一只公鸡和他的家禽伙伴踏上了前往刚果的危险之旅，以从一群俄罗斯暴徒手中夺回被盗的鸡蛋。

宋立新经营鸡蛋配送多年，却因成本上涨不得不将价格提高到十八元一盘。就在居民纷纷选择十五元低价鸡蛋时，他的生意陷入低谷。然而，他始终坚持每盘检查、每次负责。随着养老院订单的到来，真正的价值逐渐显现——便宜可以吸引顾客，但责任才能留住人心。一场关于价格、诚信与经营理念的较量，就此展开。

约瑟夫已经多年未踏上家乡的故土，这次由于母亲的辞世他终于返回家乡。他认识一位姑娘埃拉，她一直照顾约瑟夫的母亲5年，直到逝世。而埃拉对约瑟夫只有一个要求，就是他必须完成他母亲的遗愿：完成一种当地的祭祀活动。就在同去的路上，他们住进一家酒店，被酒店正在举行的婚礼所吸引，发现他们已经被对方深深的打动..

约瑟夫已经多年未踏上家乡的故土，这次由于母亲的辞世他终于返回家乡。他认识一位姑娘埃拉，她一直照顾约瑟夫的母亲5年，直到逝世。而埃拉对约瑟夫只有一个要求，就是他必须完成他母亲的遗愿：完成一种当地的祭祀活动。就在同去的路上，他们住进一家酒店，被酒店正在举行的婚礼所吸引，发现他们已经被对方深深的打动..

A father, mother, and son go to visit a chicken farm. The son catches and brings home a chicken. The father plans to eat it if the chicken doesn't lay eggs. The boy aims to save the chicken and comedy ensues.

10岁的Alexis正在用的他的观鸟望远镜偷窥某阿姨换衣服,这时候,12岁的Juliet走了进来, 他们进行了一场深入的交谈,然后..................他们互相脱掉了对方的衣服......

Produced by Syrian television, this film remains banned in Syria. The inhabitants of Sadad, a village in the Syrian countryside are seduced by promises that chicken farming will make them rich. After they abandon their usual activities, their investment turns to disaster under the watchful gaze of government officials driving Mercedes cars. Under the guise of documenting chicken farms, the filmmaker delivers a scathing critique of his government, and foretells the massive failure of its policies which have brought poverty and hunger to its people. The original print has been restored and digitized, and subtitled in English especially for this program. http://en.wikipedia.org/wiki/Omar_Amiralay http://www.pardo.ch/1996/festival96/present/parunreg.html This short film is a deeply political, intelligent portrait of rural Syrian life under the Ba'athist regime; it remains banned and even if you are not familiar with Syrian politics you'll sense why – what kind of regime would like to have soundtracks from its political rallies and slogans dubbed over shots of chickens relentlessly, mindlessly pecking away at grain! This despite initially being commissioned by Syrian state TV – what were they thinking?! Amiralay does a lot with audio in this – breaking it up, juxtaposing sections, creating eerie silences and interruptions, and the overall machine-like feel of processing that he wants to convey (people as politically manufactured). In that sense, the film is slightly more pessimistic than "Everyday Life…"; Amiralay seems to be despairing at times of people's ability to resist or disrupt the political machinery; everyone is either a small farmer, a big farmer, or a chicken!

宽大的餐桌前，坐着一个一本正经的男子。他面前的酒杯里放着一枚鸡蛋，他拿起勺子，准备享用这个无上的美味。然而奇怪的事情随即发生，当勺子敲打鸡蛋时，竟从蛋壳里发出询问的声音，“嗨，是谁呀？”。男子对此非常好奇，于是开始不断地敲打，而那个神秘的声音也从闻询变成质疑、愤怒甚至恐慌，好像在阻止可怕的事情发生一般。不过男子兴致高涨，干脆捏破了这枚鸡蛋。 恶作剧结束，奇怪的声音销声匿迹。当男子端正坐好准备进餐时，又一件奇怪的事情发生了……

一个行事风格古怪且爱炫耀的男子制作“如何做”教程视频。