Another amazing find from our friends at Cine-Clasico, "Vier um die Frau" is a 1921 Fritz Lang film found in the Brazilian film archives. The period intertitles are in Portuguese but the plot is not difficult to follow, particularly with the assistance of the invaluable Herr Graf Ferdinand Von Galitzien, whose blog entry on the film (link) follows : The merchant Yquem buys his dear wife a beautiful jewel with matching earnings in a place where the city's underworld trades in fake and stolen jewelry. By chance, Yquem spots a man with whom his wife had an affair in the past. Yquem follows him to a hotel where he will write him a letter imitating his wife's hand writing. The letter invites the man to a public place where Yquem can spy on them and try to discover whether there is still something between them. This early Fritz Lang film, "Vier Um Die Frau" (Four Around a Woman) was found by chance some years ago at the "Cinemateca De Sâo Paulo", a great present for the German aristocracy and even for the longhaired moviegoers, because it prefigures much of "Dr. Mabuse", (corruption in the upper class-a very habitual practice-unscrupulous upstarts, blackmail, low class criminals, social tension.) and in the opinion of this German aristocrat, provides one of the most outstanding titles of Lang's first period. This film has excellent editing that gives vigour, speed and emotion to a story of an underworld rife with treachery and betrayal as well as a complex tale of unrequited love. The film builds to a crescendo of narrative strength that reminds one of episodes of "Die Spinnen" made by Herr Lang a year before. The acting is exceptional and the performers resist the temptation to overacting that might be expected in such melodrama. As the heroine, Carola Toelle is especially good and admirably conveys the doubts, secret desires and frustration that her character suffers. An excellent counterpoint is provided the character of her friend and confidant, a perfect vamp, who provides bad advice and is without scruples, quick to use flirting to build up her social position... Rudolf Klein-Rogge has to be mentioned, as his performance makes one recall the exceptional character Dr Mabuse, that he will immortalise two years later. The excellent main actors are given equally good support in the minor roles. It is worth mentioning as well the great photography of Otto Kanturek and the film production by Ernst Meiwers and Hans Jacoby. The importance of "Decla-Bioscop"'can be seen in the first rate production values that are so abundant in the film (great manors, hotel lobbies, the stock exchange, etc) and on the other hand the realistic depiction of less auspicious surroundings: ragged and wretched slums streets filled with the kind of characters you might expect in such places. A minor point but also a real curiosity is the inclusion of a poster for another "Decla Bioscop" production that can be glimpsed in a theater lobby.

暂无剧情简介

本作是《战斗之王！ ！我们会再次崛起》的续篇，描写了终日打架的不良少年们与伙伴和舞蹈相遇，从最底层向着梦想攀登的故事。续篇的前篇序奏于2025年2月14日上映，后篇终奏于2025年3月14日上映。

维多利亚是一名单身母亲，和女儿阿丽娜过着相依为命的生活。维多利亚买下了一套苏联时期的高层公寓，这间公寓地段好房型好装修好价格还低，为了得到这套公寓，维多利亚不惜向老板借了一笔巨款，发誓以后天天做牛做马来还债。 实际上，在这间公寓里，住着一个家养小精灵（彼得·纳塔罗夫 Pyotr Natarov 饰），房产经纪人利用小精灵的存在来赶走买下公寓的人，再用低价将公寓专卖出去，如此往复，牟取暴利。维多利亚母女两入住没多久，小精灵就开始了他的捣乱，但是善良的阿丽娜并没有将小精灵视为邪恶的化身，而是始终以童真的单纯的眼光看待他，久而久之，小精灵被阿丽娜感化了。

在德国统治的艰难岁月里，孩子们结束了无忧无虑的生活，帮助着游击队员们。大人为他们的勇敢行为感到十分高兴，并鼓励他们严守秘密，团结更多的孩子。大人们看到了新一代革命者在茁壮成长。本片反映了处于水深火热中的儿童逐渐接受革命思想，并开始成长为革命战士。战火浇灭了孩子们的童年幸福，但却洗涤了新一代的革命少年，使之为捍卫祖国和土地而奋斗不息。

当夏普被命令鞭打西班牙国王的爱尔兰皇家旅时，他面临着来自那些认为英国人正在屠杀他们在爱尔兰的亲属的人和来自内部的间谍的异议。

Set in New Zealand in 1864, follows the story of a crucial conflict of the nation's first land warfare, fought between Maori and colonial soldiers against insurmountable odds.

中央新闻纪录电影制片厂1960年摄制 摄影、编辑：苏河清、靳敬一 解说词：唱鹤龄 音乐：王震东 录音：蒋英杰 剪接：马义 内容简介 影片一开始，就是古巴民兵高呼“要古巴，不要美国佬！”的火热情景，它给了我们一个鲜明的印象：古巴燃起了反对美帝国主义的革命怒火。古巴是一个风景非常美丽，物产极其丰富的国家。十五世纪末，它被西班牙殖民主义者占领，此后一直受他们残酷统治。上世纪末，美西战争以后，美帝国主义取西班牙殖民主义而代之，继续统治古巴，人民忍无可忍，在菲德尔·卡斯特罗的领导下同美帝国主义的走狗巴蒂斯塔政权展开了英勇的战斗。斗争终于取得胜利，人民欢欣鼓舞，但是美帝国主义却不甘心，千方百计地进行阴谋破坏。 在实际生活中，古巴人民学会了只有坚决和帝国主义斗争，才有出路。古巴政府总理菲德尔·卡斯特罗下令没收美国在古巴的资本，以反击美帝国主义对古巴的经济侵略。于是民兵开进了美国糖厂，鲜艳夺目的古巴国旗飘扬在美国石油公司的油罐上。农民和起义军一起，跨上战马，冲进了美国联合果品公司的土地。为了保卫祖国，古巴全民皆兵。古巴人民今天已不再是奴隶，他们已成了古巴真正的主人。农民分得了土地，工人为人民创造财富，革命政府为工人、农民和流落在街头的不幸者，修建了大批的住宅。 影片以一百万人通过哈瓦那宣言的群众大会作为结束。他们聚集在共和国广场。菲德尔·卡斯特罗在大会上宣布，和国民党蒋介石断绝外交关系，和中华人民共和国建立外交关系。 影片“战斗的古巴”生动地表明了觉醒了的人民是不可战胜的。在他们面前，一切帝国主义都是纸老虎，都将不可避免地走向崩溃的结局。