"My name is Gianmaria, today I turned ten and everybody is partying. We live all together. All of us, cousins, uncles, aunts, Grandpa and Granma. All in the same building. And we do everything together. We even do the grocery shopping at the same store. On the first floor lives my uncle Mario, the youngest and the most dumb among the uncles. We live on the second floor. On the third floor lives my aunt Anna with uncle Franco, on the fourth is the other uncle, Gavino, the rich and stingy one. On the last floor live Grandpa and Granma. My father has spent almost one year at the hospital and since then everything has changed. He doesn't even remember what’s my name, he doesn't even remember his own name. "Your name is Antonio!" I told him. He nods his head and smiles at me, but then he forgets everything again. Mom says it would have been better if he have died. But then, after she says it, she feels guilty and starts to cry. I never cry, maybe once... or twice. I mean, I never cry. Mom says that nobody cares about Dad now and that he has became nothing to them. That everyone has abandoned him and us. And that if he had died, they all would have cried. Instead, now that he is still alive, no one cries. Because a dead man makes you cry, a living man doesn’t."

一部全面梳理中国教育现状，关注方兴未艾的教育改革的电视纪录片。 　　中国的教育向何处去，一直是从政府到民间都非常关注的焦点，随着《国家中长期教育改革和发展规划纲要》的颁布与试点工作的展开，教育这个话题再次被激活。电视纪录片《教育能改变吗》主要围绕我国当前教育改革中的热点问题进行完整的梳理，并从历史和文化的高度对中国教育的改革与创新作出思考，将中国教育问题置于国际背景下考量，关注世界范围内的教育改革，借鉴他山之石，通过芬兰、日本、德国、美国的教育实践，让观众了解到好的教育应该是什么样子的。并通过对来自中国民间的鲜活的教育现象的展示，呼吁树立“育人为本”的教育价值观，主创人员希望能对中国教育改革起到一定的推动作用。全片拍摄历时一年，采访了130位中外教育界人士、政府官员、学生、家长。 　　全片6集，分别为《起跑线上》、《学习革命》、《公平之惑》、《高考变局》、《大学危机》、《再度出发》，每集45分钟。SMG真实传媒出品。

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

本片是教小学生如何使用颜色的教学片，赤橙黄绿青蓝紫都是可视物体发出的颜色。

Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". 　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. 　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

Young Natalie tries to help her mysteriously ill best friend.

Patrick moved to France to become a renowned historian. After learning his mother is about to die, he returns to Martinique and embraces his roots.