The intellectual forces at work in the Tudor era ensured it was a pivotal period for children's education. Historian Dr Helen Castor reveals how the life and education of Margaret More, daughter of Thomas More, tell a story of the transforming power of knowledge. As a child in Tudor England, and educated to an exceptionally high level, Margaret embodies the intellectual spirit of the age - an era which embraced Humanism, the birth of the Church of England and the English Renaissance. This film reveals what a revolutionary intellectual spirit Margaret More was and how the ideas that shaped her education helped change the cultural life of England forever.

The Renaissance is the remarkable story of the age in which the techniques and inspirations which had been lost since the classical era were rediscovered and reintroduced into the world of art. This episode features the work of Leonardo da Vinci, Raphael, Holbein and Michaelangelo.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

路易·德·菲耐斯版《方托马斯》的第一部。 巨盗方托马斯擅长易容，经常乔装打扮，四处活动，混淆视听，甚至还易容为警察局长，将所有人戏弄一番卷走大量钱财珠宝。然而，在记者的努力追踪和警察局长的盲打误撞下，狡猾的方托马斯终于露出了马脚

方托马斯成为了犯罪界的帝王。先是发生了皇家宫殿酒店抢劫案，接着他绑架了贝尔瑟姆勋爵。随着方托马斯的声名渐起，演员瓦尔格朗在舞台上塑造了这个头号公敌的角色。最终，于夫探长在方多尔的一点帮助下，逮捕了方托马斯，他很快就被判处送上断头台。但是……

當一個黑人嬰兒由白人父母生下時，一個家庭的生活將因此受到多大的考驗？湯瑪斯和榮恩不僅是好朋友，更是事業上的好夥伴，一直到湯瑪斯臨盆的妻子珍，生下了黑皮膚的嬰兒，原本彼此間融洽的關係，因為猜忌而漸漸瀕臨崩潰邊緣。此時，珍的母親告訴他們一個天大的秘密……

一个14岁的少年托马斯跟着母亲搬到了阿迈厄岛，他喜欢画画，平时用画画逃避现实。在新学校里，他遇到了马斯和艾玛，马斯对托马斯的画感兴趣，而艾玛对托马斯这个人感兴趣，但托马斯也有自己的秘密。

The investigation of the murder of two policemen will pit Inspector Vivancos, a tough, hardened and incorruptible guy, against his superior, Lieutenant Pajarda.

14岁少年托马斯随母亲搬到了阿迈厄岛，他热爱画画，常借画画来逃避现实。在新学校里，他结识了马斯和艾玛，马斯对托马斯的画作饶有兴趣，而艾玛则对托马斯本人颇有好感，不过托马斯也藏有自己的秘密。

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