这是一部关于海洋生物和一段悲伤爱情故事的电影。影片充满了动作、浪漫元素、寓意和怀旧时刻。人类以其鲁莽的行为破坏着大气环境。正因如此，大自然向世界展开了复仇。

I saw this at the London Film Festival in 1995 or 1996. The print had been lovingly restored from sections scattered around the world, including some from archives in Moscow. Somebody near me said "I'm really looking forward to this", which was understandable, since the director, as Michael Curtiz, later made some jolly swashbucklers and Casablanca, and the LFF had previously come up with several almost unknown silent masterpieces, including Jacques Feyder's Visage d'enfants. Well, the pianist was superb and the voice-over translator (no time to translate the German titles) produced some splendid characterization. But about ten minutes in, people realised that the film was incredibly bad, and they didn't even know when it would be over as it hadn't been projected complete before. Watching it felt like existentialist hell. Which was fair enough as it's meant to be a study of sin and remorse. A young man is tempted by sex, drugs and stuff, but he falls asleep and dreams of the biblical story of the destruction of the cities of the plain, which are a bit like Vienna and populated by his low-life pals. When he wakes up, he repents. I think the sin stuff is meant to be alluring and you're meant to think that the director has been clever framing it in a moral tale. Instead, you get the idea that sin is a lot less interesting than, maybe, a novel by Jane Austen. This epic Austrian production was credited to Michael Kertesz, who became better known as Michael Curtiz. It was also the screen debut of Walter Slezak. Mary Conway (Lucy Doraine) agrees to marry the wealthy Jackson Harber (George Reimers) to save her mother (Erika Wagner) from a forgery charge. She's really in love with Harry Lighton, a poor sculptor (Kurt Ehrle). At the engagement party, Lighton shoots himself, and Mary turns vindictive and cynical. She decides to make Harber's son, Edward (Slezak), fall in love with her and she succeeds. In an attempt to save Edward, his tutor (Michael Varkonyl) tells him the story of the queen of sin, who he compares to Mary. When this doesn't work, he goes to Mary and relates the story of Lot's wife. When Mary falls asleep, she dreams, in vivid cinematic detail, about the days of Sodom and Gomorrah, in which Lighton is Lot and she is his wife. When she wakes up, she calls off the wedding and goes to Lighton, who is recovering from his wound. Haber and his son reconcile. In its European release, this picture was 18 reels long; it was cut down to eight for release in the States, but the severe editing made the story disjointed and confusing.

短片没有一个明确的剧情，而是许多种意象的拼接，其中可以看到植物、动物、男女、自然地貌、摩托车骑士、飞蛾女人等疯狂的想象，他们代表着爱与恨、生命与死亡，并且他们都在疯狂之中奔向了自我毁灭的命运。 《La dernière orgie de Gomorrhe》est un court métrage d'animation indépendant que j'ai créé en 2019, a été entièrement réalisée par moi-même et a remporté le prix de la création pour la fin d’étude de l'Académie des beaux-arts de Guangzhou 2019. Le court-métrage n'a pas d'intrigue claire, mais une épissure de nombreux types d'images. Vous pouvez y voir des imaginations folles de plantes, d'animaux, d'hommes et de femmes, de paysages naturels, de motocyclistes, de papillons, etc. Ils représentent l'amour et la haine, la vie et la mort. Tout commence et se termine, et la vie finira par mourir. Lorsque le monde s'effondre, toutes les illusions qui font disparaître les yeux des aveugles, l'argent, la société, les contraintes et les valeurs ne sont plus importantes. La mort n'est peut-être pas la fin de tout. Au contraire, une meilleure compréhension de la mort peut nous faire affronter le monde réel, et si nous pouvons voir si clairement et de manière transparente, nous travaillerons ensemble, courageusement et garderons l'esprit clair, Pour faire face à la fin de la destruction.

本片呈现了一个电视满足所有欲望的未来社会。