顾瑾深前女友出国深造，何宛洛因与他的前女友倪雪长得有几分相似，顾瑾深和何宛洛结婚。结婚三年顾瑾深一直对何宛洛冷淡，倪雪回国，何宛洛发现自己只是顾瑾深前女友的替身，伤心悲痛，决心与顾瑾深离婚，去法国生活。

陈宇在婚礼当天遭女方家临时加价，他为娶李青，钻一年车底，搭进母亲养老本买了婚车，婚礼当天李青家却要求将车过户给她弟弟，否则不上车。陈宇拒不让步，扔了捧花开车离去。他随后发律师函要求退彩礼、调查李亮前科、联合四位被李亮骗过车的姑娘集体作证，最终逼李家退回22万，李亮当众道歉，张岚的骗婚链条被连根拔起。一年后陈宇卖掉婚车为母亲买房养老，偶遇李青，两人擦肩而过。他守住底线，也守住了自己的生活。

这是一段与遗憾有关的爱情故事，女孩曾经拥有一个挚爱她的人，却没能珍惜，她一直都认为，只要她肯回头，那份爱就不会转移，其实，没有人，会不停的在原地守候。

A somber retrospective on the final days of the Sakura-tai theatrical troupe that had arrived in the island of Hiroshima to begin preparations for the staging of a play and, at 8:15 on the morning of August 6, 1945, became victims of the atomic bombing, Sakura-tai Chiru is a thoughtful examination of artistic imperative in a time of uncertainty and national crisis. Using the 1987 commemorative ceremony in Hiroshima and the dedication of a memorial to Sakurai-tai at Gohyaku-Rakanji Temple as a springboard to the re-examine the life and careers of the actors (and in particular, the troupe's director, renowned film and theater actor Sadao Maruyama who had appeared in such notable films as Mikio Naruse's Wife! Be Like a Rose!), the film is composed of a series of interviews with friends, family, and colleagues (among them, Nobuko Otawa, Eitaro Ozawa, Haruko Sugimura, and Osamu Takizawa) and re-enactments of the remaining survivors' tragic fate (four actors had survived the immediate bombing - Maruyama, Keiko Sonoi, Shozo Takayama, and Midori Naka - only to inevitably succumb to death days later). The film traces the evolution of the theatrical troupe within the context of Japanese history, from its early permutation as a government-mandated propaganda tool in the 1930s, to established actor, Maruyama's creative directorship of the splinter organization, to the Great Tokyo Air Raid of March 10, 1945 that caused several (predominantly male) actors to take indeterminate leaves of absence from the troupe in order to help their families (and city) rebuild, to the troupe's decision to send out two of the four remaining male actors in order to scout for replacement actors for their August Hiroshima engagement. These seemingly mundane operational decisions - to continue with the performance despite personal hardship and wartime uncertainty - would inevitably lead to the fate of Sakura-tai in light of the tragic context of world history. Tracing the fates of the four survivors as they sought the safety of family and friends after the atomic bombing only to endure lingering, agonizing deaths from incurable radiation poisoning, what emerges from the film's harrowing and deeply personal account is a sense of exploited and trivialized humanity in the face of military aggression and inhuman politics.

都市上班族陈野接连遭遇恋人背叛、同事构陷，人生跌入谷底。心灰意冷的他醉酒出海，不幸被洋流卷进深海，独自漂流十天后侥幸登上无人荒岛。缺水猛兽、台风狼群轮番袭来，他徒手搭建居所、渔猎觅食，与小动物相伴熬过百余日。熬过无数生死难关后，他修好残破船只，离开孤岛迎来新生。

At the end of the school year, a group of students head out to Sunset Cove and do everything they can to save their favourite beach.

沈南枝准备结束与周宴礼的婚姻，整理好了相关证据。不料周宴礼途中发生意外，落下终身行动不便的后遗症。白月光林若宁事发后看清现实，选择抽身离开。沈南枝没有心软，追回周宴礼赠予林若宁的财物，同时接手公司处理内部危机。面对周宴礼的悔悟与挽回，沈南枝不为所动。处理完所有事务，两人正式解除婚姻关系。沈南枝放下过往纠葛，奔赴向往的海边，开启专属于自己的崭新生活。

给妈妈收拾遗物时，我在最里面摸到一部早已停产的手机。是我高三时候用的。我以为丢了，原来是我妈一直藏着。充电开机，未读信息密密麻麻。发件人只有一个，江时屿。最后一条短信，停在三年前。欣言同学，这是我最后一次，给你发消息了。

A day at a Mexican beach where a married writer meets a teenager.

白菊坠入沧海，她决绝转身，再不回望那片浮华。许氏航运集团表面由许兆基执掌，暗流中却处处是利益绞杀与血缘博弈。四十八岁的许宝珠，以独女之身隐于温婉外表之下，骨子里藏着雷厉风行的决断，于大宅深院与集团中枢之间，悄然撑起一方安稳。二十二岁的许嘉盈，恰似校园里未经风霜的白莲，不慕豪门权势，却因一次无意窥见，撞破家族财务深处的隐秘裂痕。码头底层，汗水与悲欢在钢铁履带间流转；顶层会议室，权谋与算计在长桌上无声交锋。母女二人穿行于雕梁画栋、玻璃幕墙与市井烟火之间，在亲情的温存、商战的刀光与真相的迷雾中反复抉择，终将那艘百年船王巨轮光鲜甲板下的锈蚀与沉疴，一寸寸掀开于人前。