A period film based on the historic 1945 Indian National Army Red Fort Trials.

David is a poor but ambitious Polish Jew who reinvents himself as a powerful New York business magnate. After gaining wealth, he relocates to Paris, only to have his selfish and demanding wife squander his fortune.

美女海伦引起了人神混战的特罗伊战争，长达十年的时间里，无数英雄和战士倒在特洛伊的土地上。最终，这场旷日持久的战争以奥德赛（Armand Assante 饰）想出的木马计而结束，战争胜利后，希腊英雄们纷纷归国。因决定性的战功而沾沾自喜的奥德赛对着大海夸下海口，却因此惹恼海 神波塞冬，对其施下无法回家的诅咒。固执的奥德赛执意启程，途中杀死波塞冬儿子独眼巨人，导致遭遇风暴，船员悉数遇难。此后又先后遇到女神克莉索（Bernadette Peters 饰）和孤岛仙女的纠缠，一晃十数年匆匆而过。 另一方面，奥德赛的妻子含辛茹苦抚养儿子长大，远近权贵得知奥德赛遇难身亡，纷纷赶来愈强娶奥德赛的妻子。忠贞的女人誓死等待英雄丈夫的归来…… 本片根据荷马所著的史诗《奥德修记》改编，并荣获1997年艾美奖最佳迷你剧集导演和最佳特效两项殊荣。

影片讲述了伟大法国航海家、电影人Jacques Yves Cousteau的传记故事。

Odyssey follows Natasha Flynn, a sharp-tongued, coke-fuelled London estate agent, who juggles debts, danger, and deception. Her seemingly glossy life—flashy clothes, posh loft apartment, and endless champagne—hides a spiralling mess of broken dreams, addiction and a business on the brink of collapse. Enter Dan and Will, smooth-talking loan sharks with a sinister edge. Their offer? Easy cash, if she hides a kidnapped fellow estate agent. What follows is a wild, neon-soaked ride through London’s seedy underbelly, as Natasha searches for The Viking, an old ally with violent tendencies. A bloody, chaotic showdown ensues, leaving bodies—and morals—shattered.

《奥德赛》“The Odyssey”又译《奥狄赛》、《奥德修记》、或《奥德赛飘流记》，是古希腊最重要的两部史诗之一，另一部是《伊利亚特》，相传都为古希腊盲诗人荷马所作，两部统称《荷马史诗》。《奥德赛》是西方文学的奠基之作，是除《 吉尔伽美什史诗》和《伊利亚特》外现存最古老的西方文学作品。一般认为，《奥德赛》创作于公元前8世纪末的爱奥尼亚，即希腊安纳托利亚的沿海地区，分为24卷，共12000多行。这部史诗延续了《伊利亚特》的故事情节，讲述了在特洛伊战争之后，国王奥德修斯在海上漂流10年、终与妻儿团聚的感人故事。诗人用倒叙的手法，在40多天的时间里描述了奥德赛10年里惊心动魄的经历，其中既有古希腊人同自然的斗争，也包含许多远古的神话。荷马史诗《奥德赛》上一次被搬上银幕，还是1997年 安德烈·康查洛夫斯基执导的 《奥德赛》。

克里斯福特（麦斯·米科尔森 Mads Mikkelsen 饰）拥有成功的事业优渥的收入和一位美艳性感的娇妻，俨然一副人生赢家的姿态。然而，克里斯福特拥有着并不快乐的童年，他的父亲在二十五年前离家出走从此音信全无，而如今，克里斯福特终于得到了父亲的消息，只不过是死讯。 克里斯福特带着妻子返回布拉格，去处理父亲的后事。对于这早已经物是人非的陌生故乡，克里斯福特只想尽快离开。然而，悲伤的回忆和过去的阴影却不愿意放过他，接二连三的意外让克里斯福特意识到，自己原来并未从缺失父爱所带来的伤痛中走出来。不仅如此，克里斯福特还发现了妻子惊人的秘密。

We will never know how many people were victims of communism between the October Revolution of 1917 and Stalin’s death in March 1953. Some historians say 20 million died others 50 million. Millions more worked as slaves in the Gulag, the system of mines, factories and building sites which lay at the heart of the great Soviet drive for industrialisation. Gulag is tragedy on a harrowing scale. The stories of a nightmare world, told in the words of both victims and perpetrators, continue to haunt today’s society. Slave labour built the Russian Parliament and half of Moscow. The legendary Volga Canal was built by the Gulag and if people died during their work then they would be thrown in with the cement. Gulag is a journey from a canal on the outskirts of Moscow to the deserts of central Asia and the snowy wastes of the Arctic via the heart of Russian society and history. It is not simply a story of repression but an exploration of the way the camp system stands as a metaphor for Soviet Russia for the camps combined repression with a huge economic purpose, lying at the heart of Stalin’s plans to industrialise.