怀抱悔恨与自暴自弃的及川紫纹，为寻找人生终点而四处漂泊。最终他抵达了名为"尽果"的断崖之地，走进伫立在此的"玛古达拉屋"小餐馆。当店主玛丽亚端出热气腾腾的套餐后，因料理过于美味，紫纹不知不觉间已添了第二碗饭... 此后他暂时留在餐馆工作。在与玛丽亚、女掌柜怜子、渔夫克夫、以及同样追寻死亡之地的青年丸弧等人相遇的过程中，紫纹逐渐重拾生存的勇气。某日，玛丽亚突然从"尽果"消失... 原来这位始终带着笑容从容经营餐馆的女子，竟背负着惊人的秘密。

这部影片出自圣经《马太福音》、《马可福音》、《路加福音》、《约翰福音》四部福音书所记载的耶稣生平，由耶稣的跟随者--圣经中称为“抹大拉的马利亚”叙述，她的叙述生动细致地再现了2000多年以前耶稣真实的生命历程。故事的开始于巴勒斯坦-主后40年耶稣升天后，抹大拉的马利亚回忆开始....

With a sense of strange timelessness, this fable immerses us in the daily life of a child fascinated by the elusive rays of the sun that stir life on the atypical lands of Himalia.

Mario is in Hannover to work as a miner but after loosing his job he decides to go back to Italy. When Totonno steals his passport to avoid the police and later on he offers him a new job as "magliaro" (cloth seller), Mario changes his mind and decides to follow Totonno to Hamburg. In Hamburg, Totonno and his friends have to sell Mayer's cloth but they meet with the hostility of a Polish gang and Mario falls in love with Paula Mayer.

自耶稣离世后，抹大拉的玛利亚便与世隔绝。她青丝成雪，以浆果为食、雨水为饮，枕眠于林间树影之中。孤身立于密林深处，她追忆着逝去的爱人，一心寻觅重逢之路。 雨中、风里、雾霭间，穿越层林与洞窟，一帧一帧，一幕一幕，深沉的谜团缓缓铺展。这谜团如覆在抹大拉的玛利亚肩头的斗篷般厚重。她既非背负原罪的女子，亦非蒙恩救赎的灵魂，而是一位深情至笃的恋人，将对基督的满腔热忱坚守至终。这份执念，是信徒对神的虔诚信仰？还是爱人对心上人的刻骨眷恋？她的每一寸肌肤，都铭记着那场璀璨的相遇 —— 自那以后，生命里的每一刻都被其点亮。 达米安・马尼韦的影像之作，为观众笼罩上一层朦胧缥缈的氛围。影片对主题的刻画克制禁欲，对视觉的呈现却又充满感官张力。它尤为关注躯体的姿态与时空的质感—— 这份质感承载万物，又流转于众生之间。这部色调沉郁的电影，将我们带入一种原始的神秘意境之中；这意境无关烛光、香炉与《我们在天上的父》的祷词，在自然万象与幻视魅影的交织里，人类的信仰回溯至本初的异教形态。导演与其麾下表现力惊艳的女演员艾尔莎・沃利亚斯顿，成功重塑了抹大拉的玛利亚这一角色。二人携手，于爱与信仰的陡峭山巅之上，绽放出极致的美学光芒。

Since the death of Jesus, Mary Magdalene has withdrawn from the world. Her hair has turned white, she eats berries, drinks rain water and sleeps among the trees. Alone in the heart of the forest, she remembers her lost love. She looks for a way to find him. —— Under the rain, in the wind or in the mist, through forests and caves, little by little, one shot after the other, a deep mystery unfurls. A mystery which is as thick as the cloak that covers Mary Magdalene. Not Mary the great sinner nor the redeemed soul, but the great lover who stays loyal until the end to her passion for Christ. Is this the passion of a believer in God ? Or the one of a lover for a man ? Every cell of her body remembers their radiant encounter which has, since it happened, illuminated every single moment of her life. Damien Manivel's cinematic creation wraps a nebulous aura around its viewers. It is as ascetic in the way it treats its subject as it is sensual in the way it makes us see things. It is particularly attentive to the bodies and to the materiality of space and time, which both carries and passes through every living creature. This dusky movie propels us into a primitive mystique which has nothing to do with candles, thuribles and « Our Father Who art in heaven » prayers, and in which nature and hallucinated visions make human faith go back to its original paganism. The filmmaker and his actress Elsa Wolliaston, whose expressivity is stunning, succeed in transfiguring the character of Mary Magdalene. Together they climb up the steep slopes of Love and Faith in beauty.

Ezekiel, a ten-year-old boy with an extraordinary hearing capability, goes every day to the forest looking for nests to steal eggs. One day, amidst the sounds of the forest, he hears the painful whining of his greyhound Maria, who is struggling between life and death.

在办公室熬过整整一夜后，这位会计师停下手中的工作，去救助一名受伤的驾车人，结果却成了两名危险暗杀者的目标。

马利亚追踪了一个陷入通奸丑闻的女人的生活，另一个因为滥交而被拒绝和忽视，第三个因为可耻的状况而被回避，还有一个被社会抛弃的寡妇，为失去唯一的儿子而悲痛。

Menkes’ spellbinding, formally inventive first feature follows detached sex worker Ida (Tinka Menkes) through the bars, flophouses and swimming pools of East Los Angeles as she moves inextricably towards an unexpected spiritual awakening. Blending poetry by Anne Sexton, Mary Daly and Gertrude Stein, with allusions to Catholicism and mediaeval witch hunts, this stylish and slow-burning psycho-noir builds to a spectacular denouement.