姚家老宅拆迁，拿到了八百五十万的补偿款，父母始终抱着传统的旧观念，认定女儿终究是外人，便将这笔巨款全部交到了儿子姚鹏飞手中。作为家中女儿的姚安澜、姚明珠和其他姐妹，多年来始终被娘家无度索取，一次次的付出换来的却从来都是理所当然，没有半分体恤，长久的消耗之下，三姐妹早已心灰意冷

家里拆迁款顺利到账，一夜之间家境大变。兄妹几人围绕这笔巨款产生巨大分歧，有人提议给母亲购置新房，可背后却各有盘算。亲情在金钱面前经受考验，隐藏已久的矛盾接连爆发，一场关于利益与孝心的家庭纷争就此上演。

社区理事长林远为保住堂弟陈浩拆迁补偿，暂缓其迁户，反遭亲族闹事网暴。陈浩执意迁户错失千万拆迁款。林远洗清污名，发展乡土非遗带领乡亲致富，陈浩母子生活落魄，道尽亲情与人情冷暖。

苏清妍夫妇十年悉心照料大姨张秀莲，为救她流产致难孕并垫付五十多万医药费。张秀莲拿到三百万拆迁款后全部分给亲子女，翻脸不认账，还联合子女诬告、陷害苏清妍。苏清妍手握证据揭穿骗局，彻底断交。最终大姨与子女众叛亲离、自食恶果，苏清妍职场晋升、试管生子，收获圆满人生。

苏清妍夫妇十年悉心照料大姨张秀莲，为救她流产致难孕并垫付五十多万医药费。张秀莲拿到三百万拆迁款后全部分给亲子女，翻脸不认账，还联合子女诬告、陷害苏清妍。苏清妍手握证据揭穿骗局，彻底断交。最终大姨与子女众叛亲离、自食恶果，苏清妍职场晋升、试管生子，收获圆满人生。

A classical ballad motif about an ageing father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order. Uher’s constant obsession with the national theme was again given voice in Three Daughters, the first introspective film about the most difficult years of Communism. His use of emotion, metaphysics, and surrealism imparted a balladic quality to his work. The confrontation of two ideologies, Catholic and Communist, in the story of nuns being expelled from monasteries at the beginning of the 1950s, bitterly acknowledged that although ideology (history) should serve people, in reality it mercilessly rolled over anyone who got in its way, even if only briefly.

A classical ballad motif about an aging father and his three daughters is quite unusually here set against the backdrop of Czechoslovakia of the 1950s. After having been expropriated, the former landowner Majda seeks refuge with his three daughters whom he had sent to a convent a long time ago. But only the youngest one is able to forgive him and she is willing to take care of him despite the threat of expulsion from the order.

The first story is about Nanda, a young man who leaves Calcutta to work as a postmaster in an isolated malaria-infested village. The postmaster is looked after by a young orphan girl, Ratan. His only solace in the village is in teaching Ratan how to read and write. The second story is about a student, Amulya, who returns to his village after finishing his exams. His widowed mother is very anxious for him to marry, and has already picked out a girl. He rejects his mother's choice and, being forced to choose some girl, marries a lively tomboy who is not ready to give up her freedom.

极寒末世里，我和母亲被父亲、爷爷奶奶及小三一家推落雪地惨死，一朝重生，我们回到了末世降临的 15 天前。看透了这家人的凉薄与歹毒，母女二人彻底决裂渣男至亲，火速变卖别墅，打造城郊温泉度假村为生存堡垒，囤物资、改设施，还收集到他们谋财害命的铁证。极寒如期而至，渣男一家弹尽粮绝、内讧惨死，而我们凭借万全准备，在温暖的堡垒里熬过两年冰封岁月，终见漫天风雪散去，暖阳重临。

本剧全程围绕林家老宅展开，核心场景仅客厅、厨房、卧室、院子四处。拆迁补偿方案下达，堂哥林大河为私吞差价，煽动全村阻止签字，用“吃里扒外”的骂名道德绑架众人。女主林小溪为救癌症母亲，顶着羞辱签字拿钱连夜离开。一年后机场改道，拆迁区成黄金地段，村民才惊觉被林大河算计。全剧在道义绑架与生存本能的极致矛盾中展开，最终林大河阴谋败露，林小溪成功救母，带家人远离是非，迎来新生。