳光，让她想起了故乡的美好，却也使她疏忽了对小杰的照顾，让老王起了疑心……

尼克拉（劳拉·莫瑞特 Laura Morante 饰）和未婚夫丹（朗贝尔·维尔森 Lambert Wilson 饰）想要租一间足够大的房子开始两人的同居生活，但是受经济制约一直未能如愿。蒂里（安德烈·杜索里埃 André Dussollier 饰）喜欢着同事夏洛特（萨宾·阿泽玛 Sabine Azéma 饰），却在一次偶然之间，从夏洛特借给自己的宗教节目录像带中发现了夏洛特的秘密。 丹酗酒的问题一直没有得到解决，最终，忍无可忍的尼克拉提出了分手。寂寞和痛苦之中，丹在报纸上刊登了征友广告，希望有人能够慰藉他孤独的内心。一位名叫嘉艾尔（伊莎贝尔·卡雷 Isabelle Carre 饰）的女子回复了丹的广告，在咖啡馆里，她忐忑的等待着这个素未谋面的男人。

Adolescence can be tough, especially for young queer people who haven’t quite figured it out. We Will Never Belong charts one teenager’s quest for the truth with style and grace. Emi has recently discovered that her mother is in love with another woman, and Emi’s not handling it well. She retreats to the community, where she was born, to stay with her father and his new family and to spend time with her maternal grandmother. Things are much less confusing at her father’s, at least until her extremely intriguing stepsister shows up. Emi soon begins to understand why her mother living her life authentically was so difficult to face. With nuanced performances and gorgeous cinematography, We Will Never Belong deals with complicated family and identity issues, and does so with incredible thoughtfulness and care.

暂无剧情简介

Inspired by a true story, On the End centers on Tom (Nelson), a down-on-his-luck Montauk mechanic who finds unexpected love with Freckles (Enos), a fellow outcast. Their budding romance faces a dire threat when local elites conspire to forcibly remove Tom from his beachfront home and auto repair shop. As Tom and Freckles fight back, their love story evolves into a David vs. Goliath battle against greed and power in the rapidly changing town known locally as “The End.”

Here For Life is an uncommon story on common qiwan.cc ground. Wayward, hybrid, tender.

A mother and her daughter -- who are both victims of incest-rape perpetrated by the same man now languishing in jail -- are approached by a couple of filmmakers with an offer to produce a movie based on the two women's true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime. Another Version： A movie production company wants to make a film based on a newspaper report of a man convicted of raping his granddaughter. The producer and director interview the girl and her mother, assuring them that the film will be tastefully done. But when the women turn up for the screening, they are dismayed to find their story turned into a sexploitation flick called "Lust for Flesh." They leave the cinema halfway, feeling they have been violated all over again.

Sir Anthony Blunt, who was a Soviet agent for 25 years, is routinely questioned and gives no answers, but is knighted and works as Director of the Courtauld Institute, and presents his interrogator with a puzzle in the shape of a doubtful Titian painting. He also does art restoration work in Buckingham Palace, where he gets into an interesting conversation with HMQ.