“你真的不记得了吗？”10年前在中学时期遭受霸凌的智媛（Ji - won），如今前去寻找记忆中的霸凌者。他们还记得那些过往的日子吗？

1974年，一名医生和他的同事前往一位寡妇家中，为一位饱受噩梦折磨的女性提供帮助。这位女性已经有一年时间未曾离开过自己的家。

Dominique Pinon talks to the camera describing his likes and dislikes, ranging from the simple such as "I hate men with a beard but no moustache" to the more touching, "I like to think that after death can't be worse than before birth." Each of his examples is accompanied by a visual demonstration. Jean-Pierre Jeunet reused this technique in his 2001 flim Amélie when introducing the characters.

某天，东京郊外的车站发生一起事故，偶然经过那里的刚（金子岳宪 饰）拍下了当时的照片，照片中的女主角妙子在事故之前显露着极其平静的表情，似乎与即将到来的惨烈事故全不相干。 未过多久，刚得知妙子还有一个名叫桐子的女儿（石坂友里 饰），于是刻意来到她的面前。他无法向桐子透露关于照片的信息，只是在相处的过程中，二人各为彼此所吸引。百感交集的故事由此上演……

影片基于苏格兰作家阿拉斯代尔·格雷所著同名小说，融合现实主义、奇幻、科幻元素，将弗兰肯斯坦的故事重塑，设定在维多利亚时代晚期，逃避丈夫虐待却不幸身亡的女子贝拉（艾玛·斯通 Emma Stone 饰），在被科学家成功复活后，心智停留在孩童阶段，却也对未知世界充满渴望；她与放荡律师私奔踏上挖掘自我的冒险，试图摆脱时代对女性偏见，追求平等与性解放。

当备受尊敬的音乐教授格雷斯·怀亚特（Grace Wyatt）的生活因悲剧而中断时，她发现自己被扔出了奢华的学术世界，陷入了教育高危青年的严酷现实。

2014年毕业季作品，作者：孔玥颖、黄智涵、王胡杨、韩佳美。

该片讲述与分手的男朋友的记忆颠倒的一女人的故事，因倦怠期而分手的情侣在颠倒的时间旅行中寻找离别与交往意义的韩版“时空恋旅人”，会给忘记的人与在近处不懂其珍贵的人重新回首的时间当作礼物。

For our tenth film we wanted to do something special. So all we did was capture our deepest powder ever, expeditions to the most remote mountain ranges, and the steepest spines on the planet. Combined with the most interesting characters on snow, and our usual low brow humor, and we have a ski movie worthy of our ten years filming the backcountry experience. Part ski porn, part documentary, this is a full on propaganda piece promoting the joys and wonder of exploring winter on skis and split-board. It's our business and pleasure to break trail with those who are willing to put in the time, education and respect the mountains deserve and record it for posterity. This year we headed out looking for Some Thing Else, and we found it.

Children from the 1960s and 1970s will be familiar with the Hanna-Barbera cartoons shown on Saturday morning TV, such as Tom & Jerry, The Flintstones and Scooby-Doo. Many will remember the studio’s iconic style. What fascinates filmmaker Richard Squires even more, however, is the voice behind the many villains in Hanna-Barbera's stable, that of actor/comedian Paul Lynde. Doozy uses his often hysterically laughing and campy bad guys to examine the relationship between sexual ambiguity and crime, the importance and meaning of voices and laughter in cartoon series, as well as the often uncomfortable symbiosis between a character and its voice: where does the former end and the actor start? The documentary also inventively echoes its subject. Full of colourful cartoon characters and brightly coloured backgrounds, Doozy turns the traditional talking heads documentary into a feast for the eyes.