Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

加入证人保护计划之前，银行抢劫犯米克尔（尼古拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）对警方提了三个要求，而这三个要求传递出的信息表明这次银行抢劫并不像看上去那样简单……

唐僧四人取经路过平顶山，碰到了金角银角两个妖怪。妖怪施法将悟空压在山底下，又把唐僧等人抓进洞里，准备叫老母一起来吃唐僧肉。悟空施法从山底下逃出，又变作老母去救众人。他破了妖怪的五件法宝，救出了唐僧。

唐僧四人取经路过平顶山，碰到了金角银角两个妖怪。妖怪施法将悟空压在山底下，又把唐僧等人抓进洞里，准备叫老母一起来吃唐僧肉。悟空施法从山底下逃出，又变作老母去救众人。他破了妖怪的五件法宝，救出了唐僧。

In their new sketch series, Aunty Donna's Big Ol' House of Fun take viewers along for an absurdist adventure through their everyday lives.

十五年前，不幸经历陷入绝望的光。哥哥因杀人被捕，一个家庭支离破碎。 　　15年后，哥哥出狱回来，却告诉光自己是被冤枉的。 　　然后光的身边又出现了杀人事件。是复仇吗？15年前的真相究竟是什么？ 　　爱与罪的疯狂故事，即将上演

十五年前，不幸经历陷入绝望的光。哥哥因杀人被捕，一个家庭支离破碎。 　　15年后，哥哥出狱回来，却告诉光自己是被冤枉的。 　　然后光的身边又出现了杀人事件。是复仇吗？15年前的真相究竟是什么？ 　　爱与罪的疯狂故事，即将上演

影片给人们假设了另一种生活方式。让我们想象一下，有一个新的职业，就把它称为“替代”吧。我们再来想象，一个失业的人每天都在从事这个职业。这样他的工作就很辛苦，但是他用自己的方式快乐着。他什么也不用做，只在有需要的时候，忙碌几个小时，或是在其他人没有时间的时候，他去替代别人。他很容易满足，金钱并不是生活的唯一。再来想象一下，他还有一个吹萨克斯的20岁的儿子，他的儿子很幸运也很幸福，因为他是一个艺术家。再想象一下Lucia，整天不安又唯唯诺诺，她想知道隐藏在别人背后的秘密。谁又能从得到生活中得到真正的快乐呢？

影片给人们假设了另一种生活方式。让我们想象一下，有一个新的职业，就把它称为“替代”吧。我们再来想象，一个失业的人每天都在从事这个职业。这样他的工作就很辛苦，但是他用自己的方式快乐着。他什么也不用做，只在有需要的时候，忙碌几个小时，或是在其他人没有时间的时候，他去替代别人。他很容易满足，金钱并不是生活的唯一。再来想象一下，他还有一个吹萨克斯的20岁的儿子，他的儿子很幸运也很幸福，因为他是一个艺术家。再想象一下Lucia，整天不安又唯唯诺诺，她想知道隐藏在别人背后的秘密。谁又能从得到生活中得到真正的快乐呢？