Georg, who is happy with his job as a scientist, with his loving wife and with his three children, hears one day that an accident has happened in a chemical plant nearby. All of a sudden, he finds himself face to face with one of the victims. The man, whose face has been eaten away by the sour gas that escaped from the plant, is staring at him in despair. Does Georg really see the man or is this a mere hallucination? Is he becoming insane or is he more alert to the dangers of the world than the common man?

This is an ironic, sometimes frankly ridiculous and at the same time sad story about the everyday life of the so-called “upper middle class” - glorified by Woody Allen in America, but still very small in Russia among wealthy citizens. In addition to the enviable affluence, all these businessmen, movie directors, fashion directors, owners of dental clinics and their beautiful wives who are stuck in existential doubts and trivial adultery, are also united by their sonorous pioneers (Russian boy & girl scouts) past, which sometimes turns out to be much more difficult than to build a mansion in New Riga...

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

皮兰塔伊斯是一个脾气暴躁、刻薄的女人，她遭遇了一场车祸，头部被斩首，但奇迹般的是，由于她的精神力量，她仍然活着。她把头抬向皮蒂博士的房子，皮蒂博士试图进行实验来了解她的力量，并试图重新连接她的头，但失败了。Piluntha的身体开始腐烂，她需要为实验找到一个新的身体。白天，她用围巾盖住伤口，然后出去，然而，晚上，她出去寻找一个新的身体，导致此后妇女失踪的情况。与此同时，皮兰塔开始对她的堂兄维拉雷的财务主管萨肯产生兴趣。 Pilanthais a bad-tempered and mean woman who has a car accident that decapitates her head but miraculously, she is still alive due to her mental power. She carries her head to Dr. Piti's house who tries to conduct experiments to learn about her power and attempts to re-attach her head but fails. Piluntha's body then starts to rot and she needs to find a new body for the experiments. In the day, she covers the cut with a scarf and goes out however, in the night, she goes out to look for a new body, resulting in missing cases of women after this. Meanwhile, Pilantha starts getting interested in Sakkarn, her cousin Wiraree's finance.

riko首尔江南区道谷洞高级公寓区（Tower Palace）与临近仅一路之隔的板村，前者富豪们的奢华生活与板村里贫民寒酸拮据的日子可谓是“天堂与地狱”之别。在板村里，生活着育有四兄妹的单亲家庭。 表面叛逆独行的长子一男(赵汉善饰)常常惹起无端的是非，因而与碌碌无为却专制自我的父亲时起摩擦是家常便饭的事情，内心充满对家人的爱的他外出打工——挣一笔钱来改变家人生活的窘境。二女提灯（柳敏饰）虽然失聪，从小心窍伶俐的她像母亲一样默默地守护着这个家，照顾弟弟们和患了老年痴呆症的奶奶。二男（徐民宇饰）是个乖巧的模范生，青春期情窦初开的他喜欢上了住在Tower Palace的同校女孩恩荣，却因出身悬殊而羞于表白，正在无奈的苦恼之中。最小的三男（姜汕理饰）是全家最活泼天真的人，爱唱歌的他用稚嫩的嗓音去调和全家紧张的气氛。 近来关于政府要开发板村，拆除所有的木板房的传言不断，一男刚回到了家中就听到了父亲对晚归的三男严厉的责骂声。本来就对父亲有许多不满的一男偷偷在背后牢骚不断，却也分担了家里不少的活。一家人和村里的其他人，同样面临着失去时代倚之为生的土壤的残酷现实，陷入了纷乱的纠葛。本来就勉强支撑的生活眼看就要分崩离析，这家人能否在苦难中找到幸福的曙光？

康太驾车穿越壮阔的自然地带，同行的是身着婚纱的女子由纪，二人由此展开一段围绕“悔恨”的故事。

本作以驾车穿越壮阔自然的康太与身着婚纱的女子由纪为主角，展开一段关于“悔恨”的故事。

一位擅长交际的戏剧导演对自己的个人生活方向感到迷茫，他打算带着他的表演团来重新推动他的职业工作研究。

A poor Afghani leaves his family behind to earn a living as a dried fruit vendor in India. Profoundly homesick, he befriends a young girl who reminds him of his own daughter. Meanwhile, the locals are distrustful of all foreigners.