欧吉桑喃喃呓语，踽踽独行，一个人面对即将走向尽头的生命终章。故事分成四个篇章，从夏威夷檀香山的现代大厦，回望二次世界大战前北方欧胡岛的乡村牧民。过去的鬼魂拜访了他，现时的家人与之对话，夹杂家族歷史与地方神话，衬着欧胡岛绝美的自然景致与壮阔海面，欧吉桑的身影穿梭在一个又一个的日常对话之间，交织成一幅醉心的岛屿人生诗篇。 新锐导演克里斯多福．马科托．约基深受日本与台湾新浪潮影响，岛民思维更佔据其大半生，他试着从家乡的歷史与家族的过往撷取故事，杂揉当地的传统神话，勾勒出这幅如梦似真的家族浮世绘。以土生土长的夏威夷素人演员饰演主角欧吉桑，与《疯狂亚洲富豪》亚裔女星吴恬敏有着细腻动人的对手戏。 「我想带大家探索夏威夷鲜为人知，充满鬼魅、心碎，与富有灵性之美的那一面。」──克里斯多福．马科托．约基

几个老兵都在第二次世界大战时失明，唯有在梦中还能看得见。

During World War I, a young nurse in a hospital in German-occupied Belgium is secretly feeding military information to the British. Complicating matters is the guilt she feels when she has to treat the German casualties inflicted as a result of the information she's passed on, and the fact that the local German commandant is falling in love with her.

麦克斯（Max）和他在网上认识的另一个男人塔达斯（Tadas）约会。麦克斯感到不自在且很腼腆，于是塔达斯决定主动出击。他们开始了一场环城夜游，塔达斯试图了解麦克斯，但麦克斯总是回避谈论自己。麦克斯在自己的感受和塔达斯的追问压力之间左右为难。最终，他情绪崩溃，道出了自己的真实身份。

One of the first three 16mm films made by Barbara Hammer. The filmmaker changes from a damsel in gown and crown to a leather jacket motorcycle dyke. Symbolic references to Maya Deren underscore her inspiration for Hammer.

An illuminating – and extremely rare – documentary profile of one of the greatest filmmakers of our time, Béla Tarr. Filmed during the production of his final masterpiece, The Turin Horse, this film features clips, behind-the-scenes footage and interviews with longtime collaborators. From December 2008 until June 2010, Béla Tarr gathered his “cinema family” near Budapest for his last film: The Turin Horse. This shooting family, which has been collaborating with Tarr for years or even decades, includes Tarr's wife/co-director/editor Agnes Hranitzky, cinematographer Fred Kelemen (himself a director of some renown), scriptwriter Laszlo Krasznahorkai, musician Mihaly Víg, composer Akosh Szelevenyi, and lead actors Janos Derzsi and Erika Bok. Tarr Béla: I Used to Be a Filmmaker offers an in-depth window into Tarr’s on set process. While filmmaking is "a feudal system" and “there is no democracy in art” as Tarr declares, this film reveals collaboration is essential to the making of Tarr’s cinematic art. Granted all-access, French anthropologist/filmmaker Lamoure closely follows the construction of the main set, captures intimate exchanges between the director and his actors during rehearsals, and the orchestration of elaborate shots involving heavy equipment, but as the documentary also reveals, economic ingenuity. Lamoure takes occasional detours to Budapest where he elicits revealing interviews from Bok, Vig and Derzsi, and also includes clips from Tarr's best-known previous productions, the 7-1/2 hour Sátántangó (1994) and Werckmeister Harmonies (2000), plus 8mm footage shot during the making of the former.

苏璃隐藏家世，全力扶持沈临川创业，对方事业小有成就后，待人处事越发偏颇，还时常和林潇潇走得很近。结婚纪念日当天，沈临川故意让苏璃在珠宝店陷入尴尬境地，苏心灰意冷，收回全部扶持资源。一直默默守护她的青梅陆时晏陪在她身边，两人渐生情愫。沈临川和林潇潇在私人藏品拍卖会上一心争抢贵重藏品，还打算盗取苏家重要信物寻求他人庇护。苏璃和陆时晏收集完整相关凭证，在家设宴，准备理清所有过往纠葛。

如果能重活一次！那就再重活一次！

罗杰是一位年轻的、充满自信心、有点孩子气的人。他有着非常成功的事业——走私黑钱越境。但一次行动改变了他的整个生活。面对海关人员，他失去了冷静并决定逃跑......

婚礼前夜，为救突发脑溢血的母亲，宋时宜被迫将彩礼提到五十八万。贺斯年给了钱，却在心里给她判了死刑。三年婚姻，他冷漠羞辱，她百口莫辩。直到结婚纪念日那天，她倒在急诊室门外，而他，正在港城为别人放烟花。——她死后，他才开始发疯般地找她。