相恋七年，知行本计划在巴厘岛向女友陆雪求婚，却被她以父亲生病为由独自抛下。身处异国、本就患有社交恐惧症的他，意外撞见陆雪实则是奔赴竹马陈艺，多年真心与付出沦为笑话。曾为救陆雪落下心理创伤的知行，七年里爱得卑微隐忍，一次次包容与原谅，只换来对方的肆意消耗。看清真相后，他彻底觉醒，扔掉求婚戒指，重拾热爱的陶艺事业。面对陆雪后知后觉的挽回与纠缠，知行果断斩断过往，考取高级陶艺师，远赴曼谷开启新生。

顾家首富千金顾之晴满心期待与未婚夫沈斯年的婚礼，耗费心力筹备好一切，一心奔赴幸福。可沈斯年心里始终装着白月光苏菲菲，为讨好对方，全然不顾两家脸面与顾之晴的感受，私自挪用两人定制的豪华婚车，当作苏菲菲宠物车。见沈斯年一味偏袒苏菲菲，对她的委屈视若无睹，顾之晴心冷至极。骄傲清醒的她不愿卑微妥协，当场当众提出退婚，彻底断绝二人关系失去顾之晴后，沈斯年才幡然醒悟，看清自己的荒唐无知，满心愧疚悔恨。

中国北方某小镇，少女在黑夜的陪伴下回到这里，故事由此展开。一顿不畅快的晚餐，一盒烟的娱乐，没有身份的奇怪男子，热闹喧嚣的麻将馆，失意沉闷的护士，害怕老婆的杀猪匠等，一个小社会里的各色人等被少年的一次次的闯入连接了起来，而这场杀戮是直接了当和毫不犹豫的，包括对自己也是一样的。

记者周枳在重男轻女的原生家庭中长大，长期被忽视的经历让她极度渴望温暖，却又习惯了独自扛下一切。一场机缘巧合，她与商界精英顾淮之达成契约婚姻。起初两人相敬如宾、关系疏离，周枳却接连遭遇职场恶意打压、原生家庭逼迫离婚、外界流言蜚语的三重打击。就在她孤立无援之际，顾淮之率先打破冷漠，用行动给予她无条件的信任与支持，默默为她扫清所有障碍。在这份坚定的守护中，周枳逐渐走出原生家庭的阴影，重拾安全感，始终坚守记者的职业初心，实现了职业与人格的双重成长。两人也从各取所需的契约关系，走向了基于尊重与理解的真心相许，完成了一场温暖的双向救赎。

随着科技的发展，人与人之间的交流越来越少，社会也变得冷漠起来，本片通过二十个借喻制作了一部手绘实验影像，希望更多的人能看到，希望人间能充满爱。

富商女强人高岚参加拍卖会时得知儿子一家遭遇严重车祸，儿子高羽川和孙子豆豆均受伤严重，危及生命，急需巨额医疗费，可无论儿媳乔昕怎么乞求，高岚却无动于衷、异常冷漠，丈夫蒋云凡也对高岚的做法表示愤慨，面对众人指责，高岚却不以为意，反唇相讥，直至警察赶到才终于真相大白，原来所谓的车祸是假的，高岚的孙子、儿子、儿媳，甚至丈夫全都是假的，这几个冒牌货绑架囚禁了高岚的儿子，然后取而代之。

In the title of this film we have the diagnosis of a mental illness. The title of George Bernard Shaw's play Heartbreak House is a formula-symbol introduced by the great British wit in order to describe Europe before the First World War. The Russian filmmaker discerned and brilliantly developed Russian Chekhovian roots of the play in his saturated with associations cinematographic composition. This was a feast of Sokurov's imagination and an anthology of almost all of his devises to be subsequently developed. Here one could find a model of a set, closely imitating the real surrounding, documentary shots juxtaposed to the deformed image, a mask of Shaw himself, and non-professional performers next to the celebrated Georgian actor Ramaz Tchkhickvadze. The film had scandalized the powers that be as early as during the process of production which had been several times interrupted and banned by various structures of officialdom — until the film was eventually released in the beginning of Perestroika, in 1987. Perhaps nowadays one of the most important for the director themes — the defenselessness of man, hiding in the house as in a cocoon in the attempt to evade the horrors of history and the problems of existence — sounds more articulately than ever. And the defense — science, technic, culture — civilization — may crash any time and crush 'proud' humankind. The film took part in the competition program of the XXXVII International Cinema Festival in Western Berlin in 1988 and got FIPRESSI award at the XV International Festival in Moscow and Special award in the memory of Andrei Tarkovsky (1987).

几乎每个人都知道塞缪尔·帕蒂这个名字，但真正了解他故事的人却寥寥无几。2020年10月16日，历史地理老师塞缪尔·帕蒂在学校外遇害。这部影片结合调查和审判，回顾了他生命中的最后十一天，以及导致他悲剧死亡的一系列事件。

暂无剧情简介

本片讲述了部队基层一个普通军官的情感故事。某基层干部在准备回家与青梅竹马，两小无猜的女友完婚之际，突然接到命令要赶赴灾区参加抗震救灾，没想到的是，抗震救灾回来后，在他身上却发生了一系列意想不到的事情.....