孤儿狗天无激活提前30天的末日系统，一星流民属性垃圾，却在南大教室遇系统BUG：躲避“五星丧尸”系花张甜甜，竟获经验值与5秒潜行技能。系统超前反应让他窥见逆袭契机，开始记录末日计划，穷小子的求生战就此拉开序幕。

孤儿狗天无激活提前30天的末日系统，一星流民属性垃圾，却在南大教室遇系统BUG：躲避“五星丧尸”系花张甜甜，竟获经验值与5秒潜行技能。系统超前反应让他窥见逆袭契机，开始记录末日计划，穷小子的求生战就此拉开序幕。

末世爆发，惶恐蔓延 李淳玉获得传承，变成了纤柔美丽的漂亮妹子? 这是闹哪样?但好像还有机会恢复。 只要救了别人，再让别人恩将仇报杀了她，李淳玉，哦不，是李纯欲就可以成为神明。 于是，李纯欲开始四处救人，救了人之后疯狂奚落嘲讽掌掴别人，试图激怒让人反杀她。

当仁慈善良无法拯救濒临崩溃的世界，他，毅然踏上以杀戮救世的逆途！无尽斩击、天隙流光、湮灭之剑，这些平平无奇的剑技，在他手中竟能蜕变为逆天的SSS级技能！末日阴影笼罩之下，他，就是那最后的希望曙光，且看他如何力挽狂澜，重塑乾坤！

当仁慈善良无法拯救濒临崩溃的世界，他，毅然踏上以杀戮救世的逆途！无尽斩击、天隙流光、湮灭之剑，这些平平无奇的剑技，在他手中竟能蜕变为逆天的SSS级技能！末日阴影笼罩之下，他，就是那最后的希望曙光，且看他如何力挽狂澜，重塑乾坤！

孤儿狗天无激活提前30天的末日系统，一星流民属性垃圾，却在南大教室遇系统BUG：躲避“五星丧尸”系花张甜甜，竟获经验值与5秒潜行技能。系统超前反应让他窥见逆袭契机，开始记录末日计划，穷小子的求生战就此拉开序幕。

周凯前世于医院病毒泄漏时，与母丧生于感染者之手。重生后在泄漏前二十分钟预警，反被众人讥笑。欲带母离 　　开，大伯母和堂弟前来逼债，以高额利息相要挟，不让其走。周凯遂与二人打赌病毒是否会在五分钟后爆发，众人皆不屑一顾。

周凯前世于医院病毒泄漏时，与母丧生于感染者之手。重生后在泄漏前二十分钟预警，反被众人讥笑。欲带母离 　　开，大伯母和堂弟前来逼债，以高额利息相要挟，不让其走。周凯遂与二人打赌病毒是否会在五分钟后爆发，众人皆不屑一顾。

黑客李沁雪中招穿越，附身被领养哥哥赵寒彻用毒药控制的赵家二公子赵明轩。在医院醒来的她遇医生林若云，林若云察觉其体内毒药与自己研究有关，格外关注。两人性格相冲却渐生情愫，赵寒彻的阻挠让他们联手，用黑客与医学技术配出解药。赵寒彻控制赵明轩父母逼其现身，实则赵明轩已解药性，正追查毒药源头与团伙。最终他们历经险境，击败赵寒彻和相关人员。

I went with a group of friends, and those who were expecting a comedy (romantic or otherwise) were sorely disappointed. This movie is a merciless indictment of a certain superficial, vicious subgroup within the gay community. In fact, if this movie were your entire view into the gay subculture, it would probably justify the whole ex-gay movement for you. (The character of Stewart probably signed up with Exodus after the events in this film.) It reminded me of Larry Kramer's Faggots in the way it tried to address the lack of genuine feeling and community within its target group. 　　While I agree that the acting and technical aspects of this film are sorely lacking, I had no problem ignoring the form and focusing on the content. Yes, it's just a movie about a cad who happens to be gay, but I can't think of another movie with this subject in the past 20 years. Most gay films these days seem afraid to turn a mirror on any part of its audience and say "you are the villain", which this movie does. I found it quite difficult to sit through the first half hour, during which we are introduced to two despicable gay men (Christopher and Larry) and two merely insufferable ones (Tom and David). Once Stewart showed up though, it was easier to feel something (other than disgust) for someone in this film, even though it was pretty inevitable what was going to happen to the poor guy. 　　As for the ending, it was no more out-of-left-field than the ending of Looking For Mr Goodbar, and at least no one wound up dead for no good reason in this movie (although even suggesting it might happen was a big mistake on the director's part).