In the 1950s, an apprentice pork butcher in Bourg-la-Reine leaves his job to go to Indochina. In this way, the young Alain Delon seeks to bring closure to a singular childhood, caught between feelings of abandonment and confinement. His parents divorced, he no longer saw his father and lived for a long time in Fresnes prison, where his nanny's husband was a guard. But his indiscipline led to his expulsion from the French Navy. Back in France, he frequented the Paris nightlife and underworld, which brought him into contact with the world of cinema, although the idea of becoming an actor never crossed his mind for a moment. It was by chance that he finally embarked on the career that made him a worldwide star.

目睹父亲在十几岁时遭谋杀，迪和哥哥泰在两种截然不同的生活方式间苦苦挣扎。这场挣扎涵盖了迪对音乐的追求、泰的街头生活，还有与胖子之间的竞争。尽管迪决心追逐成为音乐主管的梦想，但街头生活的陷阱还是再度找上了他。

我，一个重生回到80年代的打工妹，带着前世的记忆与伤痛。上一世，我倾尽所有供养的准大学生未婚夫宋明，毕业后却以“你不配”为由将我抛弃，最终导致家破人亡，与他同归于尽。这一世，当他再次带着虚伪的深情找上门，我选择当面回绝，将他曾对我说的伤人话语悉数奉还。在与过去决裂的同时，我重新看到了隔壁那个默默守护、会为我劈柴的“傻”小子林萧，原来真正的良人，一直在离我最近的地方。

《我要的不多》是 Virginie Thévenet执导， 奥雷·阿蒂卡、 让-弗朗索瓦·巴尔梅主演的法国电影，该片于1992年出品。

木下惠介遇上黑泽明的剧本，分明一部喜剧，越看下去越是人性和命运的交响曲。喜剧的前提和开篇，滑稽贪婪的房屋经纪要赶走租住其目标破房子的穷画家，跟情妇搬到画家楼上见步行步。不正经的情妇给楼下的开心快活人天天小姐前小姐后，叫得真以为自己是大家闺秀了，谁知烦恼就这么开始。当画家 的模特儿本是美事啊，给那眼睛望着真如沐在清澈河水里，但善良的眼神无声无息变了穿心箭，用心做小姐原来好痛苦。楼上叹世界楼下捱世界，孰是天国孰是地狱，就是吊诡。 @Summer IFF 2012 From a script by his more widely recognised peer, Kurosawa Akira, Kinoshita Keisuke constructs a sensitive examination of an affluent but spiritually bankrupt real estate broker forced into a fresh outlook on life by an impoverished but enlightened artist. Intending to turn a tidy profit renovating a crumbling house, the broker tries to drive the artist and his family out of the home by moving his bawdy mistress into it. The plan starts to splinter when she agrees to sit for a portrait. Kinoshita deftly balances humour and drama for an astute reflection on art, reality, commerce, and fundamental humanism.

“FRESH肖像”是“FRESH新鲜中国”纪录片频道旗下的节目，于2016年6月首播。这部剧集将镜头聚焦于不同行业的小人物，像纹身师、脏辫师、街舞爱好者、老戏骨、健身教练等。每期节目会让受访者绘制一幅自画像，并对着镜头阐述自己的“生活宣言”。

This movie is a collection of still pictures of residents of Russian countryside. Not a single word. Only long look into the camera. Landscape. Flow of time.