为了满足自己不断膨胀的虚荣心，年轻的阿莱克桑达（Nina Ivanisin 饰）走上了出卖肉体换取金钱的道路，一次交易中，阿莱克桑达那年迈的客户突发心脏病去世了，从此，阿莱克桑达便成为了报纸和新闻里身份神秘的“斯洛文尼亚女郎”。 　　通过卖淫，阿莱克桑达积攒了一笔小钱，她在市区买了一幢公寓，没想到厄运降临了，阿莱克桑达被两名黑帮分子劫持，尽管最终阿莱克桑达安然无恙的逃出生天，但那种被人控制的恐惧感却一直萦绕在阿莱克桑达的心头。终于，阿莱克桑达的“秘密职业”被前男友发现，之后，阿莱克桑达深爱的埃杜（Peter Musevski 饰）亦知道了她的秘密。身心疲惫的阿莱克桑达最终选择了退出，她卖掉了舒适的房子，褪下了华美的衣物，这位曾经媒体里大肆谈论的“斯洛文尼亚女郎”回归了家乡。

为了满足自己不断膨胀的虚荣心，年轻的阿莱克桑达（Nina Ivanisin 饰）走上了出卖肉体换取金钱的道路，一次交易中，阿莱克桑达那年迈的客户突发心脏病去世了，从此，阿莱克桑达便成为了报纸和新闻里身份神秘的“斯洛文尼亚女郎”。 　　通过卖淫，阿莱克桑达积攒了一笔小钱，她在市区买了一幢公寓，没想到厄运降临了，阿莱克桑达被两名黑帮分子劫持，尽管最终阿莱克桑达安然无恙的逃出生天，但那种被人控制的恐惧感却一直萦绕在阿莱克桑达的心头。终于，阿莱克桑达的“秘密职业”被前男友发现，之后，阿莱克桑达深爱的埃杜（Peter Musevski 饰）亦知道了她的秘密。身心疲惫的阿莱克桑达最终选择了退出，她卖掉了舒适的房子，褪下了华美的衣物，这位曾经媒体里大肆谈论的“斯洛文尼亚女郎”回归了家乡。

《 魅力斯洛文尼亚 》是第一部以中国人的文化视角来拍摄制作的介绍斯洛文尼亚自然风光、历史传统和当代文化的系列文化纪录片。 　　影片以人物故事为叙述主线，从对人物命运的关注到历史背景的介绍，从文化传统的展现到当代社会生活的反思。《 魅力斯洛文尼亚 》以《大地深处的乐章》、《天堂印象》和《一个被爱的地方》三集分别讲述了四个斯洛文尼亚人和一对中国夫妻他们各自不同的生活、情感和他们不同的梦想。

《 魅力斯洛文尼亚 》是第一部以中国人的文化视角来拍摄制作的介绍斯洛文尼亚自然风光、历史传统和当代文化的系列文化纪录片。 　　影片以人物故事为叙述主线，从对人物命运的关注到历史背景的介绍，从文化传统的展现到当代社会生活的反思。《 魅力斯洛文尼亚 》以《大地深处的乐章》、《天堂印象》和《一个被爱的地方》三集分别讲述了四个斯洛文尼亚人和一对中国夫妻他们各自不同的生活、情感和他们不同的梦想。

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

This is a two part Slovenian documentary on the Yugoslav Wars 1991-1999. It uses extensive archive footage from Slovenian terrestrial TV. Having watched every documentary I can find on this subject I can say that much of the footage contained in this documentary is unique to it, at least from a Western European audience's standpoint. As such this is an excellent documentary for those with an interest in the fall of Yugoslavia, or those looking for an account of the wars from a Slovenian perspective. 　　As this is a war documentary be prepared for some violent/disturbing scenes. Above all of the other documentaries covering the Yugoslav wars I think that this one has some particularly gruesome images, corpses with gunshot wounds to the head, etc. The usual war footage I see on satellite TV news, rarely if ever shows such things, or when they are shown this is done so quickly, this is not the case here. I found that this does two things, firstly it hammers home the brutality of war. Secondly it illustrates the 'glossing over' of the reality of war by much of the global (or at least Western, from my own experience) media, where scenes of intense, real life violence are perhaps too difficult to swallow with an evening meal. That said, please note that this documentary is almost two hours long and these violent scenes only take up small parts of it.

Sol Svanetij (Salt for Svanetia) was made in 1929 about a remote Ukraine primitive Northern isolated area of the Ukraine where the people are poor, preyed upon and severely lack salt (animals lick blood, urine to find the precious commodity). Religion is one of the people's curses ... they donate their few coins to the Church that doesn't do much to relieve the populace suffering. Wonderful photography in the highly edited Russian style. Highly recommended

For Ian, his father's death is an emancipation. He is determined to leave behind the echo of those emotionally charged words, the desolate high-rise estate and his old home and start over again.

「週刊少年チャンピオン」で長期連載された同題の学園アクションギャグコミックをOVA化。 　　青年・拝島日明は姉・晶の身代わりとして女装して高校教師を演じることとなった。だが3日間だけという約束を反故にして、晶はそのまま恋人を追いかけてアメリカへ行ってしまう。当の日明もヤクザの関西秋貞組々長の娘に手を出して追われることとなった経緯から、身を隠すためにやむなく代役の女装を継続。だが困ったことばかりではなく、男嫌いの巨乳美人教師・松苗歌子にお近づきとなったり、はたまた女生徒を思うがままにいたぶることができたり……意外に女装も悪くないと思う日明だが、怒りが頂点に達すると顔が「怒顔（ドガン）」に変貌してしまい……。 　　本作の実制作はナックが担当。監督と作画監督はOVA「おカマ白書」シリーズの木暮輝夫が務めている。

「週刊少年チャンピオン」で長期連載された同題の学園アクションギャグコミックをOVA化。 　　青年・拝島日明は姉・晶の身代わりとして女装して高校教師を演じることとなった。だが3日間だけという約束を反故にして、晶はそのまま恋人を追いかけてアメリカへ行ってしまう。当の日明もヤクザの関西秋貞組々長の娘に手を出して追われることとなった経緯から、身を隠すためにやむなく代役の女装を継続。だが困ったことばかりではなく、男嫌いの巨乳美人教師・松苗歌子にお近づきとなったり、はたまた女生徒を思うがままにいたぶることができたり……意外に女装も悪くないと思う日明だが、怒りが頂点に達すると顔が「怒顔（ドガン）」に変貌してしまい……。 　　本作の実制作はナックが担当。監督と作画監督はOVA「おカマ白書」シリーズの木暮輝夫が務めている。