A young female filmmaker investigating her mother’s disappearance.

讲述三个美国少女克洛伊、萨迪、莉莉都是从中国领养的，她们在23andMe(一家上市个人基因组和生物技术公司)发现彼此是有血缘关系的亲戚。三人在线上会议激励年轻女性面对关于她们错位历史的迫切问题，第一次见面后，她们开启了千载难逢中国之旅，寻找答案。

Gabrielle "Gabi" Mosely, a recovery specialist, and her crisis management team works to find missing people who they believe are overlooked by the system. Her team of experts consists of those who have either been kidnapped themselves, or have a loved one who has been kidnapped. A kidnapping victim herself, as a teenage girl, Gabi secretly kidnapped the man who abducted her, Hugh "Sir" Evans, and has been keeping him locked up in her basement for seven months. Gabi uses Sir's knowledge as a kidnapper and criminal to help her solve cases.

As a contestant in a singing casting show, Lea is asked by the TV team who she is and what makes her special. She doesn't know and begins to slip into different roles in her search for what makes her special, developing an unexpected fascination for her aunt Kati. Kati's return home as head architect for the renovation of the Residenzschloss after many years abroad reunites the family in one place. This reunion raises the hopes of grandparents Friedrich and Christel that they can join forces to give their pension, which has few visitors, a new lease of life.

“你是谁，又有什么特别之处？” 参加歌唱选秀节目的蕾雅被制片导演这样问道。她还不清楚答案。这个问题促使她开始探寻自我身份，最后她来到了家人在图林根乡下经营的森林旅馆。

1980年，一个理想主义的中产阶级电影导演企图以他手中的传媒来再现1943年的孟加拉大饥荒，以此作为社会转变的武器。村民们纷纷伸出帮助之手，有人为剧组准备了酒菜，有人带他们参观一座古老的大楼。就在这座大楼的一间房里，有一个妇女守着她瘫痪的丈夫，他就是这幢房产17个房主之一。电影开拍了，片名叫做《寻找饥荒》，入夜，影片女主角来找老人的妻子，老人静静地听她们谈话，他理解了女主角内心寂寞的恐惧。摄影队看着室内排练饥民的照片，演员们异常真实地再现了1943、1959、1971年饥荒的情景。随着摄影的进展，摄影队已经在不同程度地影响着村民的生活，一个老农埋怨他们在找回旧饥荒同时还在制造新的饥荒。

NBC获得了Geoffrey Nauffts开发的家庭剧项目《找寻美好 Find The Good》。该剧改编自Heather Lende所著的回忆录《Find the Good: Unexpected Life Lessons from a Small-Town Obituary Writer》和《If You Lived Here, I’d Know Your Name》。剧中，住在阿拉斯加小镇的主角是一位讣告写手，同时也是四个孩子的母亲。在每周撰写讣闻的过程中，这反而教会了主角如何生活。

Bruce Conner described Looking for Mushrooms in the 1975 Film-Makers' Cooperative Catalogue as a “[f]amous documentary containing full information. Special effects by Isauro Nava, Rancho del Cura, Huatla de Jimenez, Mexico. Sound by John Liniment and frenz”. In 1962, Bruce Conner left San Francisco and moved to Mexico, apparently intending to “wait out the impending nuclear holocaust” (1). He spent about a year in Mexico before running out of cash and patience, and returning to the United States. During his year in Mexico, Conner hosted psychedelic guru Timothy Leary, who he had met on an earlier visit to New York. Conner and Leary occupied themselves with mushroom hunts in the Mexican countryside. It's not clear whether their hunts were successful. But Conner's staccato home-movies of their walks – combined with movies of previous mushroom hunts in San Francisco – became his film Looking for Mushrooms. The film rushes through the rustic landscape of rural Mexico, flitting past houses and through a crumbling graveyard. It's quite a contrast to Valentin de las Sierras (1967), Bruce Baillie's serene portrait of life in a Mexican village. But the quality of the image is similar, sun-blasted colours bleached to pastel. Conner cut Looking for Mushrooms down to 100 feet in 1965 in order to fit it into an endless-loop cartridge for continuous projection. In 1967 he added a soundtrack by The Beatles (“Tomorrow Never Knows”). Thirty years later, Conner revisited Looking for Mushrooms, extending it to 15 minutes by repeating each frame five times and adding a new soundtrack – “Poppy Nogood and the Phantom Band” (1968) by Terry Riley. Later, Conner exhibited Looking for Mushrooms as an interactive sculpture, threading a print on a Moviscop viewer for museum patrons to view on their own.

寒窗十年，品学兼优的林寻靠勤工俭学度日，而高考高中后，底层打工的爸妈却向他丢来巨大惊喜—他家竟是全国首富！面对反差林寻并未迷失，保持低调态度。也正因此校花学姐对其芳心暗许，二人在重重考验后感情步入正轨。

一个名叫海蒂的年轻女孩和她患有精神残疾的母亲一起生活，她穿越全国去探寻自己和母亲的过去。