Ozan is a ten-year old boy living in a small coastal town on the Aegean. His friends make fun of him, calling him an “infidel” because his grandfather Mehmet is an immigrant from Crete. Ozan is afraid of being left alone. He gets angry at his family, especially his grandfather, and he stubbornly challenges his family saying “We are Turks”. Mehmet Bey, Ozan’s grandfather, is a respected shopkeeper in the community. He takes the people of the town under his wings, and helps them with their problems. Mehmet Bey is known for his tolerance and his grandson’s attitude not only has him worried but grieves him as well. Mehmet Bey and his family were torn from their land and forced to migrate from Crete during the population exchange when he was just seven years old. Mehmet Bey’s greatest desire is to see the land of his birth before he dies. It is this longing that makes him frequently drop bottles containing letters into the turquoise waters of the Aegean. DEDEMİN İNSANLARI describes the spectacular transformation of a family and their country through the eyes of a ten-year old child and his grandfather living in a small town. As you watch this story about the people in the crowded and warm Aegean, you will once again experience the population exchange, what it means to be the “other”, the ability to belong anywhere no matter where you go, insurrections, numerous minorities, and both sides of the Aegean, but this time from a fresh perspective. The shooting of the film took place in Crete, Gökçeada, Milas, Bodrum and Söke.

Salvador Allende, the first democratic-socialist president elected was also my grandfather. On September 11, 1973 a right wing military coup seized my grandfather' life and government, forced us into exile and placed a repressive dictatorship in Chile for 17 years. Thirty-five years later, I return to Chile searching for Chicho- his family nickname - wishing to leave behind his iconic image and bring back images and memories of him and our family. But for my family there are also many unresolved feelings associated with him. Through my journey I feel their reluctance and discomfort but also I begin to understand the complexity of their emotions for over 40 years. The paradox between public and private deepens my search and mirrors Chilean society.

Sophia was always the good girl growing up and her father’s rock, but her quest to identify her unknown grandfather results in a shocking discovery: He is CHARLES MANSON, history’s most notorious criminal; and he bears striking physical similarities to her beloved father. Sophia’s discovery propels her into an underworld of Manson family members and unreliable narrators as she traces her grandfather’s life. Along the way, her genetics unlock never-before-released records and exclusive audio recordings that illuminate Manson’s pathology in startling ways. But the more Sophia uncovers, the more her relationship with her father is strained. For Sophia, there’s no turning back. What has she inherited, and how will she reckon with her family legacy?

我有个最尊贵的名字，朱允熥。我是大明太祖的嫡孙，太子朱标之嫡子。母亲是常遇春之女，舅爷是蓝玉。我是大明最尊贵的皇孙，也是大明皇位，最有分量的，最为合法的继承人。我将开创一个不一样的大明，风华无双，日月昌明。海纳百川，四海来拜。

人到中年的李磊生意失败债务缠身，却在祖父的遗物中发现抗战时的借条；在寻找债主后人的过程中，他与杜林等人相互帮助，解决了彼此困境，还传承国先辈精神，迎来生活的新希望。

消防员、国奖获得者、技术科学博士、教授——这是我祖父的官方传记。但对我来说，他只是一个教我骑自行车、陪我玩耍的祖父。我想知道他对别人来说是谁，这样我也许会原谅他因为“拯救世界”而没能来参加的所有生日。

1987年嘎纳电影节金摄影机奖。 The story, in flashback, of the death of a British Telegraph engineer in Georgia, USSR in 1920. Caught up in a civil war, and a war between his girlfriend and the women the Company send as "Christmas presents", he seeks asylum in a small patch of British territory (round one of his telegraph poles.)

影片讲述了曾是参与越战，获知许久未见的儿子自杀的消息，虽然被告知儿子是喝醉跳楼自杀，但看着悲伤的孙女、儿子身上奇怪的瘀伤，以及没有喝醉的证据，起光于是怀疑儿子的死因不单纯，警方拒绝重新调查后，起光决定自己找出儿子遇害的原因。

幽暗阴森的养老院里，住着一群苍白羸弱的老人，他们夜晚走出病房，集中到空旷的地下室，坐在储藏衣物的塑料桶中洗澡。管理员冷酷无情，空气中弥漫着压抑、无助的气息。 院长和员工似乎正在进行某种秘密活动，身着黑色胶皮雨衣的她们在电梯口迎来了西装革履的中年男人和可爱天真的小女孩。女孩被告知从此不能离开这里，错讹的中年人独自来到祖父的房间，乘其不备，将塑料布套在了老人的头上…… 2000年布鲁塞尔国际幻想电影节获奖影片。

老人罗德里格在淘金热时前去美国，反而赔了自己一生的积蓄，后来他返回西班牙，自己的儿子已经死去，留下一双女儿，在儿子的遗言里，他告诉罗德里格，这其中有一个女儿并非他的亲生骨肉……