医学鬼才玉清落独自生下儿子南南，七年后，她将独门医术发扬光大，成为世人皆知的鬼医。在给儿子南南寻找父亲的过程中，结识了风苍国皇子夜修独。因夜修独长相酷似仇人杨修成，玉清落对他深感厌恶，多次试探后才确认只是巧合，而此时夜修独已经对她情根深种。面对夜修独无条件的保护和宠爱，玉清落渐渐沉溺其中。同时，玉清落因鬼医身份被迫卷入纷争，和夜修独一起与各方势力斗智斗勇，最终意外发现夜修独竟是儿子南南的生父。两人相处过程中，玉清落彻底沦陷于夜修独的深情，最终两情相悦，一家三口呼啸山林，携手余生。

医学鬼才玉清落独自生下儿子南南，七年后，她将独门医术发扬光大，成为世人皆知的鬼医。在给儿子南南寻找父亲的过程中，结识了风苍国皇子夜修独。因夜修…

天人至尊

人文纪录片《天人长安》由《一座纪念碑式的城市》、《一日看尽长安花》、《终归南山》、《门前灞河》、《天人之际》五集组成。 　　《天人长安》是一部从西安的城市变迁、历史沿革、人文气质等角度，以世界园艺博览会为契机探讨生存哲学的人文纪录片。影片传达的最核心的普世价值，是中国文化传统中对世界的态度，对自然的态度，一种崇尚和谐共生的生存哲学。影片从“一日看尽长安花”出发，直指生活方式和生存智慧，从而与人们一起参悟生活的禅意，一起体味“生物之以息相吹”的生命体验，一起温习“人类诗意的栖居”的存在感和精神性。 　　“长安”是载体，是话语平台，同时也是愿景，是精神家园。 　　2011西安世界园艺博览会是一个契机，园艺，是城市生活方式对自然的收藏，对农耕文明的一种苍凉的回望，一种精神眷恋。纪录片《天人长安》将“天人合一”的中国价值观经由“生态化”新西安这个综合媒介再次传播给世界。 　　同时值得一提的是，本片的主题曲是由著名摇滚音乐人张楚制作。

人文纪录片《天人长安》由《一座纪念碑式的城市》、《一日看尽长安花》、《终归南山》、《门前灞河》、《天人之际》五集组成。 　　《天人长安》是一部从西安的城市变迁、历史沿革、人文气质等角度，以世界园艺博览会为契机探讨生存哲学的人文纪录片。影片传达的最核心的普世价值，是中国文化传统中对世界的态度，对自然的态度，一种崇尚和谐共生的生存哲学。影片从“一日看尽长安花”出发，直指生活方式和生存智慧，从而与人们一起参悟生活的禅意，一起体味“生物之以息相吹”的生命体验，一起温习“人类诗意的栖居”的存在感和精神性。 　　“长安”是载体，是话语平台，同时也是愿景，是精神家园。 　　2011西安世界园艺博览会是一个契机，园艺，是城市生活方式对自然的收藏，对农耕文明的一种苍凉的回望，一种精神眷恋。纪录片《天人长安》将“天人合一”的中国价值观经由“生态化”新西安这个综合媒介再次传播给世界。 　　同时值得一提的是，本片的主题曲是由著名摇滚音乐人张楚制作。

We pick up the story on our main character's bus ride home. He sits alone, looking content, trying to pass the time. Then, something seems to get in his eye, because he rubs it and then closes the buses window. Something changes about him. He looks around and feels a strange disgust in the bus filled with quiet strangers also trying to get home and minding their own business. Pavel-Ivanovich is so disgusted that he gets off the bus several stops before his home and walks, arriving at dark. From here his story begins, and we go along for his sad ride. From that evening on he sees only sadness and wrong in everything. He can't respond to kindness, and scolds those closest to him. He offends everyone. At his work he tries to go against as many people as possible, and hurt ordinary citizens too. He also feels that everyone is against him. His condition seems to worsen. How will all this end. Sure this can't be the end for Pavel-Ivanovich, a good man somewhere deep inside. 　　The brilliance of this film lies in the main character's deep state of mind. His suffering. The fact that he hurts everyone around him, feels horrible about it but still does it until he almost loses everything. If you like film's where you feel that you can relate or feel the character's emotions, you might like this film. An incredible pressure is built up throughout the film, and the last scene, for me at least, magically lifts it, if only for a couple of seconds. 　　This is a strange film, and I don't say that a lot. It is very hard to describe, but the main elements that drive the feel of this film are the main character's state of mind and the music (more than half of the film has incredible original music playing in the background). Daneliya's films have incredible music like in Autumn Marathon, Kin-Dza-Dza, and Thirty-Three. Daneliyaa was into jazz and played drums in a band way back before he started making film so his films are very rich in music. Also this film is sad, but is also a comedy. All these elements mix to make an incredible movie

因一个美丽的谎言，婚礼摄影师Koch踏上了制作有关意第绪语传统“克里兹莫”音乐纪录片的旅程。这个项目带领Koch穿越整个东欧，拼凑失落的犹太音乐遗产的碎片。本片入围第73届柏林电影节“遇见”单元最佳影片奖项，并荣获最佳首作奖。

因一个美丽的谎言，婚礼摄影师Koch踏上了制作有关意第绪语传统“克里兹莫”音乐纪录片的旅程。这个项目带领Koch穿越整个东欧，拼凑失落的犹太音乐遗产的碎片。本片入围第73届柏林电影节“遇见”单元最佳影片奖项，并荣获最佳首作奖。