阿雄是个高大帅气、真诚热情又开朗的小伙子，他一心梦想成为电影明星，可就是做事毛手毛脚，为此闹了不少笑话。有一回，他给未来老丈人买酒，半路上撞到一位年轻妈妈，结果错把人家的奶瓶当成酒送给了女朋友玉蝉的爸爸，好心却没办成好事。 一天，阿雄在一个剧组里饰演男招待，因一件藏有接头信物的西服上衣，稀里糊涂地卷入了一起毒品案。起初，阿雄还以为只是演戏时不小心打碎了别人的花瓶，直到两个彪形大汉紧追不舍地找上门，他才意识到事情没那么简单。在女友玉蝉和好朋友阿堂的劝说下，阿雄离开澳门，前往香港躲避。 在前往香港的邮轮上，贩毒团伙的两个彪形大汉追了上来。巧的是，刚从美国留学归来的香港林氏集团大少爷林万忠也在船上。更令人难以置信的是，阿雄和林万忠长得就像孪生兄弟一样。由于相貌和神情极为相似，一连串阴差阳错的误会接踵而至，疲于奔命的阿雄根本不知究竟……

A collection of film clips from horror movies and interviews with the actors and directors who made them.

一群义警在一所暗藏死亡危机的房子里避难。

一位警察的女儿亲眼目睹了一起残忍谋杀案，她和一位意想不到的伙伴合作揭开谜团，随后自己却成了凶手的下一个目标。

通过建筑超越历史、文化、艺术等体裁的建筑脱口秀

1899年的巴西，废除奴隶制后不久，逝者的亡灵仍在世人间游走。对于苏亚雷斯一家的女人们来说，放弃特权并适应中产阶级生活，令她们濒临疯狂。对于曾经被奴役的伊娜·纳西门托来说，在充满敌意的新世界中与所爱之人重聚，迫使她必须面对真实的自己。在巴西陷入困境的过去和破裂的现在之间，这些女性一边应对命运的巨变，一边试图创造着自己的未来。入围柏林国际电影节主竞赛单元。

A film essay about a singular couple, Paco and Manolo, two Catalan photographers from the outskirts of Barcelona, who have been together for thirty years. Both have managed to work as a single photographer and have captured their imagery in the Kink magazine, a very personal photography fanzine with an essentially Mediterranean homoerotic aesthetic. Paco and Manolo’s style can be summarized in simplicity, the use of natural light, abandoned places and simple rooms, managing to record the Sex Appeal of the working class, an unprejudiced mix of aesthetics that goes from Caravaggio to Pasolini. The method of these artists consists in being discreet witnesses of the morbidity and intimacy of those men who contact them (through Social Networks) with the desire to be portrayed naked of all prejudice. The clothes fall, the bodies are freed and the souls end up being captured by the lens of this intensely cultured, cinematic and urban couple.

在波西米亚的一个小镇上，一名年轻女孩被谋杀。侦探劳拉·林哈托娃和亚当·贝内斯展开调查，但新的证据迫使他们在日益紧张的局势下重新开始调查此案。

All Tomorrow’s Parties is a DIY concert film featuring performances from an eclectic mix of some of the most influential artists including: Battles, Sonic Youth, Belle And Sebastian, Grinderman, Iggy and the Stooges, Portishead, Mogwai, Slint, Grizzly Bear, the Yeah Yeah Yeahs, The Gossip, Daniel Johnston and The Boredoms. The film is a semi-found bricolage made from Super8, camcorder and mobile phone footage contributed by over two hundred filmmakers, fans and musicians over the festival’s recent history, with key contributions from Jonathan Caouette (Tarnation) and Vincent Moon (The Take Away Shows, Arcade Fire). All Tomorrow’s Parties is a fiercely independent festival that many music lovers regard as one of the most important music events in the world. In an intimate and communal atmosphere, free of corporate sponsorship, it serves up a heady combination of alternative music, crazy golf and chalet-living, with musicians and fans living side by side. At each festival a band or artist is chosen to gather up their favourite artists who perform over a weekend in an out-of-season holiday camp by the sea. Sonic Youth’s Thurston Moore described the festival as the ‘ultimate mix tape’.