他本人觉得，斯蒂芬·苏达科夫（Stepan Sudakov）一家虽本应生活幸福，却举步维艰。苏达科夫为人务实、审慎，生意也颇为成功，然而他眼睁睁看着自己公寓里这个家的根基一点点崩塌，他认为这都要怪自己的孩子。

Alix is a woman of 27 looking for the only thing she is incapable of: love. After a series of boyfriends who pass her on to each other, she finds herself in the hands of the pimp Raphaël, who works in Rome and Saint-Ouen. He sells her to a Pole. This man rapes her and leaves her for dead. She’s found by Frédéric, whose love has been repeatedly rejected after the breakup with his wife, and Hélène, a young woman who is taking care of her comatose mother. Alix and Frédéric have a sort of relationship and form two opposite poles in the concept of love, about which the film philosophises at length. Despite this charged subject, the film also maintains a light tone. I Did Not Die, a three-hour film, is made up of three parts: Par les beaux soirs d’été, followed by Le chant des séparés and ending with Par des chemins étranges. There is a surfeit of anecdotes and stories within stories are repeatedly told in an unconventional way. The imagination is unbounded, and that can occasionally seem too ambitious and repetitive but in any case it’s always surprising. You could say that Jean-Charles Fitousse has shaped his ars poetica.

田睿达是个老实巴交的农民工工头，一心只想为工人拉项目谋福利，他总觉得真心可以换真心，却低估了人性的丑陋。寒冬腊月，他舍命拉来项目，本以为大家都可以过个好年，谁知工人们却想着过河拆桥。争执中，他怀孕的妻子被惊吓早产，差点酿成大祸。田睿达终于下定决心，要跟这些工人一刀了断，走属于自己的路。

《毕业那一年》讲述刚从大学毕业的男主角和另外两个同学共同租了一间公寓，为了爱情和追求决定留在城市打拼，他们相信凭借自己学历和聪明智慧，一定能够找到一个很好的工作，为实现梦想奠定经济基础。然而在对梦想的追去过程中，男主角逐渐感觉到他真正需要的不仅仅是事业爱情名利等有形的东西，还有许多譬如友谊、关爱、利他、信任、快乐、本真等无形的东西，明白梦想不在远方就走身边，就在平凡的工作和生活当中。

1999那年十七岁，澳门回归前夕，问题少年陈进杰因家庭问题转校后跟新同学们组成乐队，开展了一场追求音乐及寻找存在价值的青春校园励志故事。八十后澳门导演陈雅莉以初恋为题创作，关于青春，也关于澳门社会回归以来演变的故事。

Hilarious and genre-mashing, a retro-romantic, animated comedy about one girl’s determination to lose her virginity despite the pathetic pickings in the outskirts of Houston. Created by Pamela Ribon from her critically-acclaimed memoir for FX’s Cake.

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and www.molikan.com strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

2012年北京电影学院毕业作品。参与了第65届戛纳电影节电影基石单元的评选。 影片讲述了一个永恒的故事，始于手风琴老人的独白，及至戴望舒与丁香的爱情，并在其中渗入了一系列宏大的主题元素，宗教与梦境，理想与现实，新生与死亡，狂欢与孤独，意识形态的桎梏，以及对人性的深掘。其 中“随缘不变，不变随缘”的呢喃，则契如《暴雨将至》中“时间不逝，圆圈不圆”的慨叹。 影片尚在写剧本之时，就曾引起很大争议，因为它无法定义，更无法被归入某种类型。这是由梦境组成的故事，充满戏剧化的舞台感与间离感，是对现实的一种诗性描摹。

31 year-old Tristan remembers the time when he was 15 and had just hit puberty. But he is not alone in this, he is with a large group of friends: Specki, a fat kid who is always stuffing himself, Streusel, a cheeky boy covered with spots, Tümai, a pretty Turkish girl, Kerstin, best friend of Tümai and very sporty, Elrond, with a heavy stutter, but regardless extremely popular and good looking, Lars and Simone, so far the only couple in the class who spend most of their time smooching and Long Jana, a girl who is at least 6 foot tall and extremely skinny.

农村姑娘小兰遭逢婚变，却未怨天尤人。她不计前嫌照顾婆婆，暴雨前独自抢收麦子后反将粮食分给全村，赢得乡亲敬重。她带领村中妇女靠刺绣手艺创业致富，历经波折终获成功，并与默默守护的二强喜结良缘。这是一个关于善良、坚韧与自强不息的暖心故事。