Two time-traveling tourists from the future visit present day London.

达伦·阿罗诺夫斯基执导，并由其长期合作伙伴马修·利巴提克拍摄的短片。影片风格与观众对他的预期截然不同，对于非铁杆粉丝来说，可能会有点令人反感。不过影片中也有一些精彩的瞬间，而看到阿伦诺夫斯基找到自己的风格也别有趣味。

59年嘎钠金棕榈提名。Rooted in a farming culture and lifestyle, this routine drama by director Veljko Bulajic focuses on the interactions of a varied group of peasants as they are uprooted from their ancestral homes and packed off to new and better farming lands. Along the way, some travellers have time to enter into or continue a romantic liaison, while everyone responds in different ways to their forced migration. Vlak bez voznog reda was entered as a competing film in the 1959 Cannes Film Festival. 　　During the 1950s foreign directors came to Yugoslavia to make films that they were not able to make in their own countries for cultural or political reasons. 　　In 1959 Veljko Bulajic (one of De Sica's assistants) made Vlak bez voznog reda (Train without a Timetable), a neo-realistic epic about the transferral of whole villages from the poverty-stricken coastal regions of Dalmatia to the fertile plains of Vojvodina. By far his best film to date, Vlak bez voznog reda was made in the days before Bulajic embarked on a career making big budget international co-productions (usually glorifying the major battles of the Partisan war and the exploits of Comrade Tito). 　　The participants in this great migration travelled in freight cars with their few possessions. These trains travelled very slowly and their frequent stops allowed them to meet new people and undergo hitherto unknown experiences. Thus, the film becomes a picture about the possibilities of a better life for the travelling peasants, and about their desires and aspirations for their new land. 　　A film that explores human dignity, at times harshly realistic and bursting with the bitter mirth and acrid coarseness of the rough, volatile, and high-spirited people of Dalmatia, Vlak bez voznog reda is one of the best films of its time.

一位母亲在法庭上枪杀了杀害她女儿的凶手。

该剧讲述了患上渐冻症的大学生林拓与女友安知雀相爱相守，在向病魔发出挑战的日子里，激发了人们重新审视自我、珍惜“平凡”生活的故事。

罗伯已经快三十岁了，他需要决定是否要和他的女朋友玛尔塔生个孩子，但他担心自己已经不爱她了。他向他那些看起来婚姻不幸福的朋友们寻求建议，他们都告诉他，他不会做得更好，所以他不妨娶她。但当罗布最终向玛尔塔求婚时，事情并没有完全按照计划进行。

理查德（阿米特巴·巴强 Amitabh Bachchan 饰）和妻子娜蒂尼（Jaya Bhaduri 饰）结婚多年，两人共同养育着两个儿子拉胡尔（沙鲁克·罕 Shahrukh Khan 饰）和罗汉（赫里尼克·罗斯汉 Hrithik Roshan 饰），夫妻两人用无尽的爱和关怀包容着两个孩子，尽管他们其中之一拉胡尔和他们并没有血缘关系。 　　拉胡尔很早就知道了自己的身世，也十分感激对他视如己出的父母，因此，父母说的每一句话，提的每一个要求，他总是竭尽全力的去完成，有时候甚至都忘记了自己的本意。某日，拉胡尔结识了名为安佳莉（卡卓尔 Kajol 饰）的美丽女孩，两人坠入了情网，然而，理查德却似乎对安佳莉不太满意，不同意两人的婚事。于是，拉胡尔第一次做出了忤逆父亲的举动，离家出走。

理查德（阿米特巴·巴强 Amitabh Bachchan 饰）和妻子娜蒂尼（Jaya Bhaduri 饰）结婚多年，两人共同养育着两个儿子拉胡尔（沙鲁克·罕 Shahrukh Khan 饰）和罗汉（赫里尼克·罗斯汉 Hrithik Roshan 饰），夫妻两人用无尽的爱和关怀包容着两个孩子，尽管他们其中之一拉胡尔和他们并没有血缘关系。 　　拉胡尔很早就知道了自己的身世，也十分感激对他视如己出的父母，因此，父母说的每一句话，提的每一个要求，他总是竭尽全力的去完成，有时候甚至都忘记了自己的本意。某日，拉胡尔结识了名为安佳莉（卡卓尔 Kajol 饰）的美丽女孩，两人坠入了情网，然而，理查德却似乎对安佳莉不太满意，不同意两人的婚事。于是，拉胡尔第一次做出了忤逆父亲的举动，离家出走。

Jinwoo Seo, who died in an accident after being sidelined at work, suddenly wakes up in the past?! He's returned to the time before his idea was stolen and decides to quit… But when Executive Director Baek Eui-hyeon says just one thing, he ends up becoming the project lead instead!

Jinwoo Seo, who died in an accident after being sidelined at work, suddenly wakes up in the past?! He's returned to the time before his idea was stolen and decides to quit… But when Executive Director Baek Eui-hyeon says just one thing, he ends up becoming the project lead instead!